林鐘 Chime (Qing) for Linzhong (8th note in the 12-note scale)
Qing dynasty (1644–1911), Kangxi period (1662–1722)
Jade with incised gilded design
H. 11 1/8 in. (28.3 cm); W. 19 3/4 in. (50.2 cm); D. 1 in. (2.5 cm)
Gift of Major Louis Livingston Seaman, 1903
Not on view
The manufacture of sonorous stones for decoration or music from carved or cut jade may be traced to the end of the late Eastern Zhou period (ca. 771–221 B.C.) and followed in a tradition of L-shaped stone chimes known from about 1700 B.C. The great importance of sonorous substances such as wood and stone among the percussion instruments of East Asia stems from the religious belief that, through this vibrating matter, nature itself speaks to the human ear. Highly polished slabs were decorated with tiger, lion, or dragon motifs.
Inscription: 林鍾 (linzhong [the 8th note in the 12 note scale]); 康熙五十五年製 (Kangxi shi wu nian zhi; made in the 55th year of Kangxi )
Major Louis Livingston Seaman , 1903; donated to MMA
Indianapolis Museum of Art. "Chinese Jades," April 26, 1971–May 30, 1971.
London. Victoria and Albert Museum. "Chinese Jades Throughout the Ages," May 1, 1975–June 30, 1975.
Palm Springs Desert Museum. "Magic, Art and Order: Jade in Chinese Culture," February 8, 1990–April 29, 1990.
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12, 2004–August 8, 2004.
New York. The Metropolitan Museum of Art. "Chinese Painting, Masterpieces from the Permanent Collection," August 28, 2004–February 20, 2005.
New York. The Metropolitan Museum of Art. "Art of the Brush: Chinese Painting and Calligraphy," March 12, 2005–August 14, 2005.