Gentoo Pagoda and House

Artist and publisher Thomas Daniell British
1787
Not on view
Plate 4 from Thomas Daniell's "Views of Calcutta" represents an Indian dwelling with an expansive upper porch, standing next to the Nabaratna temple of the Godess Kali, known as the "Black Pagoda" or "Gentu Pagoda." Built on the Chitpore Road in 1731 by Govindram Mitter, a wealthy Hindu. The 165-foot tower was used by European sailors as a navigation point. Poor construction resulted in the tower's collapse early in the 19th century.
In 1784 Thomas Daniel obtained permission from the East India Company to travel to India to work as an engraver, assisted by his nephew William. The pair reached Calcutta in 1786 and soon began to issue the first topographical prints of the colonial capital. Twelve etched and aquatinted “Views of Calcutta” were completed by 1788, printed and hand-colored by Indian assistants. The images proved immensely popular in India and Europe, and helped to launch a vogue for Indian ornament and design in Britain.

Artwork Details

Object Information
  • Title: Gentoo Pagoda and House
  • Series/Portfolio: Views in Calcutta
  • Artist and publisher: Thomas Daniell (British, Kingston-upon-Thames 1749–1840 London)
  • Published in: Calcutta
  • Date: 1787
  • Medium: Hand-colored aquatint
  • Dimensions: Sheet: 15 1/2 × 20 9/16 in. (39.4 × 52.3 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1966
  • Object Number: 66.631.1(4)
  • Curatorial Department: Drawings and Prints

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.