Pair of six-panel folding screens; ink, color, and gold on paper
Image (each screen): 44 7/8 x 111 in. (114 x 282 cm)
Purchase, Lila Acheson Wallace Gift, Mary and James G. Wallach Foundation Gift, Gift of Dr. Mortimer D. Sackler, Theresa Sackler and Family, and Dodge Fund, 2009
Not on view
The signatures and red intaglio seals appearing at the left- and rightmost corners of these brilliantly painted small-format screens read, respectively, "painted by Kano Nuidonosuke Einō" and "Sansei." The character "San" (mountain) of the "Sansei" seal refers to Einō's father, Sansetsu (ca. 1589–1651), whom he succeeded as the third head of the Kyoto-based branch of the preeminent Kano family workshop. Unarguably the most important family of painters in Japanese history, the House of Kano served as official painters to the imperial and military elite for over four centuries. In addition to excelling in the family style, Einō is widely known as the author of History of Painting in This Realm (Honchō gashi), the first major history of painting written in Japan. His text, based on drafts by his father, was heavily influenced by Chinese histories of the subject, reflecting a continental bias that is also evident in his and other Kano artists' paintings.
While the felicitous theme of "One Hundred Boys" first appeared in China during the Song dynasty (960–1279), these screens are indebted to prototypes from the later Ming era (1368–1644), when the subject also appeared widely on ceramics and other decorative arts objects. The detail, variety, and sheer number of figures, executed in fine-quality pigments, along with other features of the screens' construction indicate that the family who commissioned them was aristocratic. They may have belonged to a bride's wedding trousseau, perhaps to inspire the creation of a large and joyous family.
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.
Philadelphia Museum of Art. "Ink and Gold: Art of the Kano," February 12, 2015–May 10, 2015.
Artist: Maruyama Ōkyo (Japanese, 1733–1795)Date: right screen: 1774; left screen: 1793Medium: Pair of six-panel folding screens; ink, color and gold on paperAccession: 2015.300.197.1, .2On view in:Not on view