A self-taught calligrapher and seal-carver, Fung made this pair of hanging scrolls as a meditation on the content of the widely known Buddhist text the Heart Sutra. In both scrolls, Fung has transcribed the same text, but in each case he has taken advantage of the special qualities of paper and ink to intensify the scripture’s message, that form and emptiness are one and the same. On one scroll Fung wrote the text in pale ink. On the other, he first wrote the text in water. This text only became visible when he applied a layer of dark ink over it, resulting in ghostlike traces where the water-saturated paper only partially absorbed the ink.
Susan L. Beningson
New York. The Metropolitan Museum of Art. "Ink Art: Past as Present in Contemporary China," December 9, 2013–April 6, 2014.