Image (each scroll): 61 7/16 x 35 7/8 in. (156 x 91.2 cm)
Overall with mounting (each scroll): 84 x 36 3/4 in. (213.4 x 93.3 cm)
Overall with knobs (each scroll): 84 x 39 1/4 in. (213.4 x 99.7 cm)
Fishbein-Bender Collection, Gift of T. Richard Fishbein and Estelle P. Bender, 2011
Not on view
This striking diptych of hanging scrolls consists solely of three cranes—one on the right panel, two on the left—without any delineation of landscape setting. The pose of each bird varies, their bodies depicted partly in reserve within bold outlining and a gray wash. With the exception of a crest of feathers painted in brilliant red, the cranes are rendered entirely in ink. The overall effect is one of surprise and humor, as if we happened upon the group, and caught them in a moment of posing for the artist—or for us.
Rosetsu trained under Maruyama Ōkyo (1733–1795), but was not one to toe the line and was expelled from the master’s studio. He went on to develop his own distinctive style. His ink paintings, often on animal themes, demonstrate an irreverence for convention often found in Zen ink paintings of the time.
Signature: Signature: Rosetsu; seals: Nagasawa Gyo in and Rosetsu
蘆雪写 蘆雪 長沢魚印
New York. The Metropolitan Museum of Art. "Birds in the Art of Japan," February 2, 2013–July 28, 2013.
New York. The Metropolitan Museum of Art. "The Poetry of Nature in Japanese Art: Edo Period Paintings from the Fishbein-Bender Collection," February 27, 2018–January 27, 2019.
Artist: Nagasawa Rosetsu (Japanese, 1754–1799)Date: second month, 1785Medium: Sheets with calligraphy and painting attached to a pair of six-panel folding screens; ink on paperAccession: 1975.268.72, .73On view in:Not on view
Artist: Nagasawa Rosetsu (Japanese, 1754–1799)Date: late 18th centuryMedium: Set of four sliding panels hinged together as a pair of two-panel screens; ink and color on paperAccession: 2015.300.203.1, .2On view in:Not on view