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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Copy of Le Pillage d'une Ferme (The Pillaging of a Farm), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 5
Anonymous
after 1633
Alexander Benois, calling card
Anonymous
ca. 1924
Bekanntmachung
Anonymous
1914
Reverse Copy of La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
A man holding a book, about to write in it, looking upwards to the left
Anonymous
17th century
Two Men, One with a Walking Stick and Another with A Sword, from a Series Imitating Les Caprices
Anonymous
17th century
Drawing of the Head of Michelangelo's Dawn (from the Tomb of Lorenzo de' Medici, Church of San Lorenzo, Florence)
Anonymous
n.d.
Wilton album, folio 7c: The Vision of Saint Helena; or a pensive woman, seated at a window, facing right
Anonymous
1520–80
Valentine
Anonymous
1850–70
Madame Bonnard, calling card
Anonymous
ca. 1925–40
Wilton album, folio 56e: Seated woman holding a chalice
Anonymous
1550–1650
The Sabine women and children walking to the right after being freed, at left a man on horseback leans down to embrace another man
Anonymous
1570–1615
Handle and escutcheon with latch
Anonymous
18th century
J.A.D. Ingres, calling card envelope
Anonymous
ca. 1824–67
Reverse Copy Le Mendiant aux Béquilles Coiffé d'un Bonnet (The Beggar on Crutches Wearing a Bonnet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Reverse Copy of Le Malingreux (The Sickly Man), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Ferdinand IV, King of the Two Sicilies
Anonymous
19th century
Wilton album, folio 12d: Standing Shepherd, a dog visible behind him
Anonymous
1527–1600
Album with Examples of Calligraphy and Micrography
Anonymous
early 17th century
Wilton album, folio 63c: The Battle between a Centaur and a Triton; a triton abucting a woman in the background
Anonymous
1622
Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"
Anonymous
1547
A Literary Fellow Meditating
Anonymous
1821
Valentine
Anonymous
1800–20
Valentine
Anonymous
ca. 1880
The devil
Anonymous
ca. 1920–30
Study of a Seated Putto Looking at His Right (recto); A Woman's Head, Study after the Antique (verso)
Anonymous
1590–1630
Fireworks celebrating the marriage of Louise Elisabeth of France, to Phillippe II, Infanté of Spain, August 1739, Paris
Anonymous
1739
David's Men Asking Nabal for Food, from The Story of David and Abigail
Anonymous
1584–85
Valentine
Anonymous
1850–70
Broadsheet with Christ in the cross flanked by two angels
Anonymous
1910
Wilton album, folio 73: The Virgin Mary and Christ child, both holding rosaries
Anonymous
ca. 1600–42
Wilton album, folio 96: Saint Michael, looking downwards to the left, with his sword in his right hand, stepping on the head of the devil, with billows of smoke surrounding them
Anonymous
17th century
Plate depicting Signore Bolognesi, from a series of twelve showing knights and their attendants dressed for a tournament (plate 9)
Anonymous
1565
Calligraphic Exercise in Latin
Anonymous
early 17th century
Americans! Eyes open! Mouths shut!
Anonymous
ca. 1917
Would you hesitate?
Anonymous
ca. 1917
Britain's Day
Anonymous
1918
Statues of the Dioscuri at the Quirinal, from "Speculum Romanae Magnificentiae"
Anonymous
1584
Ed Pinaud's Eau de Quinine; Subway Poster
Anonymous
ca. 1920
The Resurrection, from "The Passion of Christ"
Anonymous
ca. 1598–1617