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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Head of a Woman Looking to Upper Left
Annibale Carracci
1590–1600
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom
Francesco Brizio
1603
The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89
The Crowning of a Saint by the Virgin, volume 3, plate 184 from "Monuments des Arts du Dessin"
Jean-Baptiste Mauzaisse
1829
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
Moses holding a tablet at center, surrounded by figures and angels; after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
Virgin and Child
Pierre Brebiette
1555–1619
Virgin and Child with Angels
Ludovico Carracci
ca. 1595–1610
The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619
Moses and Hur
Jean Honoré Fragonard
1764
Plate 12: Goths sacking Monte Cassino; from The Life of Saint Benedict
Giacomo-Maria Giovannini
1687–1717
Wilton album, folio 39a: The Virgin and Child with the Infant John the Baptist
Ludovico Carracci
1602–4
The Trojans Taking Sinon Prisoner, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Return from Egypt
Francesco Brizio
1595–1623
The Denial of Saint Peter
Ludovico Carracci
ca. 1616
Angels in the clouds, playing instruments; after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
The Virgin Nursing the Christ Child
Ludovico Carracci
1592
Aeneas Departs for the Battle, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Frontispiece, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Virgin and Child, volume 3, plate 181 from "Monuments des Arts du Dessin"
Jean Baptiste Muret
1829
Plate 9: Totila visits St. Benedict; from The Life of St. Benedict
Giacomo-Maria Giovannini
1687–1717
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Virgin and Child and Saint John
Ludovico Carracci
ca. 1602–4
Holy Family Under an Arch
Ludovico Carracci
ca. 1585–90
The Virgin and Child Appearing to Saint Hyacinth
Jean Honoré Fragonard
1761
Holy Family under an Arch
Ludovico Carracci
ca. 1585–90
Wilton album, folio 39c: The Virgin and Child with Angels
Ludovico Carracci
1590–1605
Plate 1: the Calling of Saint Matthew
Giuseppe Maria Mitelli
1678
The Virgin with Saints Jerome and Francis
Girolamo Rossi, the Elder
1660–80
Adoration of the Magi
Francesco Brizio
ca. 1594–95
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Guido Reni
1603
Hercules in the Palazzo Grassi: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Richard Dalton
1793–98
Christ calling St. Matthew, who bows before him
Giuliano Traballesi
1760–80
Allegorical composition with six Olympian gods gathered around a figure in armor
Oliviero Gatti
1615–35
Seven Women Seated Behind a Low Wall
Anne Claude Philippe de Tubières, comte de Caylus
18th century
A choir of angels among the clouds; after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
Christ in the sepulcher supported by angels
Nicolas Pitau
1668
First interview between Jacob and Rachel, volume 3, plate 182 from "Monuments des Arts du Dessin"
Louis Hersent
1829
Venus Leading Aeneas out of the Flames, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73