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Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Ananias healing Saul who kneels before the priest with his arms outstretched, surrounded by attendants; the holy spirit appears in the form of a dove from a parting sky with putti
Pietro da Cortona (Pietro Berrettini)
Allegory of the Glory of Alexander VII
Giovanni Battista Bonacina
1658
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
Copy in reverse of a composition with stucco ornaments surrounding two medallions; one depicting Aeneas with a lance and doves, the other, youths shooting a bird; plates 2 and 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
A shepherd cradles an infant boy in his cloak, ushering him to his wife sitting under a thatched shelter with her arms outstretched; a young boy and a female attendant also are present; in the distance on the left side, the other twin suckles from the wolf
Robert Strange
ca. 1739–92
Minerva seated on the left holding a shield, reaching out to Cecrops on the right, who holds a large tree; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1647–1691
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Studies for a Ceiling (recto and verso)
Michel Corneille the Younger
ca. 1660-1680
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
Triumph of Divine Providence, plate 5 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1645–50
Juno requesting the aid of Aeolus to destroy the fleet of Aeneas, plate 6 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with stucco ornaments of a man and a woman, plate 10 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Madonna and Child in the Manger
Ferdinand Piloty
early 19th century
A kneeling saint, facing frontally with his head slightly tilted looking upward; he cradles a lily stalk in his left arm and his right arm is outstretched
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner.
Pietro da Cortona (Pietro Berrettini)
17th century
St. Barbara (?) on the left, stepping down from a colonnaded porch, with a chalice and the host in her outstretched left hand and crucifix raised above her head in her right hand, chasing away a terrified figure holding a book with serpents for hair
Pietro da Cortona (Pietro Berrettini)
after 1596
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Scipio Africanus seated on a throne, pointing toward a young woman kneeling at left, two men and a female attendant in the background, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
De Florum Cultura. Rome, 1633
Giovanni Battista Ferrari
1633
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Reduced copy in reverse of Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Rachel hiding the idols of Laban; with Rachel seated at left, Laban kneeling on the ground, and Jacob lifting the lid of a box
Pellegrino dal Colle
ca. 1757–1812
Copy in reverse of Venus requesting armor from Vulcan for her son, Aeneas; plates 10, 11, and 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Three standing figures
Matthias Oesterreich
ca. 1752
A man and a child sitting at left weaving a basket, two women stand at center while two children play with a sword and shield at right
Lorenzo Lorenzi
ca. 1750–54
Pallas Athena abducting a youth, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677
Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily
François Spierre
ca. 1664–79
Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
Minerva overthrows the giants; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Camillo Cungi
ca. 1642
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
Cybele standing before Jupiter, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646