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Satyr carrying a nymph restraining her right arm

Marco Dente

ca. 1515–27

The adoration of the shepherds, various figures at night surround the Christ Child

Giulio Bonasone

ca. 1550–60

Friezes after Giulio Romano, in Palazzo del Te

Antoinette Bouzonnet Stella

1675

The aftermath of the battle of the Milvian Bridge: the emperor crowned by Victory at right, horses and men on the riverbank injured after the battle at center, Maxentius' body being rescued from the river at right with a river god reclining in the foreground

Pietro Santi Bartoli

1650–77

Virgin and Child seated beneath a tree

Giulio Bonasone

ca. 1560

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple

Marcantonio Raimondi

ca. 1530–60

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple

Marcantonio Raimondi

ca. 1520–25

Apollo holding pipes in his right hand accompanied by Pegasus

Angiolo Falconetto

1556–60

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left

Marco Dente

ca. 1515–27

Cupid and an eagle

Wenceslaus Hollar

1652

Naked man walking to the right carrying a column base

Marcantonio Raimondi

ca. 1517–20

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right

Anonymous, Italian, 16th to early 17th century

ca. 1520–40

Naval Battle, from "Speculum Romanae Magnificentiae"

Master of the Die

16th century

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano

Agostino Veneziano (Agostino dei Musi)

ca. 1518–20

Romulus and Remus

Wenceslaus Hollar

1652

Allegory of Victory

Adamo (Ghisi) Scultori

Entellus and Dares boxing, ruins of an amphitheater in the background

Giulio Romano

1773

Horatius Cocles Escaping into the River after Holding off the Enemy

Diana Scultori

1560–1600

Five men fighting beasts, at lower left is a fallen boar

Master of the Die

1532

A Lion in Profile Facing to the Left ("Leo")

Giulio Romano

n.d.

Drawing of a Ewer in Antique Style

Giulio Romano

early 16th century

A Procession of Roman Horsemen (plate 2)

Diana Scultori

A Roman emperor sitting in a niche holding a sceptre in his raised left hand and a globe in his right hand

Marcantonio Raimondi

ca. 1500–34

Woman Seated near a Vase

Agostino Veneziano (Agostino dei Musi)

ca. 1514–36

Hercules at the cross-roads, he is seated at the right, to the left are female personifications of Virtue and Vice

Adamo (Ghisi) Scultori

1547–87

Scipio at the Carthaginian Camp, Scipio on horseback at left with the Carthaginians with shields at right

Anonymous, Italian, 16th century

1540

Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape

Marcantonio Raimondi

ca. 1510–27

The Resurrection, Christ at top center holding a flag, soldiers on the ground covering their eyes, angels gesturing towards Christ outside the tomb at center

Cherubino Alberti (Zaccaria Mattia)

ca. 1575–1615 (republished 1628)

The Genius of Diana (Génie de Diane), plate 8 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)

Tommaso Piroli

1803

Daedalus and Icarus on the island of Crete

Anonymous, French, 18th century

18th century

The Mocking of the Prisoners

Giorgio Ghisi

ca. 1540 (republished 1605)

David killing Goliath

Giovanni Battista Scultori

1540

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

Anonymous, Italian, 16th century

after 1518

Snake Charmer

Diana Scultori

Menelaus Holding the Body of Patroclus

Diana Scultori

A Battle Scene

Hanns Lautensack

1546

(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1804); La fable de Psyché; (XXVI) Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807)

Tommaso Piroli

1803–07

Father Time at the right leaning on a scythe, three naked boys and eagle at the left

Giulio Bonasone

1531–76

The Virgin Mary washing the infant Christ child

Pietro Facchetti

1575–90

Venus and Adonis from a set of Mythological Subjects after Raphael

French, Paris

designed 1686, woven 1686–90

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