Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 128 results
Sort By:
L'Aveugle et son Compagnon (The Blind Man and his Companion), plate 9 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Capitano Esgangarato and Capitano Cocodrillo, plate 14 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
Le Guerrier au Chapeau Orné d'une Grande Plume (The Officer with a Large Feather in His Hat), from "La Noblesse" (The Nobility)
Jacques Callot
ca. 1623
Veues des Plus Beaux Lieux de France et d'Italie & Les Places, Portes, Fontaines de Paris & Veue de Rome et des Environs
Adam Perelle
1680s
Le Vieux Mendiant a une Seule Béquille (The Old Beggar with One Crutch), plate 17 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Le Gueux Assis et Mangeant (The Beggar Sitting and Eating), plate 24 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Vues de France et d'Italie (binder's title)
Israel Silvestre
1635–91
Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662
Charles Perrault
1670
Capitano Mala Gamba and Capitano Bellavita, plate 15 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
Bello Sguardo and Couiello, plate 18 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
Frontispiece, from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Capitano Cerimonia and Signora Lavinia, plate 3 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal'
Israel Silvestre
1654
Le Malingreux (The Sickly Man), plate 13 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Castrorum Prœfectus Americanus, from 'Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l'annee 1662' (Grand Carrousel)
François Chauveau
1662–70
Scaramucia and Fricasso, plate 11 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
La Mendiante aux Béquilles (The Female Beggar with Crutches), plate 16 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Fracischina and Gian Farina, plate 17 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
View of the Forum Romanum with the Arch of Septimius Severus from the East
Israel Silvestre
mid-17th–late 17th century
Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità)
Israel Silvestre
ca. 1640–91
A Collection of Original Etchings, Consisting of 7 by Rembrandt; 6 after Rembrant by Vivares; 25 by Claude, 1660; 3 by Dominique Barrière, 1651; 5 by Horizonti; 47 by Hollar, 1641-1647; 6 by Theodre van Kessel, 1654; 10 by Runciman; 17 by Cornelis Bega, 1654; 24 by Castiglione; 7 by Silvestre; 43 by Various Artists after Rembrandt, Du Jardin, Della Bella, etc., 200 plates
J. Kay
1826 or earlier
The Fête of 1664, The Pleasures of the Enchanted Isle, Third Day: Destruction of the Palace of Alcina
Jean Le Pautre
17th century
La Mendiante a la Sébille (The Female Beggar with the Begging Bowl), plate 20 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
Le Mendiant aux Béquilles Coiffé d'un Chapeau et Vu de Dos (The Beggar with Crutches and a Hat Viewed from Behind), plate 5 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
View of Campo Viccino and part of Rome
Israel Silvestre
ca. 1640–91
Château de Versailles seen from the forecourt, from Chalcographie du Louvre, Vol. 22
Israel Silvestre
1682, reprinted ca. 1860
View and Perspective of the inside of the Palais d'Orleans, from 'Various views of remarkable places in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France)
Stefano della Bella
1649–51
View of the Capitoline Hill in Rome from the East
Israel Silvestre
mid-17th–late 17th century
La Gueux Appuye sur son Baton (The Beggar Leaning on his Cane), plate 19 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot
ca. 1623
View of the Palais Cardinal, the figure of Fame at top center flying towards the left and playing the trumpet with another trumpet in her left hand, 'Various views of remarkable palaces in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France)
Stefano della Bella
1649–51
Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi
ca. 1748
View of Luxembourg from the garden side of the Palais d'Orleans, from 'Various views of remarkable places in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France)
Stefano della Bella
1649–51
Troisieme journée: Theâtre dressé au milieu du grand étang, répresentation l'ile d'Alcine
Israel Silvestre
1664, reprinted ca. 1860
1st Plate, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from Les Monnaies (The Currencies)
Jacques Callot
ca. 1630
La Grande Chasse (The Great Stag Hunt)
Jacques Callot
ca. 1619
3rd Plate, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from Les Monnaies (The Currencies)
Jacques Callot
ca. 1630
Le Martyre de St. Sébastien (The Martyrdom of St. Sebastian)
Jacques Callot
ca. 1630
Seconde journée: Représentation du ballet et de la princesse d'Élide
Israel Silvestre
1664, reprinted ca. 1860
Frontispiece, from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22
Riciulina and Metzetin, plate 8 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot
ca. 1621–22