Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 121 results
Sort By:
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1650–1700
The Triumph of Painting; in the centre female figure representing Painting being crowned by the Three Graces rides a chariot toward Parnassus in the upper right, many other figures crowd the composition
Pietro Testa
ca. 1642
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
1752
The dead Christ accompanied by angels at right
Giovanni Cesare Testa
1650–55
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
1729–64
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
1780
The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
ca. 1635–37
The Triumph of Galatea
Pietro Testa
1612–50
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom
Pietro Testa
ca. 1630
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right
Anonymous, 17th century
1650–1700
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
1729–64
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
Allegory of Fortune
Pietro Testa
1612–50
The Holy Family attended by Angels
Pietro Testa
ca. 1642–44
Achilles dragging the body of Hector around the walls of Troy
Pietro Testa
ca. 1648–50
An allegory of the rest on the flight into egypt
Giovanni Cesare Testa
1650–55
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
St. Carlo Borromeo surrounded by angels
Pietro Testa
1650–70
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
1680–1700
Self portait as an artist, holding a drawing board and implement
Pietro Testa
ca. 1645
Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the left
Pietro Testa
ca.1645–50
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
Allegory of Summer
Pietro Testa
ca. 1642–44
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section
François Collignon
1650–1700
Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter) an oval composition
Anonymous, 17th century
ca.1650–80
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
The prophecy of Basilides; the priest on Mount Carmel divines the fate of the Roman Emperor Titus at the left, while Justice points to a vision of the dead Christ at the right
Giovanni Cesare Testa
ca. 1650
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
François Collignon
ca.1645–55
Mary Magdalene in the desert, a cross borne by angels at the right
Pietro Testa
ca. 1630
The adoration of the Virgin and Christ Child
Anonymous, 18th century
1700–1800
Saint Michael the Archangel crushing the demon underfoot
Anonymous, 18th century
1700–1800
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
The school of painting (Il Liceo della Pittura)
Pietro Testa
ca. 1638
The Virgin at the right with the Christ Child and St John the Baptist at left, a pyramid structure in the background
Anonymous, 18th century
1700–1800