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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 298 results for Thomas Sturge Moore
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Jalais Hill, Pontoise
Camille Pissarro
1867
The Little School, a Posy of Rhymes
Thomas Sturge Moore
1905
Cheval fire screen
Thomas Moore
ca. 1755–60
View on the Catskill—Early Autumn
Thomas Cole
1836–37
Thomas Cole
Henry Kirke Brown
by 1850
The Parables from the Gospels
Thomas Sturge Moore
1903
Morning, An Overcast Day, Rouen
Camille Pissarro
1896
Steamboats in the Port of Rouen
Camille Pissarro
1896
George Moore (1852–1933)
Edouard Manet
1879
The Modeller (T. Sturge Moore)
Charles Haslewood Shannon
1891
The Book of Pearls: A Choice Garland of Prose, Poetry, and Art
Thomas Creswick
1849
The Modeler (T. Sturge Moore)
Charles Haslewood Shannon
1893
Pipe Organ
Thomas Appleton
1830
The Dial, No. 5
Charles Haslewood Shannon
1897
The Dial, No. 4
Charles Haslewood Shannon
1896
The Dial, No. 3
Charles Haslewood Shannon
1893
Modern Woodcuts. A Series of Art Books intended to cover, eventually, the whole ground of Modern Woodcutting and Woodengraving. No. 1, Gwendolen Raverat; No. 2, Frank Brangwyn, R.A.; No. 3, T. Sturge Moore; No.4, Edward Wadsworth
Gwen Raverat
1921
Daphnis and Chloe, A Most Sweet and Pleasant Pastoral Romance for Young Ladies...
Longus
1893
Luman Reed
Asher Brown Durand
1835
Side Chair
John Seymour
1795–1803
Marianne Moore
Gaston Lachaise
1924; cast 1946
Viola
Jacob Stainer
ca. 1660
Dragon-Handled Jug with Inscription
early 16th century
Mrs. Thomas Streatfield Clarkson (Elizabeth Van Horne)
Thomas Seir Cummings
ca. 1844
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994
The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints, Consisting of Sublime and Interesting Views in Great Britain and Ireland, Beautifully Engraved by the Most Eminent Artists from Paintings and Drawings of the First Masters, vol. I
Harrison and Co.
1792–94
Maclise Portraits from Fraser's Magazine: Gallery of Literary Characters
Daniel Maclise
1830–38
Moore's Irish Melodies, Lalla Rookh, National Airs, Legendary Ballads, Songs, etc.
Thomas Moore
1853
Honeycomb Quilt
Elizabeth Van Horne Clarkson
ca. 1830
The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints, Consisting of Sublime and Interesting Views in Great Britain and Ireland, Beautifully Engraved by the Most Eminent Artists from Paintings and Drawings of the First Masters, vol. II
1794–96
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1
William Daniell
1809
Sketches Drawn from the Life, vol. 1
William Daniell
1814
Levinus Clarkson
Thomas Seir Cummings
1845
George Moore (1852–1933) at the Café
Edouard Manet
1878 or 1879
Plate
Thomas Giffin
third quarter 18th century
Plate
Thomas Giffin
third quarter 18th century
Hot water dish
Thomas Swanson
third quarter 18th century
Little Lays for Little Folk
John George Watts
1867
Virtue's Picturesque Beauties of Great Britain, Kent: Illustrated by Topographical, Historical and Critical Notices; combining every interesting object; Ancient and Modern from an elaborate Survey & original designs Taken upon the Spot
George Virtue
1828
Lalla Rookh: An Oriental Romance
Thomas Moore
1863