European Post-Medieval Tapestries and Related Hangings in The Metropolitan Museum of Art, Volumes I and II

European Post-Medieval Tapestries and Related Hangings in The Metropolitan Museum of Art, Volumes I and II

Standen, Edith Appleton
1985
848 pages
511 illustrations
George Wittenborn Award, Winner (1987)
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Volume I

Foreword
Philippe de Montebello

Introduction

Frequently Cited Sources

Acknowledgments

The Netherlands: Sixteenth, Seventeenth, and Eighteenth Centuries
Catalogue numbers 1–39

France: Sixteenth and Early Seventeenth Centuries
Catalogue numbers 40–44

France: The Gobelins
Catalogue numbers 45–62

Volume II

France: Beauvais
Catalogue numbers 63–91

France: Aubusson
Catalogue numbers 9 2–104

France: Savonneire Manufactory and Seventeenth–Century Embroideries
Catalogue numbers 105–118

England and Ireland
Catalogue numbers 119–136

Other Countries
Germany, catalogue numbers 137–140
Italy, catalogue numbers 141–146
Poland, catalogue numbers 147, 148
China, catalogue number 149
Russia, catalogue numbers 150, 151
Spain, catalogue number 152

Concordance of Accession and Catalogue Numbers

Index

Met Art in Publication

Interior scene, Wool, silk (15-16 warps per inch, 6-7 per cm.), Netherlandish, probably Brussels
ca. 1520–25
Portrait of the Emperor Maximilian I in an Architectural Frame (copy), Hans Weiditz the Younger  German, Woodcut
Hans Weiditz the Younger
n.d.
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley  Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley  Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley  Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley  Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1515
August from a set of Medallion Months, Bernard van Orley  Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1525–28
October from a set of Medallion Months, Bernard van Orley  Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Bernard van Orley
ca. 1525–28
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Bernard van Orley
1525–1535
The Crucifixion, Bernard van Orley  Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Bernard van Orley
design ca. 1515, woven ca. 1525
Christ on the Cross between the Virgin and Saint John, Albrecht Dürer  German, Woodcut
Albrecht Dürer
1516
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
ca. 1525–28
Saint Veronica, Bernard van Orley  Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Bernard van Orley
ca. 1525
Christ Shown to the People, Quentin Metsys  Netherlandish, Wool, silk, silver, silver-gilt thread (21-23 warps per inch, 8-10 per cm.), Netherlandish, probably Brussels
Quentin Metsys
ca. 1515–20
Ecce Homo, Quentin Metsys  Netherlandish, Wool, silk, silver-gilt thread (17-18 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Quentin Metsys
ca. 1520–25
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Giovanni Battista Lodi da Cremona
designed ca. 1540, woven ca. 1570
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Giovanni Battista Lodi da Cremona
designed ca. 1540, woven ca. 1570
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi)  Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Perino del Vaga (Pietro Buonaccorsi)
Designed 1545, woven ca. 1550
Panel with grotesques, from a set of bed hangings, Cornelis Floris II  Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels
Cornelis Floris II
ca. 1550–60
Panel with grotesques, from a set of bed hangings, Cornelis Floris II  Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels
Cornelis Floris II
ca. 1550–60
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Citation

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Standen, Edith Appleton. 1985. European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. New York: Metropolitan museum of art.