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Lucretia Kargère is a conservator at The Cloisters museum and gardens.
Lucretia Kargère, Conservator, The Cloisters Museum and Gardens; and Nancy Wu, Museum Educator, The Cloisters Museum and Gardens
Posted: Thursday, November 20, 2014
Every curator, at one point or another, has to grapple with questions of provenance. In the case of medieval stone sculpture, works often come to us in fragmentary states, roughly removed from their original sites during revolutionary events, or cautiously salvaged from monuments that have not been cared for over time. Conservators, scientists, and art historians often collaborate to solve questions of geographic origin and attribution.
Lucretia Kargère, Conservator, The Cloisters Museum and Gardens
Posted: Thursday, May 15, 2014
Conservation treatments are not often performed on works of art in public. The process is lengthy and requires extreme concentration, and treatments usually need to be performed in fully equipped laboratories. The sight of a work in the process of being conserved might also come as a shock to passersby; seeing a work of art in its "stripped" state—where all fills and old restorations have been removed—is like seeing a celebrity un-Photoshopped or without makeup.
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