Sally B. Brown is the co-chair of the Visiting Committee in the Department of Musical Instruments, and the great-granddaughter of Mary Elizabeth Adams Brown.
Posted: Tuesday, October 14, 2014
As of 1888, when Mary Elizabeth Brown was preparing her first catalog of the 270 instruments that would soon be gifted to the Metropolitan Museum, she had acquired approximately three dozen American instruments (some of which were collected through her family's network of missionaries). These examples came primarily from Sioux, Apache, and Pueblo peoples, with a few from Cuba, Mexico, Alaska, and Canada (which Brown referred to as "British America"). It appears to have been relatives in St. Paul, Minnesota, that put her in touch with agents and traders west of the Mississippi.
Posted: Monday, October 6, 2014
Institutions and individual collectors of musical instruments were active in Europe throughout the nineteenth century. Their interests and collections tended to represent national traditions, though most also had access to instruments from colonies and territories associated with their mother countries. However, it was extremely challenging for Europeans to obtain information and reliable sources for American instruments. The most recent publication from the U.S. Bureau of Indian Affairs was dated 1860, as was the French Abbé Domenech's Seven Years' Residence in the Great Deserts of North America.
Posted: Tuesday, September 2, 2014
The Department of Musical Instruments continues to commemorate the 125th anniversary of the first gift of musical instruments from Mary Elizabeth Adams Brown, who over several decades built a collection of more than 3,300 instruments for the Museum. The collection she gave is named for her husband, John Crosby Brown, and still forms the majority of the Museum's departmental holdings.
Posted: Monday, July 28, 2014
From 1889–1909 Mary Elizabeth Adams Brown was regarded as the authority in America on musical instruments from all over the world. By her death in 1918 she had lavished more than 3,300 instruments on The Metropolitan Museum of Art. Her first gift, in 1889, consisted of 276 instruments—mostly objects from distant places and "savage and oriental" peoples, as she described them in the parlance of her day. By 1901 these instruments occupied five rooms, or ten percent of the total number of galleries in the Museum at the time. Brown called her collection, as an acknowledgement of its scope and in honor of her husband, "The Crosby Brown Collection of Musical Instruments of All Nations."
Posted: Tuesday, February 18, 2014
With her letter of February 16, 1889, Mary Elizabeth Adams Brown (1842–1918) became a "surprise collector" at The Metropolitan Museum of Art. As a woman of the time, her confident, independent tone was as unexpected as her collection was little known. She was the wife of a respected New York merchant banker, John Crosby Brown of Brown Bros. & Co., and she herself was of impeccable New England ancestry—the grand-daughter of shipbuilders, clergymen, and schoolmen.