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Medieval Art and The Cloisters

Medieval Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both the Main Building and in the Metropolitan's branch in northern Manhattan, The Cloisters museum and gardens, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Byzantium and Islam Exhibition Blog

Byzantium and . . . Hip-Hop?

Grace Labatt, Editor, Voyageur Press

Posted: Thursday, May 31, 2012

Fourteen centuries after the works on display in Byzantium and Islam were created, Byzantine art is flourishing where you might least expect it: the streets of New York. That's where artist Manny Vega displays his large-scale mosaics of saints, heroes, dancers, and conga-drumming angels, all made using true Byzantine techniques.

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Byzantium and Islam Exhibition Blog

Interview with the Textile Conservator

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Wednesday, May 23, 2012

One of the most interesting things about working on an exhibition is getting to meet all the different people involved on the project. Each member of the team performs a crucial role in preparing for an exhibition. I recently interviewed Kathrin Colburn, a textile conservator here, to find out about her work.

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Byzantium and Islam Exhibition Blog

The Sasanians

Betsy Williams, Jane and Morgan Whitney Fellow, Department of Islamic Art

Posted: Thursday, May 17, 2012

Although the Sasanian (Sasanid) empire was centered in Mesopotamia, it played a major role in religious, political, and visual culture in the Byzantine and early Islamic eastern Mediterranean. The dynasty's founding can be traced to Ardashir I (r. 224–241), who established his authority following the defeat of the Parthians. The empire's early years were marked by the emergence of key institutions and cultural developments that would shape Sasanian culture for several centuries.

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Byzantium and Islam Exhibition Blog

Heraclius

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Tuesday, May 15, 2012

Emperor Heraclius (ca. 575–641) came to power in 610 after instigating an overthrow of the reputedly tyrannical Emperor Phokas. Entering Constantinople, so the story goes, Heraclius captured Phocas and demanded: "Is this how you have ruled, wretch?" The belittled emperor replied, "And will you rule better?"

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Byzantium and Islam Exhibition Blog

Loew's Wonder Theaters

Betsy Williams, Jane and Morgan Whitney Fellow, Department of Islamic Art

Posted: Monday, May 14, 2012

For a while now I've been obsessed with a group of buildings in the New York City area known as "Wonder Theaters." Constructed in the waning years of the roaring 1920s, they embody the experience of the silver screen in their fantastical ornamental mash-ups, many of which incorporate Byzantine and Islamic motifs.

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Byzantium and Islam Exhibition Blog

Commerce

Betsy Williams, Jane and Morgan Whitney Fellow, Department of Islamic Art

Posted: Thursday, May 10, 2012

One of the core themes of the exhibition Byzantium and Islam: Age of Transition and its catalogue is the close relationship between commercial activity and cultural exchange.1 The movement of goods and people along trade networks often superseded political impasses between dynasties and empires.

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Byzantium and Islam Exhibition Blog

Special Events

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Wednesday, May 9, 2012

Join us for two special events planned in conjunction with the exhibition, Friday, May 11, and Friday, June 15.

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Byzantium and Islam Exhibition Blog

Great Mosque of Damascus

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Wednesday, May 9, 2012

In an address to the citizens of Damascus, the Umayyad caliph al-Walid I (r. 705–715) proclaimed: "Inhabitants of Damascus, four things give you a marked superiority over the rest of the world: your climate, your water, your fruits, and your baths. To these I wanted to add a fifth: this mosque."

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Byzantium and Islam Exhibition Blog

Symeon Stylites the Younger (521–562)

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Thursday, May 3, 2012

At the age of seven, Symeon Stylites the Younger expressed his religious fervor by ascending a pillar (stylos). In 541 he moved to a pillar located at a site called the Wondrous Mountain, eleven miles west of Antioch, Syria. Ascetic monks like Symeon, known as "stylites," resided on the top of tall pillars—where they were exposed to rain, snow, and wind—as a way to disengage from the sinful world.1 The men attracted a number of pilgrims, as evidenced by several tokens featuring images of stylites.

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Byzantium and Islam Exhibition Blog

Approaching the Qur'an by Michael Sells

Betsy Williams, Jane and Morgan Whitney Fellow, Department of Islamic Art

Posted: Wednesday, May 2, 2012

Although the Qur'an shares much with the Judeo-Christian traditions of the Torah and the Old and New Testaments, it is often difficult for non-Muslim readers to understand the text's repeated formulations and unique approach to narrative. Michael Sells's book Approaching the Qur'an: The Early Revelations seeks to assist the unfamiliar by emphasizing the Qur'an's literary qualities.

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