The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both the Main Building and in the Metropolitan's branch in northern Manhattan, The Cloisters museum and gardens, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.
Posted: Thursday, July 2, 2015
The Museum is extremely pleased to provide an update on a project that threatened the extraordinary and long-protected viewshed of the Hudson River from The Cloisters, Fort Tryon Park, and the surrounding neighborhoods.
Posted: Friday, June 12, 2015
At the heart of the Saint-Guilhem Cloister lies the heavily embroidered legend of the man who founded it—Saint William (Guilhem in the local Occitan dialect). A painted coffret on loan to The Cloisters depicts an early and colorful episode of his story; the stone cloister reflects the final, more sober chapter of the life of Guilhem.
Posted: Thursday, June 4, 2015
Join us for Garden Days at The Cloisters, a daylong program of events, this Saturday, June 6, and Sunday, June 7. Our horticultural staff will answer questions in the gardens throughout the day and lead tours specific to this year's theme: the importance and use of spices in medieval culture. The program also includes garden tours, a family workshop, and a talk by food writer and historian Michael Krondl.
Posted: Thursday, May 28, 2015
For those who appreciate its tart flavor, rhubarb (Rheum rhabarbarum) is a quintessential early summer treat. Stewed with strawberries, infused in summer spritzers, or preserved in jams and chutneys, this vegetable is one of the "fruits" of the season.
Posted: Monday, May 18, 2015
Spring has finally arrived in New York, and the gardens of The Cloisters are filling out quickly, announcing their return with tender shoots and splashes of color. Inside the museum, we have opened the new exhibition Treasures and Talismans: Rings from the Griffin Collection, now on view in the Glass Gallery through October 18, 2015. This exhibition showcases a group of exceptional rings assembled by a private collector alongside works of art drawn from the holdings of The Metropolitan Museum of Art.
Posted: Thursday, April 23, 2015
Last summer, in mid-July, I was handed the once-fragrant fruit of our mandrake (Mandragora officinarum), and it was bursting with seeds that were ready to be sown. This was my opportunity to propagate the legendary plant depicted in Pan's Labyrinth and Harry Potter.
Posted: Thursday, April 16, 2015
Within the past few weeks the grip of a long winter has loosened, and we have turned our attention toward our trees. Recent visitors might have noticed that our consulting arborist was hard at work pollarding the crab apples in the Cuxa Cloister. She'll have moved on to the trees in the orchard and our beloved veteran fruit trees in the Bonnefont Herb Garden by the time this post is published. We'll also be undertaking the first coppicing of our willows, a topic introduced in my previous post.
Posted: Thursday, April 9, 2015
The winter aconite (Eranthis hyemalis) has just revealed its cheerful, yellow blooms. Most years, winter aconite is one of the earliest winter-blooming bulbs, appearing in January and February, but this year's cold temperatures have delayed its arrival.
Posted: Friday, March 13, 2015
Although the vernal equinox is mere days away, this week is our first taste of spring. For most people, the start of spring is a celebrated event that signals longer days and warmer temperatures. In medieval Europe, spring was considered a highly auspicious time; in many parts of Western Europe, it marked the beginning of a new year and included one of the most important occasions, the Feast of the Annunciation (see "Lady Day" [March 25, 2011] on The Medieval Garden Enclosed).
Posted: Friday, March 6, 2015
In the course of the last three months, we have had the privilege of exhibiting the Winchester Bible—one of the masterpieces of medieval painting—and seeing it reunited with the Morgan Leaf, one of most spectacular paintings from the year 1200 and originally part of the Bible. Because of the possibility of displaying multiple openings of volume one of the Bible and three bi-folios of volume two—currently in the midst of conservation treatment and rebinding—one was able to compare and contrast the multiple artists who created this special work.