Quantcast

The Metropolitan Museum of Art LogoEmail

Type the CAPTCHA word:

Medieval Art and The Cloisters

Medieval Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both the Main Building and in the Metropolitan's branch in northern Manhattan, The Cloisters museum and gardens, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

In Season

Laser Cleaning for Stone Conservation at The Cloisters

Emeline Baude, Assistant Conservator, The Cloisters

Posted: Friday, August 22, 2014

To clean or not to clean? That is the question.

The decision whether to clean a work of art is a difficult one for art conservators, as doing so is an irreversible action. Art that has withstood the vicissitudes of time comes to us with surfaces that show their age. While superficial layers may appear dirty, cleaning them sometimes removes information that is relevant to the history of the object. Thus, prior to making any treatment decision, conservators thoroughly study and analyze all aspects of a work of art.

Read More

In Season

Recent Acquisition: Reverse-Painted Dish with Abraham and Melchizedek

Tim Husband, Curator, Department of Medieval Art and The Cloisters

Posted: Thursday, August 14, 2014

Once every month or so, we'll post about a recent addition to The Cloisters Collection. This month, we'll take a look at a large glass dish with painted decoration.

Read More

In Season

Up on the Rooftops

Caleb Leech, Managing Horticulturist, The Cloisters Museum and Gardens

Posted: Thursday, August 7, 2014

A midsummer storm sweeping off the Hudson River and lashing the buttresses of The Cloisters is a dramatic sight. Perched on a rocky outcrop with sweeping views across the river to the still-unspoiled Palisades, there is little shelter from the winds that batter the walls. This summer, we decided to strengthen our defenses against the gales and lightning with a little bit of medieval protection.

Read More

In Circulation

A (Disappearing) Fore-edge Painted Book at The Cloisters Library

Michael Carter, Librarian, The Cloisters Museum and Gardens

Posted: Wednesday, August 6, 2014

Fine book designers, binders, publishers, and collectors delight in unique methods to distinguish their objects. A book's cover or its spine is generally the first area a prospective purchaser or reader is likely to see, so it's natural that you'll often find eye-catching features there.

Read More

In Season

In the Nick of Time

Barbara Drake Boehm, Paul and Jill Ruddock Curator, Department of Medieval Art and The Cloisters

Posted: Friday, August 1, 2014

All around the world, the Feast of Saint Nicholas is celebrated in December. So why would I choose to write about "jolly old Saint Nick" this summer? Because two stories from the legend of this saintly bishop, both dealing with innocent young people who are in danger, have become suddenly and unexpectedly resonant for me.

Read More

In Season

Gallery Talks by The Cloisters Summer College Interns: July 29 through August 1

Leslie Bussis Tait, Museum Educator, The Cloisters

Posted: Thursday, July 24, 2014

The Cloisters Summer College Internship is a nine-week program for undergraduate students. Every summer, eight interns—selected from more than two hundred applicants—receive intensive training in museum education techniques at The Cloisters museum and gardens, where they conduct gallery workshops for five weeks with New York City day campers.

Read More

In Season

Successful Secale

Caleb Leech, Managing Horticulturist, The Cloisters Museum and Gardens

Posted: Thursday, July 10, 2014

In the Middle Ages, the diet of the wealthy, while plentiful, was nutritionally bereft compared to that of the common people. Those with the means feasted on meat seasoned with exotic and costly spices and wheat bread. The lighter and fresher the bread, the higher one's station in life. High-protein, low-gluten rye bread made from rye (Secale cereale) was fit only for the lowest. Rye was considered such humble food that Carthusian monks would take as a penance a hard tort made of the poorest-quality rye to symbolize their station in life as "Christ's beggars" (Henisch, 158); it was considered second rate to wheat and barley. Nonetheless, and despite its inauspicious beginnings, rye went from minor cultivation in the early Middle Ages to a staple food of temperate Europe in the ensuing centuries.

Read More

In Season

Seekers of Shade

Christina Alphonso, Administrator, The Cloisters

Posted: Thursday, July 3, 2014

Emily Dickinson was a passionate gardener as well as an accomplished poet, and nature provided her with a lifelong source of inspiration.

Read More

In Season

Summer Gallery Workshops at The Cloisters

Leslie Bussis Tait, Museum Educator, The Cloisters

Posted: Friday, June 27, 2014

Each summer, The Cloisters fills with the energy of young visitors, many of whom are experiencing our collection and gardens for the first time. Day campers from throughout New York City, as well as nearby suburbs, come for gallery workshops conducted by our summer college interns.

Read More

In Season

A Family Festival at The Cloisters

Emma Wegner, Assistant Museum Educator, The Cloisters

Posted: Friday, June 20, 2014

Over Memorial Day weekend, The Cloisters was for the birds. Our annual family festival had a falconry theme and included family gallery workshops and self-guided art hunts for young visitors and their families. Children ages 4 through 12 learned about falconry and the medieval hunt through artworks such as the Falcon's Bath tapestry and the Hunt of the Unicorn tapestry series. They also made their own cardstock falcons (complete with hoods and jesses with bells) to take home.

Read More

In Season

On Beauty and Fragrance

Carly Still, Assistant Horticulturist, The Cloisters Museum and Gardens

Posted: Friday, June 13, 2014

Though in the Middle Ages plants were used far more out of necessity than they are today, they were also admired for their beauty and fragrance. The medieval pleasure garden was designed for delight, enjoyment, and refreshment; fruit and vegetable production was not the objective.

Read More

Now at the Met

Metropolitan Museum Singled Out for Curatorial Achievement in Time-Based Media

Pari Stave, Senior Administrator, Department of Modern and Contemporary Art

Posted: Thursday, June 12, 2014

The Metropolitan Museum recently swept the AICA-USA Arts Awards for Excellence in Curatorial Achievement in the time-based media category.​

Read More

In Season

Samuel Yellin and the "Poetry and Rhythm of Iron"

Christina Alphonso, Administrator, The Cloisters

Posted: Friday, May 30, 2014

The scope of architectural treasures at The Cloisters museum and gardens extends beyond our extraordinary medieval collection and includes work by the modern-day Samuel Yellin Metalworker studio. In fact, most visitors enter The Cloisters through spaces enhanced by Samuel Yellin (1884–1940), who played a major role in the American Arts and Crafts movement, both as a designer and metalworker. He was extraordinarily prolific, working alternately on an intimate or monumental scale, for private homes or large institutions, in fanciful or restrained styles.

Read More

In Season

Climbing in the Garden

Caleb Leech, Managing Horticulturist, The Cloisters Museum and Gardens

Posted: Thursday, May 22, 2014

Of all plants, those that climb are the most evocative of a garden's bucolic and idyllic setting. In the Middle Ages, artists and artisans took inspiration from climbing plants, as evidenced throughout the collections of The Cloisters. From the vines carved on capitals to the gilded margins of medieval manuscripts, vining and climbing plants are a recurring motif in medieval art.

Read More

In Season

Jean d'Alluye: Conservation in the Public Eye

Lucretia Kargère, Conservator, The Cloisters

Posted: Thursday, May 15, 2014

Conservation treatments are not often performed on works of art in public. The process is lengthy and requires extreme concentration, and treatments usually need to be performed in fully equipped laboratories. The sight of a work in the process of being conserved might also come as a shock to passersby; seeing a work of art in its "stripped" state—where all fills and old restorations have been removed—is like seeing a celebrity un-Photoshopped or without makeup.

Read More

In Season

Transplants in the Medieval Garden

Caleb Leech, Managing Horticulturist, The Cloisters Museum and Gardens

Posted: Thursday, May 8, 2014

As I sat down to write a post to introduce myself, I began to pursue a topic that had been forming in my mind the week I accepted the position as managing horticulturist here at The Cloisters museum and gardens: the spread of horticultural knowledge and plants throughout medieval Europe. There is ample evidence of a thriving nursery trade and seed exchange at this point in time. Horticultural techniques and knowledge, primarily passed down orally, proliferated in monasteries. These solitary communities served as repositories of learning, safeguarding, and practicing the science and art of horticulture.

Read More

In Season

Welcome to In Season

C. Griffith Mann, Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Posted: Thursday, May 1, 2014

Welcome to In Season, the new blog for The Cloisters museum and gardens. Here, we plan both to continue with the garden-related posts that we began on our former blog, The Medieval Garden Enclosed, and to broaden the conversation to include special features on our collections, exhibitions, and programs. We'll also highlight things of interest behind the scenes. Our goal is to engage with our readers and to make the many activities that take place at The Cloisters accessible and engaging to our visitors, both onsite and online. We invite readers old and new to comment on our posts.

Read More

Now at the Met

Featured Catalogue: Interview with Curator, Author, and World Book Award Recipient Helen C. Evans

Rachel High, Editorial Assistant, Editorial Department

Posted: Thursday, March 13, 2014

​Helen C. Evans, Mary and Michael Jaharis Curator of Byzantine Art, traveled to Tehran, Iran, on February 8, 2014, to accept the twenty-first annual World Book Award for her catalogue Byzantium and Islam: Age of Transition. The award was presented by the World Book Award Committee of the Islamic Republic of Iran's Ministry of Culture and Religious Guidance.

Read More

Now at the Met

A Three Kings Day Reunion

C. Griffith Mann, Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Posted: Monday, January 6, 2014

Today, January 6, marks the Feast of the Epiphany, also known as Three Kings Day. This festival is widely celebrated, especially in western Christianity, as the day that the three wise men offered frankincense, myrrh, and gold to the Christ Child following their long journey from the East. This year, Three Kings Day is especially auspicious for the Museum's collection because today we celebrate the exceptional reunification of the sculptures pictured above.

Read More

Digital Underground

From New York to Castile

Jessica Glass, Audio-Visual Specialist, Digital Media

Posted: Monday, January 6, 2014

The 2013 production The Fuentidueña Apse: A Journey from Castile to New York was screened in Spain on November 27 as part of FICAB XIII, the 13th International Film Festival of the Bidasoa. The documentary explains how the twelfth-century Romanesque apse was dismantled in 1957 from the church of San Martín in Fuentidueña, north of Madrid, transported to New York, and installed at The Cloisters between 1958 and 1961. Christopher Noey directed and produced this 28-minute documentary and I was its editor; many people within Digital Media and across the Museum contributed to the project.

Read More

Follow Met Blogs: Subscribe All Blogs