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Posts Tagged "Architecture"


Recipe for an Exhibition: The Installation of Pattern, Color, Light

Kate Justement, Summer Intern, Department of Islamic Art

Posted: Monday, July 20, 2015

As a recent college graduate and current summer intern in the Metropolitan Museum's Department of Islamic Art, the past weeks have flown by, filled with new and exciting experiences, projects, and opportunities. Among these, I have been fortunate enough to observe some of the curation and the full installation of the exhibition Pattern, Color, Light: Architectural Ornament in the Near East (500–1000), now on view through October 25 in The Hagop Kevorkian Fund Special Exhibitions Gallery (gallery 458). This exhibition highlights architectural ornament from Near Eastern monuments, which exist today in fragmented form from numerous walls, ceilings, and floors. These fragments and their stylistic motifs crossed rival empires and illuminate common aesthetic trends of the period from 500 to 1000 A.D. The Department of Islamic Art started working on this exhibition about nine months ago, but by witnessing the final step of the process—the installation—I have a new appreciation and understanding of what it takes to coordinate a production such as this.

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Now at the Met

Mastery of Imagination—Sultans of Deccan India with Navina Najat Haidar

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, June 30, 2015

In the sixteenth and seventeenth centuries, the Deccan Plateau of south-central India was a nexus of international trade and home to a series of important, highly cultured Muslim kingdoms. With cultural connections to Iran, Turkey, eastern Africa, and Europe, Deccani art is particularly celebrated for its unmistakable, otherworldly character. This beautifully illustrated catalogue discusses two hundred of the finest Deccan works and includes extraordinary new photographs of the lush landscapes of the Deccan lands.

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Across Place and Time: Exploring Deccan Architecture with George Michell

Helen D. Goldenberg, Associate for Administration, Department of Islamic Art

Posted: Tuesday, June 2, 2015

On Friday, May 15, the Department of Islamic Art hosted independent scholar and Deccan Heritage Foundation Cofounder George Michell for a Friday Focus lecture entitled "Courtly Arts of the Deccan, the Architectural Setting: Forts, Palaces, Mosques, and Tombs of the Deccan." Presented in conjunction with the exhibition Sultans of Deccan India, 1500–1700: Opulence and Fantasy, this dynamic lecture stretched across place and time, with Michell highlighting architectural connections between the Deccan plateau, Central Asia, and the Middle East.

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Now at the Met

Using Color to Link Cultures: An Eighteenth-Century Islamic Tile in Context

Fatima Quraishi, 2014–15 Hagop Kevorkian Fellow, Department of Islamic Art

Posted: Wednesday, February 11, 2015

The Department of Islamic Art has over three thousand ceramic objects in its collection, with perhaps the largest corpus of the collection acquired from the Museum's excavations in Nishapur, Iran, during the mid-twentieth century. While the department maintains a fine collection of Safavid and Ottoman ceramics, ceramic work from south Asia is not as well represented. Among these examples of south Asian ceramics, my favorite is an eighteenth-century tile from Multan, in present-day Pakistan (pictured above). In terms of both material and technique, the tile is typical of ceramics from this part of south Asia, as are three similar objects in the collection—an eighteenth-century dish and two late fifteenth-century tiles (2008.461 and 2008.462).

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In Season

A Tale of Two Collections: The Cloisters and Glencairn Museums

Julia Perratore, Mellon Curatorial Fellow, Department of Medieval Art and The Cloisters

Posted: Thursday, February 5, 2015

The Cloisters museum and gardens has many devotees, but I wonder how many of its visitors know about the Glencairn Museum, located in Bryn Athyn, just outside of Philadelphia, Pennsylvania. Glencairn, like The Cloisters, is home to an excellent collection of medieval art on view in a building inspired by medieval architecture. As a current Met fellow and former Glencairn fellow, I have had ample opportunity to study the histories of these two marvelous collections, both of which took shape during the early twentieth century. Together they constitute an important chapter in the story of collecting medieval art in the United States, and I am continually impressed by the close relationship between them.

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Travel Blog

Havana's Remarkable Architecture

H. Barbara Weinberg, Curator Emerita of American Paintings and Sculpture, The American Wing

Posted: Wednesday, January 15, 2014

Havana is a beautiful city that reflects Cuba's complex social, political, and economic history in its distinguished and varied architecture. Although many neighborhoods are gritty and numerous buildings await restoration, the urban fabric is fairly breathtaking.

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