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Posts Tagged "Egypt"

Now at the Met

The Met's Joint Mission to Malqata

Catharine H. Roehrig, Curator, Department of Egyptian Art

Posted: Tuesday, February 17, 2015

The remains of the festival city of Malqata are located on the west bank of the Nile, about 430 miles south of Cairo, opposite the modern city of Luxor (usually referred to by Egyptologists as Thebes). The festival city dates to the time of the pharaoh Amenhotep III, who reigned during the second half of Dynasty 18, during Egypt's New Kingdom. This pharaoh was the father of Akhenaten, and very likely the grandfather of Tutankhamun.

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Assyria to Iberia Exhibition Blog

Alphabet Origins: From Kipling to Sinai

Elizabeth Knott, Hagop Kevorkian Research Associate, Ancient Near Eastern Art

Posted: Monday, December 22, 2014

Much of what we know about the interconnectivity of the Mediterranean world in the first millennium B.C. relies on archaeological discoveries of the past two centuries. Indeed, behind all of the objects on display in Assyria to Iberia lie modern stories of discovery and recovery. The city of Babylon in southern Iraq, once reduced almost to a figment of modern imagination, was revealed by excavations beginning in the nineteenth century. The Assyrian empire, once unknown outside the Bible, was brought to light by excavations in northern Iraq beginning in the middle of the nineteenth century. And the cities of the Phoenician homeland in modern Lebanon were explored in the mid-nineteenth century and then excavated beginning in the 1920s. Archaeological discovery has also played an important role in our understanding of the origins of the alphabet, which was invented in the early second millennium B.C. and spread across the Mediterranean world in the first millennium B.C.

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Assyria to Iberia Exhibition Blog

Twenty Squares: An Ancient Board Game

Anne-Elizabeth Dunn-Vaturi, Hagop Kevorkian Research Associate

Posted: Tuesday, December 9, 2014

Board games were popular entertainments in the ancient Near East. So what games did the Assyrians and the Phoenicians like to play? Part of the answer is in the very first room of the exhibition Assyria to Iberia at the Dawn of the Classical Age, on an ivory box from Enkomi. This unique object has a grid with twenty playing squares incised on its upper surface. Although no accessories were found with this box, we can deduce from other archaeological assemblages and pictorial representations what kind of pieces and dice were required.

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Now at the Met

Looking Closely: An Unexpected Discovery in the Islamic Collection

Fatima Quraishi, 2014–15 Hagop Kevorkian Fellow, Department of Islamic Art

Posted: Wednesday, December 3, 2014

As a new curatorial research fellow in the Department of Islamic Art, I am becoming acquainted with many different aspects of museum life such as museum education and exhibition practices, but I spend most of my time researching our rich collection of Islamic art objects. I've recently been examining a large group of wooden panel pieces, many of which were parts of minbars (pulpits) in mosques in Egypt during the Mamluk period (1250–1517)—some of these are on display in gallery 454. In this group, I came across a rectangular panel (shown above) that is inlaid with carved ivory and bears an inscription in Arabic.

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Now at the Met

I Was Here I Was I to Channel The Temple of Dendur's History

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, June 13, 2014

When Kate Soper's adventurous score for I Was Here I Was I fills The Temple of Dendur in The Sackler Wing on June 20, the gallery itself will be at the center of the performance. The Temple of Dendur has long been an unrivaled venue for concerts, but for this dramatic and unprecedented finale to Alarm Will Sound's yearlong residency, the Temple will be the principal character in a story that spans two millennia and three different storylines.

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Now at the Met

Featured Publication—The Cesnola Collection of Cypriot Art: Stone Sculpture

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, April 8, 2014

The Cesnola Collection of Cypriot Art: Stone Sculpture (2014) is the first comprehensive publication of 635 stone sculptures in the Met's extensive collection of ancient art from the island of Cyprus. Published online, in a historic first for the Museum, the publication is available to read, download, and search in MetPublications at no cost. A paperbound edition, complete and printed as a 436-page print-on-demand book with 949 full-color illustrations, is also available for purchase and can be ordered on Yale University Press's website.

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Byzantium and Islam Exhibition Blog

Figurines in the Mediterranean

Alzahraa K. Ahmed, Intern, Department of Medieval Art and The Cloisters

Posted: Thursday, July 5, 2012

In many cases, burials have served as windows onto a past culture's daily life. Children's graves are no exception. Although attracting less archaeological attention than other finds, they provide abundant material that informs our understanding of the diverse activities and habits of people during the Greco-Roman, Byzantine, and Islamic eras.

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Byzantium and Islam Exhibition Blog

Early Islamic Textiles: Inscribed Garments

Nazanin Hedayat Munroe, Artist and Art Historian

Posted: Monday, July 2, 2012

The tradition of inscribed textiles in the Islamic world dates to the passing of the Prophet Muhammad (632 A.D.), whose spiritual and political authority was transferred through the donning of his mantle. The newly formed Muslim state experienced a number of shifts in the political arena. New allegiances were often represented by epigraphic bands on textiles, particularly garments.

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Byzantium and Islam Exhibition Blog

Sacred Trash: The Lost and Found World of the Cairo Geniza by Adina Hoffman and Peter Cole

Yitzchak Schwartz, Intern, Department of Medieval Art and The Cloisters

Posted: Monday, July 2, 2012

Reams of scholarship have been written on the contents of the Cairo Geniza, but in Sacred Trash: The Lost and Found World of the Cairo Geniza, authors Adina Hoffman and Peter Cole explore how the 1896 discovery itself changed the world of Jewish scholarship.

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Byzantium and Islam Exhibition Blog

Saint Bart's and Hildreth Meière

Annie Labatt, 2012 Chester Dale Fellow, Department of Medieval Art and The Cloisters

Posted: Friday, June 29, 2012

Like Saint Anselm's, which I discussed in an earlier post, Saint Bartholomew's Church in New York City (often known as "St. Bart's") offers an example of early twentieth-century appreciation of the Byzantine aesthetic.

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