Posted: Friday, April 3, 2015
This Wednesday, April 8, Met Curator Luke Syson will give a talk, entitled Behind the Fig Leaf, about Tullio Lombardo's Adam (ca.1490–95)—the Renaissance marble of "The First Man" and one of the most important pieces of Venetian sculpture held outside of that city. After a terrible accident that left him in pieces and the painstaking restoration of the artwork, Adam is now on display in Tullio Lombardo's Adam: A Masterpiece Restored, on view through July 2015. Located in a specially designed space, gallery 504, the exhibition also features captivating video footage of the conservators at work during this extensive restoration project.
Posted: Tuesday, January 6, 2015
This Sunday, January 11, will be the final day to visit the exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry before its three-month run draws to a close. On January 12, Museum staff, observed by lenders' couriers, will begin to dismantle the displays and pack away the tapestries, paintings, drawings, and prints, ready to dispatch them back to their generous home collections.
Posted: Tuesday, December 30, 2014
Working on a major exhibition can feel like cooking a very elaborate meal: the preparation takes much longer than the actual event. Many of these preparations—especially conservation efforts—go unnoticed, although the result is there for any visitor to the show to see. While working on Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, I felt that four of the drawings selected for the show would benefit from conservation treatment before going on view in our galleries. Because none of these sheets is owned by the Metropolitan Museum, I had to rely on the willingness of curators and conservators abroad, as well as that of a private collector in New York, to consider my request.
Posted: Tuesday, December 23, 2014
Pieter Coecke van Aelst was a highly skilled and accomplished panel painter, yet many art historians associate him with a body of pedestrian paintings. Maryan Ainsworth, curator in the Department of European Paintings and co-curator of Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, examined this disparity through her close study of his painted works. I recently spoke with Maryan about Coecke's paintings and why the seven panel paintings on display in the exhibition are worthy of special attention.
Posted: Tuesday, December 9, 2014
Posted: Tuesday, December 2, 2014
Nadine Orenstein, curator in the Department of Drawings and Prints and a co-curator of Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, selected the printed works on display in the exhibition. Interestingly, Pieter Coecke van Aelst was not a printmaker, though he published several important printed books. I recently spoke with Nadine about Coecke's unusual print projects and how they reflect his unique style.
Posted: Tuesday, November 25, 2014
Around 1532–4, Pieter Coecke van Aelst designed a seven-piece tapestry series depicting the seven deadly sins, with one panel per sin: Pride, Avarice, Lust, Envy, Gluttony, Anger, and Sloth. The Museum is lucky enough to have in its collection one edition of the Gluttony tapestry, which is now on display in the exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry. Since 2012, the staff of the Metropolitan Museum's Department of Textile Conservation has been preparing the tapestry for display by carrying out technical examinations and conservation treatments on the piece.
Posted: Tuesday, November 11, 2014
Posted: Tuesday, October 28, 2014
Posted: Tuesday, October 21, 2014
Accompanying the exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry is a fully illustrated catalogue by the same name. This lavish publication, the first comprehensive volume devoted to this Renaissance master since 1966, includes new, exceptionally detailed images of many of the exhibition's tapestries. The man behind most of these, and so many other, beautiful images is Bruce White, award-winning photographer and long-time Met collaborator. Bruce and I recently discussed his thoughts on tapestries, photography, and beauty.