Posted: Wednesday, March 9, 2011
Many of you may already know about Foursquare, which lets smartphone users share their location with friends and get tips and special discounts from the places they visit. But did you know that it also lets you connect with the Met?
Posted: Wednesday, March 2, 2011
As a chemist in the Museum's Department of Scientific Research, I work closely with Anna Vila-Espuña, also in the Department of Scientific Research, and Nora Kennedy, in Photograph Conservation, on collaborations with Met curators to increase our understanding of methods and materials used to create paintings, works of art on paper, and photographs. This knowledge not only enlightens us about the artists' techniques, but it also aids in the care and preservation of the works.
Posted: Tuesday, February 15, 2011
Here at the Met, no two days are alike, especially in my job as a member of the Visitor Services staff. Each new person who comes into the Museum has new questions. Many visitors feel overwhelmed by the immensity of the Museum's collections, and may not know quite where to begin. When people ask my colleagues or me for guidance, we encourage them to join a Museum Highlights Tour or to pick up helpful printed materials such as a Museum Floor Plan, a list of the day's events, or one of our Family Guides. I find the best approach is to try to imagine myself in the visitor's shoes and ask, "What might this person need to help her comfortably enjoy the Museum and get the most out of her visit?"
Posted: Thursday, February 10, 2011
Since its debut on January 5, Connections has allowed tens of thousands of viewers to become acquainted with members of our staff. Each episode sparkles with the personality of a narrator who weaves together works of art from the Met's collections, based on a theme that he or she finds particularly inspiring. Our viewers have been inspired as well.
Posted: Friday, February 4, 2011
On February 6, 1871, a committee of the Board of Trustees of The Metropolitan Museum of Art discussed the plan that led to the construction of the Museum's first building at its current site on the east side of New York's Central Park.
Posted: Thursday, January 20, 2011
Developed in the early years of the twentieth century, Autochromes were the result of the first commercially viable color photographic process. Yet the dyes used to impart the color in Autochromes are so sensitive to light that typical exhibition conditions cause rapid and irreversible fading, which has led to the Metropolitan Museum's policy of not exhibiting these vulnerable photographs. As the Museum's research scholar in photograph conservation, I spent three years studying the stability of Autochrome dyes. I began my research with a desire to better understand how and under what conditions Autochromes fade and, ideally, to devise a safe way to exhibit these important photographs. The exciting culmination of my work will take place next week, January 25–30, when five original Autochromes by Alfred Stieglitz and Edward Steichen will be displayed in low-oxygen enclosures as part of the special exhibition Stieglitz, Steichen, Strand.
Posted: Tuesday, January 18, 2011
In 1949 the Metropolitan Museum was bequeathed a masterpiece of Italian Renaissance painting. Painted around 1485 by the Florentine master Filippino Lippi, it shows the Madonna and Child seated in a domestic interior, with a view through a window onto a landscape with a river.
Posted: Wednesday, January 12, 2011
In the early nineteenth century, American wall paintings developed from oil-on-wood works that formed part of a room's wall paneling into large-scale, floor-to-ceiling works on plaster. Much of the scholarship surrounding these wall paintings has focused on the artists who created them for homes throughout New England. As the 2010–2011 Douglass Foundation Fellow in The American Wing, my goal is to study instead the homeowners who commissioned the works, as well as the histories of the houses in which they were completed.
Posted: Thursday, December 30, 2010
Forty years ago this weekend, on January 1, 1971, The Metropolitan Museum of Art first distributed admission buttons, replacing the envelope-sized, two-color tickets that had been used during a transitional period in 1970.
Posted: Monday, December 20, 2010
Our new and improved home page—which has beautiful, rotating images of our special exhibitions and permanent collections—launched today. In addition to listing general information about the Main Building and The Cloisters museum and gardens more prominently, the new design also makes it easy to buy online admission tickets directly from the Museum.