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Highlights of the Collection / 1,839 records
37 records
Textiles x Europe x
Embroidery with the Annunciation
Date: mid-15th century
Medium: Silk and metallic threads on linen
Accession Number: 1990.330
Kettle Drums
Franz Peter Bunsen
(ca. 1725–1795 (master 1754))
Date: 1779
Medium: Silver, iron, calfskin, textiles
Accession Number: 2010.138.1-.4
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Medium: Steel, copper, gold, glass, pigments, textile
Accession Number: 23.141
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.2
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Medium: Wool warp, wool wefts
Accession Number: 47.101.3
Cravat end
Date: mid-18th century
Medium: Linen, bobbin lace
Accession Number: 48.41.1
"Music"
Savonnerie Manufactory
(Manufactory, established 1626; Manufacture Royale, established 1663)
Date: ca. 1685–97
Medium: Wool (Ghiordes knot, 90 knots per square in.)
Accession Number: 52.118
Hunters in a Landscape
Anonymous
Date: ca. 1575–95
Medium: Wool, silk (14 warps per inch; 5-6 per cm)
Accession Number: 2009.280
Hunting and fishing scenes
Manufactured by Robert Jones
Date: 1769
Medium: Linen and cotton
Accession Number: 1983.365
Armor
Date: ca. 1400–1450 and later
Medium: Steel, brass, textile, leather
Accession Number: 29.154.3
Textile Fragment
Date: 14th century
Medium: Silk; lampas
Accession Number: 29.22
Seasons and Elements (Air) (set of four)
Attributed to Charles Le Brun
(French, Paris 1619–1690 Paris)
Date: ca. 1683
Medium: Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.)
Accession Number: 46.43.4
Textile sample
La Maison Martine
Date: ca. 1911–23
Medium: Silk satin
Accession Number: 23.178.11
King Arthur and Attendants (acc. nos. 32.130.3a and 47.101.4 from the Nine Heroes Tapestries)
Date: ca. 1400
Medium: Wool warp, wool wefts
Accession Number: 32.130.3a; 47.101.4
Tapestry with the Annunciation
Date: ca. 1410–20
Medium: Wool warp, wool with a few metallic wefts
Accession Number: 45.76
Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Made under the direction of Jacob Halder
(British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
Date: 1586
Medium: Steel, gold, leather, textile
Accession Number: 32.130.6a–y
Length of velvet
Date: late 17th–early 18th century
Medium: Silk
Accession Number: 1992.15
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Medium: Wool warp; wool, silk, metallic weft yarns
Accession Number: 09.137.2
The Triumph of Fame
Date: ca. 1502–4
Medium: Wool, silk (6-7 warp threads per cm.)
Accession Number: 1998.205
Emperor Vespasian Cured by Veronica's Veil
Date: ca. 1510
Medium: Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave.
Accession Number: 1975.1.1914
Fragment of a Tapestry or Wall Hanging
Date: ca. 1420–30
Medium: Tapestry weave: wool on linen
Accession Number: 1990.211
Dress panel
Hector Guimard
(French, Lyons 1867–1942 New York)
Date: ca. 1900
Medium: Silk and paint on silk
Accession Number: 49.85.11
Armor of Henry II, King of France (reigned 1547–59)
Part of the decoration design by Jean Cousin the Elder
(French, Souci (?) ca. 1490–ca. 1560 Paris (?))
Date: ca. 1555
Medium: Steel, gold, silver, leather, textile
Accession Number: 39.121a–n
Kennet
Designed by William Morris
(British, Walthamstow, London 1834–1896 Hammersmith, London)
Date: design registered October 18, 1883; printed 1917–23
Medium: Cotton / indigo discharge and block-printed
Accession Number: 23.163.7
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Length of velvet
Date: late 15th century
Medium: Silk, metal thread
Accession Number: 12.49.8
Quilt
Date: 19th century
Medium: Cotton with wool crewel embroidery
Accession Number: 1987.63
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Medium: Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.)
Accession Number: 41.190.135
Opus Anglicanum (Chasuble)
Date: late 15th century
Medium: Silk and metallic threads on linen; appliqué on silk velvet foundation with silk embroidery and silver-gilt shot
Accession Number: 1982.432
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683
Medium: Steel, gold, leather, textile
Accession Number: 15.113.1–.5; 29.158.885
Embroidery with the Annunciation
Date: mid-15th century
Accession Number: 1990.330
Kettle Drums
Franz Peter Bunsen
(ca. 1725–1795 (master 1754))
Date: 1779
Accession Number: 2010.138.1-.4
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Accession Number: 23.141
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.2
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Accession Number: 47.101.3
Cravat end
Date: mid-18th century
Accession Number: 48.41.1
"Music"
Savonnerie Manufactory
(Manufactory, established 1626; Manufacture Royale, established 1663)
Date: ca. 1685–97
Accession Number: 52.118
Hunters in a Landscape
Anonymous
Date: ca. 1575–95
Accession Number: 2009.280
Hunting and fishing scenes
Manufactured by Robert Jones
Date: 1769
Accession Number: 1983.365
Armor
Date: ca. 1400–1450 and later
Accession Number: 29.154.3
Textile Fragment
Date: 14th century
Accession Number: 29.22
Seasons and Elements (Air) (set of four)
Attributed to Charles Le Brun
(French, Paris 1619–1690 Paris)
Date: ca. 1683
Accession Number: 46.43.4
Textile sample
La Maison Martine
Date: ca. 1911–23
Accession Number: 23.178.11
Tapestry with the Annunciation
Date: ca. 1410–20
Accession Number: 45.76
Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Made under the direction of Jacob Halder
(British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
Date: 1586
Accession Number: 32.130.6a–y
Length of velvet
Date: late 17th–early 18th century
Accession Number: 1992.15
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Accession Number: 09.137.2
The Triumph of Fame
Date: ca. 1502–4
Accession Number: 1998.205
Emperor Vespasian Cured by Veronica's Veil
Date: ca. 1510
Accession Number: 1975.1.1914
Fragment of a Tapestry or Wall Hanging
Date: ca. 1420–30
Accession Number: 1990.211
Dress panel
Hector Guimard
(French, Lyons 1867–1942 New York)
Date: ca. 1900
Accession Number: 49.85.11
Armor of Henry II, King of France (reigned 1547–59)
Part of the decoration design by Jean Cousin the Elder
(French, Souci (?) ca. 1490–ca. 1560 Paris (?))
Date: ca. 1555
Accession Number: 39.121a–n
Kennet
Designed by William Morris
(British, Walthamstow, London 1834–1896 Hammersmith, London)
Date: design registered October 18, 1883; printed 1917–23
Accession Number: 23.163.7
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
Length of velvet
Date: late 15th century
Accession Number: 12.49.8
Quilt
Date: 19th century
Accession Number: 1987.63
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Accession Number: 41.190.135
Opus Anglicanum (Chasuble)
Date: late 15th century
Accession Number: 1982.432
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683
Accession Number: 15.113.1–.5; 29.158.885
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