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Highlights of the Collection / 1,839 records
55 records
Europe x Drawings and Prints x
A Gathering at Woods' Edge
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1761–73
Medium: Red chalk
Accession Number: 1995.101
Dune Landscape with Oak Tree
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 1650–55
Medium: Black chalk; brush and gray wash; gouache; framing lines in pen and brown ink.
Accession Number: 1995.196
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1899
Medium: Charcoal on laid paper
Accession Number: 1996.418
Édouard Manet, Seated, Holding His Hat
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1865
Medium: Graphite and black chalk on wove (China) paper
Accession Number: 19.51.7
Icarus, plate VIII from the illustrated book, "Jazz"
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1947
Medium: Pochoir
Accession Number: 1983.1009(8)
Melencolia I
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1514
Medium: Engraving
Accession Number: 43.106.1
The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
(Netherlandish, Leiden ca. 1494–1533 Leiden)
Date: 1520s
Medium: Pen and brown ink; traces of squaring in black chalk
Accession Number: 2008.253
Samson and Delilah
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1506
Medium: Pen and black ink with white heightening on brown prepared paper
Accession Number: 06.1051.2
Adam and Eve
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1504
Medium: Engraving; fourth state
Accession Number: 19.73.1
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Medium: Watercolor over graphite
Accession Number: 59.120
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Accession Number: 24.197.2
Aman-Jean (Portrait of Edmond François Aman-Jean)
Georges Seurat
(French, Paris 1859–1891 Paris)
Date: 1882–83
Medium: Conté crayon on Michallet paper
Accession Number: 61.101.16
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1519
Medium: Etching
Accession Number: 26.72.68
Reclining Female Nude ("Negress" Lying Down)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1658
Medium: Etching, drypoint, engraving on japan paper; second state
Accession Number: 29.107.28
Portrait of an Ecclesiastic
Jean Fouquet
(French, Tours ca. 1425–ca. 1478 Tours)
Date: ca. 1461
Medium: Metalpoint, black chalk on white prepared paper
Accession Number: 49.38
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Medium: Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Accession Number: 29.100.200
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 1658
Medium: Pen and brown ink; brown wash over black chalk; heightened with white
Accession Number: 1997.156
Diana and Actaeon
Bartholomeus Spranger
(Netherlandish, Antwerp 1546–1611 Prague)
Date: ca. 1590–95
Medium: Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Accession Number: 1997.93
Lady Lilith
Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1867
Medium: Watercolor and gouache on paper
Accession Number: 08.162.1
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Medium: Pen and black ink, brush and gray wash, watercolor, over graphite
Accession Number: 1971.63.1
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1508–12
Medium: Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
Accession Number: 51.90
Self-Portrait, from The Iconography
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: ca. 1630
Medium: Etching; first state of seven
Accession Number: 50.583.4
The Round Tower, from Carceri d'invenzione (Imaginary Prisons)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1749–50
Medium: Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Accession Number: 37.45.3(27)
View of Heidelberg
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1588–89
Medium: Pen and brown ink, brush and blue and brown washes, heightened with white; framing lines in pen and brown ink
Accession Number: 1995.15
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Medium: Drypoint and engraving printed on vellum; first state of five
Accession Number: 41.1.31
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1832
Medium: Watercolor over graphite on wove paper
Accession Number: 1972.118.210
Hercules Chasing Avarice from the Temple of the Muses
Ugo da Carpi
(Italian, Carpi ca. 1480–1532 Bologna)
Date: ca. 1518 (?)
Medium: Chiaroscuro woodcut from two blocks
Accession Number: 20.24.76
A giant seated in a landscape, sometimes called 'The Colossus'
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Medium: Burnished aquatint with scraping and strokes of 'lavis' added along the top of the landscape and within the landscape
Accession Number: 35.42
Jupiter and Juno: Study for the 'Furti di Giove' Tapestries
Perino del Vaga
(Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome)
Date: ca. 1532–35
Medium: Pen and dark brown ink with brown and gray wash, highlighted with white gouache
Accession Number: 2011.36
A Gathering at Woods' Edge
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1761–73
Accession Number: 1995.101
Dune Landscape with Oak Tree
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 1650–55
Accession Number: 1995.196
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1899
Accession Number: 1996.418
Édouard Manet, Seated, Holding His Hat
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1865
Accession Number: 19.51.7
Icarus, plate VIII from the illustrated book, "Jazz"
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1947
Accession Number: 1983.1009(8)
Melencolia I
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1514
Accession Number: 43.106.1
The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
(Netherlandish, Leiden ca. 1494–1533 Leiden)
Date: 1520s
Accession Number: 2008.253
Samson and Delilah
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1506
Accession Number: 06.1051.2
Adam and Eve
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1504
Accession Number: 19.73.1
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Accession Number: 59.120
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Accession Number: 24.197.2
Aman-Jean (Portrait of Edmond François Aman-Jean)
Georges Seurat
(French, Paris 1859–1891 Paris)
Date: 1882–83
Accession Number: 61.101.16
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1519
Accession Number: 26.72.68
Reclining Female Nude ("Negress" Lying Down)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1658
Accession Number: 29.107.28
Portrait of an Ecclesiastic
Jean Fouquet
(French, Tours ca. 1425–ca. 1478 Tours)
Date: ca. 1461
Accession Number: 49.38
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Accession Number: 29.100.200
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 1658
Accession Number: 1997.156
Diana and Actaeon
Bartholomeus Spranger
(Netherlandish, Antwerp 1546–1611 Prague)
Date: ca. 1590–95
Accession Number: 1997.93
Lady Lilith
Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1867
Accession Number: 08.162.1
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Accession Number: 1971.63.1
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1508–12
Accession Number: 51.90
Self-Portrait, from The Iconography
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: ca. 1630
Accession Number: 50.583.4
The Round Tower, from Carceri d'invenzione (Imaginary Prisons)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1749–50
Accession Number: 37.45.3(27)
View of Heidelberg
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1588–89
Accession Number: 1995.15
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Accession Number: 41.1.31
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1832
Accession Number: 1972.118.210
Hercules Chasing Avarice from the Temple of the Muses
Ugo da Carpi
(Italian, Carpi ca. 1480–1532 Bologna)
Date: ca. 1518 (?)
Accession Number: 20.24.76
A giant seated in a landscape, sometimes called 'The Colossus'
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Accession Number: 35.42
Jupiter and Juno: Study for the 'Furti di Giove' Tapestries
Perino del Vaga
(Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome)
Date: ca. 1532–35
Accession Number: 2011.36
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