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Highlights of the Collection / 1,898 records
38 records
Wood x Europe x A.D. 1600–1800 x
Teakettle, lamp, and table
Simon Pantin I
(British, ca. 1672–1728)
Date: 1724–25
Medium: Silver, wood
Accession Number: 68.141.81a–f
Casket
Attributed to Michel Redlin
(German, documented 1688)
Date: ca. 1680
Medium: Amber, gold foil, gilt brass, wood, silk satin, paper
Accession Number: 2006.452a–c
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Guitar
attributed to Jean-Baptiste Voboam
Date: 1697
Medium: Spruce, tortoiseshell, mother-of-pearl, ivory, ebony
Accession Number: 1989.147
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 63.228.1
Bedroom from the Sagredo Palace
Stuccowork probably by Abbondio Stazio of Massagno
(Italian, 1675–1745)
Date: ca. 1718
Medium: Wood, stucco, marble, glass
Accession Number: 06.1335.1a–d
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Medium: Maple, spruce, ebony
Accession Number: 55.86 a-c
Transverse Flute
Garion
(French)
Date: ca. 1720–40
Medium: Rosewood, ivory, silver
Accession Number: 2005.365
Saint John the Baptist
Juan Martínez Montañés
(Spanish, Alcalá la Real 1568–1649 Seville)
Date: ca. 1620–30
Medium: Polychromed wood with gilding
Accession Number: 63.40
Cabinet on stand
Attributed to Jan van Mekeren
(Dutch, Tiel ca. 1658–1733 Amsterdam)
Date: ca. 1700–1710
Medium: Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green stained marquetry woods
Accession Number: 1995.371a, b
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Medium: Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original)
Accession Number: 20.155.11
Cittern
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Medium: Wood, ivory, ebony and other materials
Accession Number: 1985.124
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Medium: Maple, spruce, ebony
Accession Number: 34.86.2 a
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1776
Medium: Oak veneered with tulipwood, amaranth, holly, and sycamore; six Sèvres soft-paste porcelain plaques and two painted tin plaques; gilt bronze mounts; marble shelves; moiré silk
Accession Number: 1976.155.110
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
Clarinet in D
Date: 1750–70
Medium: Boxwood, brass
Accession Number: 2010.185
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Dining room from Lansdowne House
After a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1766–69
Medium: Wood, plaster, stone
Accession Number: 32.12
Soprano Recorder in B
Thomas Coenraet Boekhout
(Kampen 1666–1715 Amsterdam)
Date: ca. 1700
Medium: Ebony, ivory
Accession Number: 89.4.912
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Medium: Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Accession Number: 1982.60.82
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Medium: Ebony, various wood and metals, wire, parchment and leather
Accession Number: 2002.323 a-f
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 1972.276.1
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
Double Virginal
Lodewijck Grouwels
Date: 1600
Medium: Pine, spruce, various materials
Accession Number: 89.4.1196
Teakettle, lamp, and table
Simon Pantin I
(British, ca. 1672–1728)
Date: 1724–25
Accession Number: 68.141.81a–f
Casket
Attributed to Michel Redlin
(German, documented 1688)
Date: ca. 1680
Accession Number: 2006.452a–c
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Guitar
attributed to Jean-Baptiste Voboam
Date: 1697
Accession Number: 1989.147
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Accession Number: 63.228.1
Bedroom from the Sagredo Palace
Stuccowork probably by Abbondio Stazio of Massagno
(Italian, 1675–1745)
Date: ca. 1718
Accession Number: 06.1335.1a–d
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Accession Number: 55.86 a-c
Transverse Flute
Garion
(French)
Date: ca. 1720–40
Accession Number: 2005.365
Saint John the Baptist
Juan Martínez Montañés
(Spanish, Alcalá la Real 1568–1649 Seville)
Date: ca. 1620–30
Accession Number: 63.40
Cabinet on stand
Attributed to Jan van Mekeren
(Dutch, Tiel ca. 1658–1733 Amsterdam)
Date: ca. 1700–1710
Accession Number: 1995.371a, b
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Accession Number: 20.155.11
Cittern
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Accession Number: 1985.124
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Accession Number: 34.86.2 a
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1776
Accession Number: 1976.155.110
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
Clarinet in D
Date: 1750–70
Accession Number: 2010.185
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Dining room from Lansdowne House
After a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1766–69
Accession Number: 32.12
Soprano Recorder in B
Thomas Coenraet Boekhout
(Kampen 1666–1715 Amsterdam)
Date: ca. 1700
Accession Number: 89.4.912
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Accession Number: 1982.60.82
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Accession Number: 2002.323 a-f
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Accession Number: 1972.276.1
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
Double Virginal
Lodewijck Grouwels
Date: 1600
Accession Number: 89.4.1196
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