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Highlights of the Collection / 1,898 records
71 records
Drawings x Europe x
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Medium: Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Accession Number: 1975.1.410
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: ca. 1501
Medium: Pen and brown ink, traces of black chalk; mounted on an album page
Accession Number: 1975.1.270
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1832
Medium: Watercolor over graphite on wove paper
Accession Number: 1972.118.210
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Medium: Black, red and white chalk
Accession Number: 1975.1.763
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Accession Number: 24.197.2
Bust of Pseudo-Seneca
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1626
Medium: Pen and brown ink over black chalk heightened with white, with brush and gray ink
Accession Number: 1975.1.843
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Medium: Red chalk
Accession Number: 1975.1.794
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto
Accession Number: 1995.12
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
(German, Colmar ca. 1435/50–1491 Breisach)
Date: ca. 1480–90
Medium: Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Accession Number: 1975.1.872
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1899
Medium: Charcoal on laid paper
Accession Number: 1996.418
Édouard Manet, Seated, Holding His Hat
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1865
Medium: Graphite and black chalk on wove (China) paper
Accession Number: 19.51.7
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Medium: Pen and brown ink, brush and brown wash, blue gouache, on vellum
Accession Number: 1975.1.376
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Medium: Sepia colored ink, sepia colored wash, white gouache and graphite on off-white wove paper
Accession Number: 2002.260
Head of a Man
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718
Medium: Red and black chalk
Accession Number: 37.165.107
Youth Playing a Pipe for a Satyr
Giovanni Benedetto Castiglione
(Il Grechetto) (Italian, Genoa 1609–1664 Mantua)
Date: 1609–64
Medium: Brush with colored oil paint; paper partly saturated with oil; lined
Accession Number: 62.126
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Medium: Pen and black ink, brush and gray wash, watercolor, over graphite
Accession Number: 1971.63.1
Designs for a Nativity or Adoration of the Christ Child; Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1480–85
Medium: Silverpoint, partly reworked with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Accession Number: 17.142.1
Self-Portrait
Egon Schiele
(Austrian, Tulln 1890–1918 Vienna)
Date: 1911
Medium: Watercolor, gouache, and graphite on paper
Accession Number: 1984.433.298ab
Jupiter and Juno: Study for the 'Furti di Giove' Tapestries
Perino del Vaga
(Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome)
Date: ca. 1532–35
Medium: Pen and dark brown ink with brown and gray wash, highlighted with white gouache
Accession Number: 2011.36
The Bearer of the Banner of the Canton Glarus
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Medium: Pen and brown ink
Accession Number: 2003.323
Leonidas at Thermopylae
Jacques Louis David
(French, Paris 1748–1825 Brussels)
Date: ca. 1814
Medium: Black chalk, squared in black chalk
Accession Number: 63.1
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Medium: Pen and brown ink, brown wash, over black chalk.
Accession Number: 1975.1.514
Temple Gardens
Paul Klee
(German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno)
Date: 1920
Medium: Gouache and traces of ink on three sheets of paper mounted on paper mounted on cardboard
Accession Number: 1987.455.2
Street Scene in Paris (Coin de rue à Paris)
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1895
Medium: Gouache and oil on cardboard.
Accession Number: 1975.1.736
Wrack
William Henry Fox Talbot
(British, 1800–1877)
Date: 1839
Medium: Photogenic drawing
Accession Number: 36.37 (25)
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Medium: Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
Accession Number: 1975.1.774
Dune Landscape with Oak Tree
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 1650–55
Medium: Black chalk; brush and gray wash; gouache; framing lines in pen and brown ink.
Accession Number: 1995.196
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, 1800–1877)
Date: probably 1835
Medium: Photogenic drawing negative
Accession Number: 1997.382.1
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco
(Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))
Date: ca. 1420
Medium: Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date.
Accession Number: 1975.1.335
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona
(Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher)
Date: 1435–38
Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Accession Number: 1996.364a, b
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Accession Number: 1975.1.410
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: ca. 1501
Accession Number: 1975.1.270
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1832
Accession Number: 1972.118.210
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Accession Number: 1975.1.763
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Accession Number: 24.197.2
Bust of Pseudo-Seneca
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1626
Accession Number: 1975.1.843
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Accession Number: 1975.1.794
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Accession Number: 1995.12
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
(German, Colmar ca. 1435/50–1491 Breisach)
Date: ca. 1480–90
Accession Number: 1975.1.872
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1899
Accession Number: 1996.418
Édouard Manet, Seated, Holding His Hat
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1865
Accession Number: 19.51.7
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Accession Number: 1975.1.376
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Accession Number: 2002.260
Head of a Man
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718
Accession Number: 37.165.107
Youth Playing a Pipe for a Satyr
Giovanni Benedetto Castiglione
(Il Grechetto) (Italian, Genoa 1609–1664 Mantua)
Date: 1609–64
Accession Number: 62.126
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Accession Number: 1971.63.1
Designs for a Nativity or Adoration of the Christ Child; Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1480–85
Accession Number: 17.142.1
Self-Portrait
Egon Schiele
(Austrian, Tulln 1890–1918 Vienna)
Date: 1911
Accession Number: 1984.433.298ab
Jupiter and Juno: Study for the 'Furti di Giove' Tapestries
Perino del Vaga
(Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome)
Date: ca. 1532–35
Accession Number: 2011.36
The Bearer of the Banner of the Canton Glarus
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Accession Number: 2003.323
Leonidas at Thermopylae
Jacques Louis David
(French, Paris 1748–1825 Brussels)
Date: ca. 1814
Accession Number: 63.1
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Accession Number: 1975.1.514
Temple Gardens
Paul Klee
(German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno)
Date: 1920
Accession Number: 1987.455.2
Street Scene in Paris (Coin de rue à Paris)
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1895
Accession Number: 1975.1.736
Wrack
William Henry Fox Talbot
(British, 1800–1877)
Date: 1839
Accession Number: 36.37 (25)
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Accession Number: 1975.1.774
Dune Landscape with Oak Tree
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 1650–55
Accession Number: 1995.196
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, 1800–1877)
Date: probably 1835
Accession Number: 1997.382.1
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco
(Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))
Date: ca. 1420
Accession Number: 1975.1.335
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona
(Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher)
Date: 1435–38
Accession Number: 1996.364a, b
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