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Highlights of the Collection / 1,839 records
112 records
Gilt x
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket
Date: ca. 1173–80
Medium: Silver, partial gilt, niello, garnet cabochon
Accession Number: 17.190.520
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Medium: Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar
Accession Number: 1976.324
Tondo mirror frame
Italian, Siena
Date: ca. 1490–1500
Medium: Poplar; carved, gilt; deep red-brown bole.
Accession Number: 1975.1.2101
Madonna and Child with Angels
Antonio Rossellino
(Italian, Settignano 1427–ca. 1479 Florence)
Date: ca. 1455–60
Medium: Marble with gilt details on halo and dress
Accession Number: 14.40.675
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Medium: Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts
Accession Number: 17.190.724
The Antioch "Chalice"
Date: 500–550
Medium: Silver, silver-gilt
Accession Number: 50.4
Paten
Date: ca. 1230–50
Medium: Silver, partly gilt; niello, jewels
Accession Number: 47.101.27
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.6
Princely Figure with Jewelled Crown
Date: mid-11th–mid-12th century
Medium: Stucco; modeled, carved, polychrome painted, gilded
Accession Number: 67.119
Straw
Date: ca. 1230–50
Medium: Silver, partly gilt; niello, jewels
Accession Number: 47.101.28
Ewer with Wild Man Finial
Date: ca. 1500
Medium: Silver gilt, enamel, and paint
Accession Number: 53.20.2
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Medium: Steel, blued and gilt; gilt brass, silk, cotton, metallic yarn, paper
Accession Number: 1989.3
Crucifix
Date: ca. 1150–1200
Medium: Corpus: white oak and pine with polychromy, gilding, and applied stones; Cross: red pine, polychromy
Accession Number: 35.36a, b
Altar Frontal with Man of Sorrows and Saints
Date: ca. 1465
Medium: Wool, linen, and metallic thread (gilt membrane on silk) on linen
Accession Number: 1991.156
Eagle
William Rush
(1756–1833)
Date: 1809–11
Medium: Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted
Accession Number: 2002.21.1
Processional Cross
Date: ca. 1000–1050
Medium: Silver, silver-gilt
Accession Number: 1993.163
Mechanical table
Jean-François Oeben
(French, born Germany, Heisenberg 1721–1763 Paris)
Date: ca. 1761–63
Medium: Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk
Accession Number: 1982.60.61
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Medium: Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original)
Accession Number: 20.155.11
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Opus Anglicanum (Chasuble)
Date: late 15th century
Medium: Silk and metallic threads on linen; appliqué on silk velvet foundation with silk embroidery and silver-gilt shot
Accession Number: 1982.432
Chalice à soleil
Date: 1532–33
Medium: Silver gilt
Accession Number: 1996.287
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Armor (Yoroi)
Date: early 14th century
Medium: Iron, lacquer, leather, silk, gilt copper
Accession Number: 14.100.121b–e
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
Side Chair
Attributed to John Finlay
(active ca. 1799–1833)
Date: 1815–20
Medium: Maple, painted and gilded, cane
Accession Number: 65.167.6
Square-Headed Bow Brooch
Date: 6th century
Medium: Gilded copper alloy inlaid with niello
Accession Number: 1985.209
Ewer
Date: Porcelain 1573–1620; mounts ca. 1585
Medium: Porcelain, silver-gilt
Accession Number: 44.14.2
Cape
Date: second half 16th century
Medium: silk, gilt thread
Accession Number: 06.941
Chasse with the Crucifixion and Christ in Majesty
Date: ca. 1180–90
Medium: Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior
Accession Number: 17.190.514
Armorial tazza
Italian
Date: 1499–1514
Medium: Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt
Accession Number: 1975.1.1194
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Accession Number: 1976.324
Tondo mirror frame
Italian, Siena
Date: ca. 1490–1500
Accession Number: 1975.1.2101
Madonna and Child with Angels
Antonio Rossellino
(Italian, Settignano 1427–ca. 1479 Florence)
Date: ca. 1455–60
Accession Number: 14.40.675
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Accession Number: 17.190.724
The Antioch "Chalice"
Date: 500–550
Accession Number: 50.4
Paten
Date: ca. 1230–50
Accession Number: 47.101.27
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.6
Princely Figure with Jewelled Crown
Date: mid-11th–mid-12th century
Accession Number: 67.119
Straw
Date: ca. 1230–50
Accession Number: 47.101.28
Ewer with Wild Man Finial
Date: ca. 1500
Accession Number: 53.20.2
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Accession Number: 1989.3
Crucifix
Date: ca. 1150–1200
Accession Number: 35.36a, b
Altar Frontal with Man of Sorrows and Saints
Date: ca. 1465
Accession Number: 1991.156
Eagle
William Rush
(1756–1833)
Date: 1809–11
Accession Number: 2002.21.1
Processional Cross
Date: ca. 1000–1050
Accession Number: 1993.163
Mechanical table
Jean-François Oeben
(French, born Germany, Heisenberg 1721–1763 Paris)
Date: ca. 1761–63
Accession Number: 1982.60.61
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Accession Number: 20.155.11
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Opus Anglicanum (Chasuble)
Date: late 15th century
Accession Number: 1982.432
Chalice à soleil
Date: 1532–33
Accession Number: 1996.287
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
Armor (Yoroi)
Date: early 14th century
Accession Number: 14.100.121b–e
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
Side Chair
Attributed to John Finlay
(active ca. 1799–1833)
Date: 1815–20
Accession Number: 65.167.6
Square-Headed Bow Brooch
Date: 6th century
Accession Number: 1985.209
Ewer
Date: Porcelain 1573–1620; mounts ca. 1585
Accession Number: 44.14.2
Cape
Date: second half 16th century
Accession Number: 06.941
Chasse with the Crucifixion and Christ in Majesty
Date: ca. 1180–90
Accession Number: 17.190.514
Armorial tazza
Italian
Date: 1499–1514
Accession Number: 1975.1.1194
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