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Highlights of the Collection / 1,898 records
96 records
Oil paint x Europe x
Island of the Dead
Arnold Böcklin
(Swiss, Basel 1827–1901 San Domenico, Italy)
Date: 1880
Medium: Oil on wood
Accession Number: 26.90
Merry Company on a Terrace
Jan Steen
(Dutch, Leiden 1626–1679 Leiden)
Date: ca. 1670
Medium: Oil on canvas
Accession Number: 58.89
Still Life with Jar, Cup, and Apples
Paul Cézanne
(French, Aix-en-Provence 1839–1906 Aix-en-Provence)
Date: ca. 1877
Medium: Oil on canvas
Accession Number: 29.100.66
The Abduction of the Sabine Women
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: probably 1633–34
Medium: Oil on canvas
Accession Number: 46.160
Salisbury Cathedral from the Bishop's Grounds
John Constable
(British, East Bergholt 1776–1837 Hampstead)
Date: ca. 1825
Medium: Oil on canvas
Accession Number: 50.145.8
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1787–88
Medium: Oil on canvas
Accession Number: 49.7.41
Island of the Dead
Arnold Böcklin
(Swiss, Basel 1827–1901 San Domenico, Italy)
Date: 1880
Accession Number: 26.90
Merry Company on a Terrace
Jan Steen
(Dutch, Leiden 1626–1679 Leiden)
Date: ca. 1670
Accession Number: 58.89
Still Life with Jar, Cup, and Apples
Paul Cézanne
(French, Aix-en-Provence 1839–1906 Aix-en-Provence)
Date: ca. 1877
Accession Number: 29.100.66
The Abduction of the Sabine Women
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: probably 1633–34
Accession Number: 46.160
Salisbury Cathedral from the Bishop's Grounds
John Constable
(British, East Bergholt 1776–1837 Hampstead)
Date: ca. 1825
Accession Number: 50.145.8
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1787–88
Accession Number: 49.7.41
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