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Highlights of the Collection / 1,898 records
The Old Plum
Attributed to Kano Sansetsu
(Japanese, 1590–1651)
Date: ca. 1645
Medium: Four sliding door panels (fusuma); ink, color, and gold on gilded paper
Accession Number: 1975.268.48a–d
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series
Devidasa of Nurpur
(active ca. 1680–ca. 1720)
Date: dated 1694–95
Medium: Opaque watercolor, ink, silver, and gold on paper
Accession Number: 57.185.2
Ink Landscapes with Poems
Gong Xian
(Chinese, 1619–1689)
Date: dated 1688
Medium: Album of sixteen paintings; ink on paper
Accession Number: 1981.4.1a–o
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Medium: Polychrome woodblock print (first edition); ink and colors on paper, medium-sized print (chuban)
Accession Number: JP698
Rough Waves
Ogata Kōrin
(Japanese, 1658–1716)
Date: ca. 1704–9
Medium: Two-panel folding screen; ink, color, and gold on gilt paper
Accession Number: 26.117
The Old Plum
Attributed to Kano Sansetsu
(Japanese, 1590–1651)
Date: ca. 1645
Accession Number: 1975.268.48a–d
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series
Devidasa of Nurpur
(active ca. 1680–ca. 1720)
Date: dated 1694–95
Accession Number: 57.185.2
Ink Landscapes with Poems
Gong Xian
(Chinese, 1619–1689)
Date: dated 1688
Accession Number: 1981.4.1a–o
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Accession Number: JP698
Rough Waves
Ogata Kōrin
(Japanese, 1658–1716)
Date: ca. 1704–9
Accession Number: 26.117

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