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Highlights of the Collection / 1,898 records
23 records
Softwood x Europe x
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Medium: Spruce, rosewood, mahogany
Accession Number: 1986.353.1
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Medium: Spruce, rosewood, cedar, ebony, mother-of-pearl
Accession Number: 1992.279
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Cabinet
Ébéniste: Charles-Guillaume Diehl
(French, 1811–ca. 1885)
Date: 1867
Medium: Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts
Accession Number: 1989.197
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Medium: Pine, spruce, various materials
Accession Number: 89.4.1196
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Lyre Guitar
Pons fils
Date: ca. 1805
Medium: Mahogany, spruce, gilding
Accession Number: 1998.121
Crucifix
Date: ca. 1150–1200
Medium: Corpus: white oak and pine with polychromy, gilding, and applied stones; Cross: red pine, polychromy
Accession Number: 35.36a, b
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Violoncello
Jean Baptiste Vuillaume
(French, Mirecourt 1798–1875 Paris)
Date: mid-19th century
Medium: Spruce and maple
Accession Number: 1984.114.1
Guitar
Date: ca. 1800
Medium: Spruce, ebony, ivory, tortoiseshell
Accession Number: 69.29
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
Guitar
attributed to Jean-Baptiste Voboam
Date: 1697
Medium: Spruce, tortoiseshell, mother-of-pearl, ivory, ebony
Accession Number: 1989.147
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Medium: Maple, spruce, ebony
Accession Number: 34.86.2 a
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Medium: Spruce, rosewood, cedar
Accession Number: 1986.353.2
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Medium: Painted pine, oil paint on leather, brass, copper
Accession Number: 26.54
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Medium: Maple, spruce, ebony
Accession Number: 55.86 a-c
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Accession Number: 1986.353.1
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Accession Number: 1992.279
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Cabinet
Ébéniste: Charles-Guillaume Diehl
(French, 1811–ca. 1885)
Date: 1867
Accession Number: 1989.197
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Accession Number: 89.4.1196
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Lyre Guitar
Pons fils
Date: ca. 1805
Accession Number: 1998.121
Crucifix
Date: ca. 1150–1200
Accession Number: 35.36a, b
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Violoncello
Jean Baptiste Vuillaume
(French, Mirecourt 1798–1875 Paris)
Date: mid-19th century
Accession Number: 1984.114.1
Guitar
Date: ca. 1800
Accession Number: 69.29
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
Guitar
attributed to Jean-Baptiste Voboam
Date: 1697
Accession Number: 1989.147
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Accession Number: 34.86.2 a
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Accession Number: 1986.353.2
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Accession Number: 26.54
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Accession Number: 55.86 a-c
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a

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