Quantcast
Highlights of the Collection / 1,898 records
86 records
Wood x Europe x
Shrine of the Virgin
Date: ca. 1300
Medium: Oak, linen covering, polychromy, gilding, gesso
Accession Number: 17.190.185a, b
Bedroom from the Sagredo Palace
Stuccowork probably by Abbondio Stazio of Massagno
(Italian, 1675–1745)
Date: ca. 1718
Medium: Wood, stucco, marble, glass
Accession Number: 06.1335.1a–d
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Medium: Oil on oak
Accession Number: 56.70a–c
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
Studiolo from the Ducal Palace in Gubbio
Designed by Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1478–82
Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
Accession Number: 39.153
Crossbow of Count Ulrich V of Württemberg (1413–1480)
Attributed to Heinrich Heid von Winterthur
(probably Swiss, active Stuttgart, recorded 1453–1460)
Date: dated 1460
Medium: Wood (European hornbeam), horn, animal sinew, staghorn, birch bark, iron alloy, copper alloy, pigment
Accession Number: 04.3.36
Bassoon
Giosue Esposito
(Naples, active late 19th century)
Date: 1881
Medium: Maple, nickel-silver
Accession Number: 2003.150a–g
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 63.228.1
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Medium: Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Accession Number: 1982.60.82
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Medium: Ebony, various wood and metals, wire, parchment and leather
Accession Number: 2002.323 a-f
Medal cabinet
Attributed to William Vile
(British, Somerset 1700/1705–1767 London)
Date: 1760–61
Medium: Mahogany
Accession Number: 64.79
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
Grand Piano
Ferdinand Hofmann
(Austrian, 1756–1829)
Date: ca. 1790
Medium: Cherry wood, various other materials
Accession Number: 1984.34
Teakettle, lamp, and table
Simon Pantin I
(British, ca. 1672–1728)
Date: 1724–25
Medium: Silver, wood
Accession Number: 68.141.81a–f
Virgin and Child in Majesty
Date: 1150–1200
Medium: Walnut with paint, tin relief on a lead white ground, and linen
Accession Number: 16.32.194a, b
Rectangular Octave Virginal
Date: ca. 1600
Medium: Ebony, paper, parchment, ivory, various materials
Accession Number: 89.4.1778
Coffeepot
François Thomas Germain
(French, Paris 1726–1791 Paris, master 1748)
Date: 1757
Medium: Silver with ebony handle
Accession Number: 33.165.1
Tea Infuser and Strainer
Marianne Brandt
(German, Chemnitz 1893–1984 Kirchberg)
Date: ca. 1924
Medium: Silver and ebony
Accession Number: 2000.63a-c
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Medium: Maple, spruce, ebony
Accession Number: 34.86.2 a
Pietà
Date: 1375–1400
Medium: Poplar, plaster, paint, gilt
Accession Number: 48.85
Secretary
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1781–85
Medium: Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.
Accession Number: 1975.1.2026
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 1972.276.1
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Probably Lombardy
(Second half 16th century)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Medium: Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Accession Number: 1975.1.1558
A Goldsmith in his Shop
Petrus Christus
(Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges)
Date: 1449
Medium: Oil on oak panel
Accession Number: 1975.1.110
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Shrine of the Virgin
Date: ca. 1300
Accession Number: 17.190.185a, b
Bedroom from the Sagredo Palace
Stuccowork probably by Abbondio Stazio of Massagno
(Italian, 1675–1745)
Date: ca. 1718
Accession Number: 06.1335.1a–d
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Accession Number: 56.70a–c
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
Studiolo from the Ducal Palace in Gubbio
Designed by Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1478–82
Accession Number: 39.153
Crossbow of Count Ulrich V of Württemberg (1413–1480)
Attributed to Heinrich Heid von Winterthur
(probably Swiss, active Stuttgart, recorded 1453–1460)
Date: dated 1460
Accession Number: 04.3.36
Bassoon
Giosue Esposito
(Naples, active late 19th century)
Date: 1881
Accession Number: 2003.150a–g
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Accession Number: 63.228.1
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Accession Number: 1982.60.82
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Accession Number: 2002.323 a-f
Medal cabinet
Attributed to William Vile
(British, Somerset 1700/1705–1767 London)
Date: 1760–61
Accession Number: 64.79
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
Grand Piano
Ferdinand Hofmann
(Austrian, 1756–1829)
Date: ca. 1790
Accession Number: 1984.34
Teakettle, lamp, and table
Simon Pantin I
(British, ca. 1672–1728)
Date: 1724–25
Accession Number: 68.141.81a–f
Virgin and Child in Majesty
Date: 1150–1200
Accession Number: 16.32.194a, b
Rectangular Octave Virginal
Date: ca. 1600
Accession Number: 89.4.1778
Coffeepot
François Thomas Germain
(French, Paris 1726–1791 Paris, master 1748)
Date: 1757
Accession Number: 33.165.1
Tea Infuser and Strainer
Marianne Brandt
(German, Chemnitz 1893–1984 Kirchberg)
Date: ca. 1924
Accession Number: 2000.63a-c
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Accession Number: 34.86.2 a
Pietà
Date: 1375–1400
Accession Number: 48.85
Secretary
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1781–85
Accession Number: 1975.1.2026
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Accession Number: 1972.276.1
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Probably Lombardy
(Second half 16th century)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Accession Number: 1975.1.1558
A Goldsmith in his Shop
Petrus Christus
(Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges)
Date: 1449
Accession Number: 1975.1.110
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
  • Results per page:
  • 30
  • 60
  • 90

Close