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Highlights of the Collection / 1,898 records
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Medium: Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Accession Number: 29.100.200
The Doorway
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Medium: Etching, drypoint and roulette; fourteen of twenty (Glasgow); printed in brownish-black ink on ivory laid paper
Accession Number: 17.3.90
Nocturne
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1878
Medium: Lithotint with scraping, on a prepared half-tint ground, second state of two (Chicago), printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper
Accession Number: 17.3.159
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Medium: Sepia colored ink, sepia colored wash, white gouache and graphite on off-white wove paper
Accession Number: 2002.260
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Accession Number: 29.100.200
The Doorway
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Accession Number: 17.3.90
Nocturne
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1878
Accession Number: 17.3.159
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Accession Number: 2002.260

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