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Highlights of the Collection / 1,898 records
84 records
United Kingdom x
Venice, from the Porch of Madonna della Salute
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: ca. 1835
Medium: Oil on canvas
Accession Number: 99.31
Robe à la Française
Date: 1740s
Medium: silk, pigment, linen
Accession Number: 1995.235a, b
Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Made under the direction of Jacob Halder
(British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
Date: 1586
Medium: Steel, gold
Accession Number: 32.130.6a–y
Odalisque
Anthony Caro
(British, New Malden, Surrey 1924–2013 London)
Date: 1984
Medium: Steel
Accession Number: 1984.328a-d
Philip Stanhope Worsley
Julia Margaret Cameron
(British (born India), Calcutta 1815–1879 Kalutara, Ceylon)
Date: 1866
Medium: Albumen silver print from glass negative
Accession Number: 2005.100.27
An Address to the Workmen in the Pottery on the Subject of Entering into the Service of Foreign Manufacturers
Josiah Wedgwood
(British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent)
Date: 1783
Medium: Printed book
Accession Number: 143.7W41 W413
Grand Pianoforte
Erard
Date: ca. 1840
Medium: Wood, various materials
Accession Number: 59.76
Dress
Date: ca. 1760
Medium: silk, linen, cotton
Accession Number: 1996.374a–c
Washstand
Charles Rennie Mackintosh
(British, Glasgow, Scotland 1868–1928 London)
Date: 1904
Medium: Oak, ceramic tile, colored and mirror glass, and lead
Accession Number: 1994.120
Autographs and Sketches from Artist Friends to Samuel P. Avery
Author: Samuel Putnam Avery Sr.
(American, New York 1822–1904 New York)
Date: 1874–1880
Medium: Letter-book (manuscript)
Accession Number: 272.4 Au8
Salisbury Cathedral from the Bishop's Grounds
John Constable
(British, East Bergholt 1776–1837 Hampstead)
Date: ca. 1825
Medium: Oil on canvas
Accession Number: 50.145.8
The Cloisters Cross
Date: 12th century
Medium: Walrus ivory
Accession Number: 63.12
Oval Form with Strings and Color
Barbara Hepworth
(British, 1903–1975)
Date: 1966
Medium: Elmwood and painted Elmwood with cotton strings
Accession Number: 2007.95
The Octopus
Alvin Langdon Coburn
(British, Boston, Massachusetts 1882–1966 Wales)
Date: 1912
Medium: Platinum print
Accession Number: 1987.1100.13
Charger
Thomas Toft
(working before 1663, died 1689)
Date: ca. 1680
Medium: Slipware
Accession Number: 24.241.2
Quilt
Date: 19th century
Medium: Cotton with wool crewel embroidery
Accession Number: 1987.63
Whalers
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: ca. 1845
Medium: Oil on canvas
Accession Number: 96.29
Court dress
Date: ca. 1750
Medium: silk, metallic thread
Accession Number: C.I.65.13.1a–c
Dress
Date: ca. 1870
Medium: silk
Accession Number: 1980.409.1a–c
The Whole Art of Marbling as Applied to Paper, Book Edges, etc.
Author: Charles W. Woolnough
(British)
Date: 1881
Medium: Illustrated book
Accession Number: 217.08 W881
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683
Medium: Steel, engraved, blued, and gilt; leather, string laces
Accession Number: 15.113.1–.5; 29.158.885
Morte d'Arthur
Author: Sir Thomas Malory
(British, 1415/18–1471)
Date: 1893
Medium: Illustrated book
Accession Number: 920.84 M292
Paradise Lost
Author: John Milton
(British, London 1608–1674 London)
Date: 1902
Medium: Printed book
Accession Number: 926.1 M642
Waistcoat
Textile by Anna Maria Garthwaite
(British, 1690–1763)
Date: 1747
Medium: silk, wool, metallic
Accession Number: C.I.66.14.2
[Reclining Odalisque]
Roger Fenton
(British, 1819–1869)
Date: 1858
Medium: Salted paper print from glass negative
Accession Number: 1997.382.34
Presentation Smallsword
James Morisset
(English, London, active 1768–1800)
Date: hallmarked for 1797–98
Medium: Silver-gilt, enamel, steel, paste brilliants
Accession Number: 26.145.315a, b
Kennet
Designed by William Morris
(British, Walthamstow, London 1834–1896 Hammersmith, London)
Date: design registered October 18, 1883; printed 1917–23
Medium: Cotton / indigo discharge and block-printed
Accession Number: 23.163.7
Hunting and fishing scenes
Manufactured by Robert Jones
Date: 1769
Medium: Linen and cotton
Accession Number: 1983.365
Venice, from the Porch of Madonna della Salute
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: ca. 1835
Accession Number: 99.31
Robe à la Française
Date: 1740s
Accession Number: 1995.235a, b
Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Made under the direction of Jacob Halder
(British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
Date: 1586
Accession Number: 32.130.6a–y
Odalisque
Anthony Caro
(British, New Malden, Surrey 1924–2013 London)
Date: 1984
Accession Number: 1984.328a-d
Philip Stanhope Worsley
Julia Margaret Cameron
(British (born India), Calcutta 1815–1879 Kalutara, Ceylon)
Date: 1866
Accession Number: 2005.100.27
An Address to the Workmen in the Pottery on the Subject of Entering into the Service of Foreign Manufacturers
Josiah Wedgwood
(British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent)
Date: 1783
Accession Number: 143.7W41 W413
Grand Pianoforte
Erard
Date: ca. 1840
Accession Number: 59.76
Dress
Date: ca. 1760
Accession Number: 1996.374a–c
Washstand
Charles Rennie Mackintosh
(British, Glasgow, Scotland 1868–1928 London)
Date: 1904
Accession Number: 1994.120
Autographs and Sketches from Artist Friends to Samuel P. Avery
Author: Samuel Putnam Avery Sr.
(American, New York 1822–1904 New York)
Date: 1874–1880
Accession Number: 272.4 Au8
Salisbury Cathedral from the Bishop's Grounds
John Constable
(British, East Bergholt 1776–1837 Hampstead)
Date: ca. 1825
Accession Number: 50.145.8
The Cloisters Cross
Date: 12th century
Accession Number: 63.12
Oval Form with Strings and Color
Barbara Hepworth
(British, 1903–1975)
Date: 1966
Accession Number: 2007.95
The Octopus
Alvin Langdon Coburn
(British, Boston, Massachusetts 1882–1966 Wales)
Date: 1912
Accession Number: 1987.1100.13
Charger
Thomas Toft
(working before 1663, died 1689)
Date: ca. 1680
Accession Number: 24.241.2
Quilt
Date: 19th century
Accession Number: 1987.63
Whalers
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: ca. 1845
Accession Number: 96.29
Court dress
Date: ca. 1750
Accession Number: C.I.65.13.1a–c
Dress
Date: ca. 1870
Accession Number: 1980.409.1a–c
The Whole Art of Marbling as Applied to Paper, Book Edges, etc.
Author: Charles W. Woolnough
(British)
Date: 1881
Accession Number: 217.08 W881
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683
Accession Number: 15.113.1–.5; 29.158.885
Morte d'Arthur
Author: Sir Thomas Malory
(British, 1415/18–1471)
Date: 1893
Accession Number: 920.84 M292
Paradise Lost
Author: John Milton
(British, London 1608–1674 London)
Date: 1902
Accession Number: 926.1 M642
Waistcoat
Textile by Anna Maria Garthwaite
(British, 1690–1763)
Date: 1747
Accession Number: C.I.66.14.2
[Reclining Odalisque]
Roger Fenton
(British, 1819–1869)
Date: 1858
Accession Number: 1997.382.34
Presentation Smallsword
James Morisset
(English, London, active 1768–1800)
Date: hallmarked for 1797–98
Accession Number: 26.145.315a, b
Kennet
Designed by William Morris
(British, Walthamstow, London 1834–1896 Hammersmith, London)
Date: design registered October 18, 1883; printed 1917–23
Accession Number: 23.163.7
Hunting and fishing scenes
Manufactured by Robert Jones
Date: 1769
Accession Number: 1983.365
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