The Hand of Man
As proprietor of the Little Galleries of the Photo-Secession and editor of the photographic journals Camera Notes and Camera Work, Stieglitz was a major force in the promotion and elevation of photography as a fine art in America in the late nineteenth and early twentieth centuries. His own photographs had an equally revolutionary impact on the advancement of the medium.
The Hand of Man was first published in January 1903 in the inaugural issue of Camera Work. With this image of a lone locomotive chugging through the train yards of Long Island City, Stieglitz showed that a gritty urban landscape could have an atmospheric beauty and a symbolic value as potent as those of an unspoiled natural landscape. The title alludes to this modern transformation of the landscape and also perhaps to photography itself as a mechanical process. Stieglitz believed that a mechanical instrument such as the camera could be transformed into a tool for creating art when guided by the hand and sensibility of an artist.
The Hand of Man was first published in January 1903 in the inaugural issue of Camera Work. With this image of a lone locomotive chugging through the train yards of Long Island City, Stieglitz showed that a gritty urban landscape could have an atmospheric beauty and a symbolic value as potent as those of an unspoiled natural landscape. The title alludes to this modern transformation of the landscape and also perhaps to photography itself as a mechanical process. Stieglitz believed that a mechanical instrument such as the camera could be transformed into a tool for creating art when guided by the hand and sensibility of an artist.
Artwork Details
- Title: The Hand of Man
- Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York)
- Date: 1902, printed 1910
- Medium: Photogravure
- Dimensions: 24.2 x 31.9 cm (9 1/2 x 12 9/16 in.)
- Classification: Photographs
- Credit Line: Alfred Stieglitz Collection, 1949
- Object Number: 49.55.9
- Curatorial Department: Photographs
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