English
DonateMembershipTickets

[Plaster Casts of Bodies, Pompeii]

Giorgio Sommer Italian, born Germany
ca. 1875
Not on view
Much as photography fixes a moment in time, the eruption of Mount Vesuvius on August 24 in a.d. 79 preserved the city of Pompeii in eerie detail. Fascination with the site began with its excavation in the mid-eighteenth century and continues to this day. Sommer’s studio supplied views of Pompeii and other popular tourist destinations in Italy, Switzerland, and Austria in the era before visitors were equipped to make their own photographic records. Adopting the viewpoint of a gawking spectator, Sommer’s image offers a startlingly graphic perspective on casts formed by pouring plaster into the voids left where human remains had been engulfed by volcanic ash and mud. Around the time this photograph was made, a writer referenced the disconcerting power of Pompeiian photographs that “reveal with a fearful fidelity the dreadful agonies of some of those who perished at Pompeii, and, while looking at the pictures, it is very difficult to divest the mind of the idea that they are not the works of some ancient photographer who plied his lens and camera immediately after the eruption had ceased, so forcibly do they carry the mind back to the time and place of the awful immurement of both a town and its people.”

Artwork Details

Object Information
  • Title: [Plaster Casts of Bodies, Pompeii]
  • Artist: Giorgio Sommer (Italian (born Germany), 1834–1914)
  • Date: ca. 1875
  • Medium: Albumen print from glass negative
  • Dimensions: Image: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.)
    Sheet: 27.8 x 38.4 cm (10 15/16 x 15 1/8 in.)
    Mount: 47.8 x 55.8 cm (18 13/16 x 21 15/16 in.)
  • Classification: Photographs
  • Credit Line: Purchase, Harriett Ames Charitable Trust Gift, 2012
  • Object Number: 2012.111
  • Curatorial Department: Photographs
More Artwork
Napoli Tarantella, Giorgio Sommer  Italian, born Germany, Albumen silver print
Giorgio Sommer
Unknown
ca. 1870
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
Artillery, Quartermaster Sergeant, Oliver H. Willard  American, Albumen silver print from glass negative with applied color
Attributed to Oliver H. Willard
1866
Castagnari, Giorgio Sommer  Italian, born Germany, Albumen silver print from collodion glass negative
Giorgio Sommer
ca. 1874
Harpsichord, Wood, paint, various materials, Italian
Italian
late 17th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.