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The Chimera (La Chimère de Monsieur Desprez)

ca. 1777–84
Not on view
Trained as an architect, Desprez won the Prix de Rome for architecture in 1776 and lived in Italy from 1777 to 1784 where he found employment as an illustrator. In 1784 he left for Stockholm as theatre designer to king Gustav III. Today he is best remembered for his skills as a draftsman. He also made a small number of original etchings, of which La Chimère is both the most accomplished and the most bizarre.
The subject is described in a lengthy inscription which appears on the fifth state of the print. Born on the burning sands of Africa, Desprez's mythical beast has three heads: one a bird and two with the features of the devil. The skeletal monster devours its human prey amid the bones of its previous victims framed by the dark semicircle of an archway, the pale semicircle of the moon visible beyond. Even seen against the venerable tradition of demonic creatures in Western art, Desprez's macabre vision is a tour de force of his inventive skills and graphic technique.

Artwork Details

Object Information
  • Title: The Chimera (La Chimère de Monsieur Desprez)
  • Artist: Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm)
  • Date: ca. 1777–84
  • Medium: Etching
  • Dimensions: sheet: 11 5/16 x 14 7/16 in. (28.8 x 36.6 cm)
  • Classification: Prints
  • Credit Line: Purchase, 1998
  • Object Number: 1998.248
  • Curatorial Department: Drawings and Prints
More Artwork
Louis Jean Desprez  French, Brush and brown wash over etching
Louis Jean Desprez
etching by Francesco Piranesi
n.d.
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal)  Italian, Etching; undivided plate, only state
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
The Girandola at the Castel Sant'Angelo, Rome, Louis Jean Desprez  French, Etching with hand-coloring
Designed and hand colored by Louis Jean Desprez
Etched by Francesco Piranesi
ca. 1781–1784
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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