F. J. Sanchez Canton Dibujos Españoles. vol. 17, no. 3, Madrid, 1930, fig. no. pl. 217, ill.
Winslow Ames Drawings, Fourth Anniversary Exhibition Exh. cat. Lyman Allyn Museum, New London, CT, March 2-April 15, 1936, cat. no. 59.
Erwin Gradmann Spanische Meisterzeichnungen.... Frankfurt, 1939, cat. no. no. 8, fig. no. pl. 8, p. XIV, ill.
Walter Mehring European Drawings from the Collections of The Metropolitan Museum of Art: A Portfolio of Collotype Reproductions [Vol. 1: Italian Drawings; Vol. 2: Flemish, Dutch, German, Spanish, French, and British drawings; Vol. 3: "New Series": Italian, Flemish, Dutch, German, Spanish, French, and British drawings]. The Metropolitan Museum of Art, 3 vols., New York, 1942–44, cat. no. 19 (vol.2), fig. no. 19, ill.
Jonathan Brown Jusepe de Ribera Exh. cat., Princeton, Princeton University, The Art Museum; Harvard University, Fogg Art Museum, 1973-74. Princeton and Harvard, 1973, cat. no. no. 14, fig. no. pl. 41, ill.
Gridley McKim Smith Spanish Baroque Drawings in North American Collections. Exh. cat., Lawrence (Kansas), University of Kansas Museum of Art, 1974. Lawrence, Kansas, 1974, cat. no. no. 35, fig. no. pl. 35, p. 61, ill.
The Drawings of Salvator Rosa. Vol. 1, Garland, NY, 1977, fig. no. no. 3, pp. 178-179, ill.
Alfonso E. Pérez Sánchez, Nicola Spinosa Jusepe de Ribera 1591-1652 Exh. cat., September 18 - November 29, 1992. The Metropolitan Museum of Art, New York. New York, 1992, cat. no. no. 98, pp. 210-211, ill.
Alfonso E. Pérez Sánchez, Nicola Spinosa Ribera 1591-1652 Exh. cat., Madrid, Museo del Prado, June 2 - August 16, 1992. Museo Nacional del Prado, Madrid, 1992, cat. no. no. D19, p. 429.
Lisa A. Banner "A Selection of Spanish Drawings from the Metropolitan Museum of Art." Master Drawings. vol. 37, New York, 1999, fig. no. 5, pp. 399, 406 n.2, ill.
Jonathan Brown, Lisa A. Banner, A. Schulz et al. The Spanish Manner: Drawings from Ribera to Goya. Exh. cat., The Frick Collection, New York (October 5, 2010 - January 9, 2011). New York, 2010, pp. 34-35, no. 7 (entry by Jonathan Brown).