Angling in the Autumn River

Sheng Zhu Chinese

Not on view

Both this painting and Recluse Fisherman, Autumn Trees by Sheng Zhu's uncle Sheng Mou are executed in a brush idiom that recalls the Five Dynasties tradition of Dong Yuan (active 930s-960s) and Juran (active ca. 960-95), in which "hemp-fiber" texture strokes were applied in round parallel brushstrokes and plump "moss dots" were used to model the rocks. An insistent kinesthetic energy in Sheng Mou's brushwork relates it to that of Wu Zhen (1280-1354); the nephew's more casual style of painting introduces a new, relaxed feeling into the landscape and figural elements.

Angling in the Autumn River, Sheng Zhu (Chinese, active late 14th century), Fan mounted as an album leaf; ink and color on silk, China

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.