Mrs. Schuyler van Rensselaer. "The Wolfe Collection at the Metropolitan Museum. II." Independent 39 (November 24, 1887), p. 9.
Montezuma [Montague Marks]. "My Note Book." Art Amateur 16 (May 1887), p. 122.
"Gallery and Studio: The Metropolitan Museum of Art." Art Amateur 18 (December 1887), p. 7.
Cyclopedia of Painters and Paintings. New York, 1892, vol. 1, p. 177.
"The Metropolitan Museum of Art—The French Painters." New York Times (May 22, 1895), p. 4.
Anna Klumpke. Rosa Bonheur: Sa vie, son oeuvre. Paris, 1908, p. 426, ill. p. 377 [English ed., "Rosa Bonheur: The Artist's (Auto)biography," Ann Arbor, 1997, p. 278], lists it among works that the artist did not exhibit.
Charles Sterling and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, p. 164, ill., suggest that it depicts one of the high pasture lands of the Pyrenees, noting that Bonheur travelled there in 1850 and used her studies from the trip throughout her career.
Rosalia Shriver. Rosa Bonheur: With a Checklist of Works in American Collections. Philadelphia, 1982, p. 56.
Maureen C. O'Brien in Maureen C. O'Brien. In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition. Exh. cat., Parrish Art Museum. Southampton, N.Y., 1986, p. 134 n. 4, under no. 6.
Rebecca A. Rabinow. "Catharine Lorillard Wolfe: The First Woman Benefactor of the Metropolitan Museum." Apollo 147 (March 1998), pp. 52, 55 n. 28, fig. 8 (color), notes that Wolfe purchased this painting from Knoedler on March 11, 1880 for $12,500.
David Stark. European Painting in the Tweed Museum of Art, University of Minnesota Duluth. Duluth, 2000, p. 52, fig. 1, attributes the Tweed Museum version of this picture to Bonheur, calling it a replica of ours.