Ch[arles]. Vendryes. Catalogue illustré des oeuvres de W. Bouguereau. Paris, 1885, p. 47, ill. (engraving), as "Séduction".
John Denison Champlin Jr. and Charles C. Perkins, ed. Cyclopedia of Painters and Paintings. New York, 1892, vol. 1, p. 189, as "Persuasion of Marguérite," in the collection of Mrs. D. D. Colton, San Francisco.
Marius Vachon. W. Bouguereau. Paris, 1900, p. 151, as "Séduction".
Georges Wildenstein in "What Should a Museum Be? Editorial Symposium." Art In America 2 (1961), ill. p. 26, as "Faust and Marguerite".
Charles Sterling and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, XIX Century. New York, 1966, pp. 174–75, ill., call it "The Proposal"; note that it was called "Séduction" during Bouguereau's lifetime, but entered the MMA collection as "Faust and Marguerite" and may also have been known as "Persuasion of Marguerite" [see Ref. Champlin and Perkins 1892]; suggest that the spinning wheel "provided an excuse for linking the young lady with Marguerite," a character in "Goethe's drama or Gounod's popular opera".
John Rewald. "Should Hoving Be De-accessioned?" Art in America 61 (January–February 1973), p. 28.
"Talk of the Town: Bouguereau." New Yorker (November 25, 1974), p. 43.
Damien Bartoli with Frederick Ross. William Bouguereau. Vol. 1, His Life and Works. New York, 2010, colorpl. 115 (reversed).
Damien Bartoli with Frederick Ross. William Bouguereau. Vol. 2, Catalogue Raisonné of his Painted Work. New York, 2010, pp. 146–47, 365, no. 1872/18, ill. (color, reversed), call it "Séduction (Seduction)"; note that the artist listed it as "Deux amoureux" in his accounts; mention a finished sketch (private collection, France) closely resembling this picture.