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View of the Domaine Saint-Joseph

late 1880s
On view at The Met Fifth Avenue in Gallery 826

Despite the many areas of canvas left bare, this is one of the few paintings Cézanne signed and thus regarded as "finished." It shows a view of the Jesuit estate of Saint-Joseph, situated on a hill, the Colline des Pauvres, on the road between Aix and the village of Le Tholonet, an area beloved by the artist since his youth. This picture was the first by Cézanne to enter an American museum: the Metropolitan acquired it from the historic Armory Show in 1913, for the highest price of any work in the exhibition.

Artwork Details

Object Information
  • Title: View of the Domaine Saint-Joseph
  • Artist: Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)
  • Date: late 1880s
  • Medium: Oil on canvas
  • Dimensions: 25 5/8 x 32 in. (65.1 x 81.3 cm)
  • Classification: Paintings
  • Credit Line: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913
  • Object Number: 13.66
  • Curatorial Department: European Paintings

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Studies of a tree (recto and verso), Paul Cézanne French, Graphite with green, blue and yellow washes (recto); graphite with green, blue and purple washes (verso)
Studies of a tree (recto and verso)
Paul Cézanne
1887–90
The Large Bathers (Les Baigneurs), Paul Cézanne French, Color lithograph on wove paper; first state of two
The Large Bathers (Les Baigneurs)
Paul Cézanne
ca. 1898
Portrait of Guillaumin with a Hanging Man, Paul Cézanne French, Etching and drypoint; second state of two (restrike)
Portrait of Guillaumin with a Hanging Man
Paul Cézanne
1873
Exhibition Announcement and Catalogue for a Cézanne show at the Galerie Vollard (May 9–June 10, 1898), Paul Cézanne French, Relief print
Exhibition Announcement and Catalogue for a Cézanne show at the Galerie Vollard (May 9–June 10, 1898)
Paul Cézanne
1898
Bathers (recto); Still Life (verso), Paul Cézanne French, Watercolor over graphite (recto); watercolor (verso)
Bathers (recto); Still Life (verso)
Paul Cézanne
ca. 1890 (recto) – 1900 (verso)

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