Julius Meier-Graefe. Entwicklungsgeschichte der Modernen Kunst. Vol. 2, 2nd ed. Munich, 1915, pl. 365.
Charles Sterling and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, XIX Century. New York, 1966, p. 133, ill.
Victorine Hefting. Jongkind: sa vie, son oeuvre, son époque. Paris, 1975, p. 166, no. 344, ill., erroneously as in a private collection.
Charles C. Cunningham et al. Jongkind and the Pre-Impressionists: Painters of the École Saint-Siméon. Exh. cat., Smith College Museum of Art, Northampton, Mass. [Williamstown, Mass.], 1977, p. 40, no. 9, ill., states that it was probably painted during August or September 1865, during Jongkind's third trip to Honfleur; mentions a watercolor of a "somewhat similar" view in the Fogg Art Museum; gives information about the church visible between the two ships.
Patricia Jobe Pierce. Edmund C. Tarbell and the Boston School of Painting, 1889–1980. Hingham, Mass., 1980, p. 118, quotes Tarbell's comments on this picture.
Gary Tinterow in Gary Tinterow and Henri Loyrette. Origins of Impressionism. Exh. cat., The Metropolitan Museum of Art. New York, 1994, pp. 66, 296, 392, 426, no. 81, ill. p. 392 and fig. 84 (color) [French ed., "Impressionnisme: les origines, 1859–1869," Paris, 1994].
Adolph Stein et al. Jongkind: Catalogue critique de l'œuvre. Vol. 1, Peintures. Paris, 2003, p. 176, no. 380, ill., as "Le Port de Honfleur et l'église Saint-Léonard".