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The Birth of the Virgin

ca. 1690
On view at The Met Fifth Avenue in Gallery 624

Spain ruled vast portions of Europe during the seventeenth century, including the Kingdom of Naples in present-day Italy and Flanders in present-day Belgium. The result was a complex cultural and artistic web, particularly around the maintenance of the Catholic faith. Painted in Naples in the 1690s, early in Solimena’s long career, this altarpiece reveals a close relationship to the painter Rubens, who was highly sought after at the Spanish court, as well as the painter Luca Giordano, who had moved in 1692 from Naples to Madrid to work for King Charles II. When this painting was acquired by The Met in 1906, it was believed to be by Giordano; by the 1970s, however, scholars had reattributed it to Solimena.

Artwork Details

Object Information
  • Title: The Birth of the Virgin
  • Artist: Francesco Solimena (Italian, Canale di Serino 1657–1747 Barra)
  • Date: ca. 1690
  • Medium: Oil on canvas
  • Dimensions: 80 1/2 x 67 1/4 in. (204.5 x 170.8 cm)
  • Classification: Paintings
  • Credit Line: Rogers Fund, 1906
  • Object Number: 07.66
  • Curatorial Department: European Paintings
More Artwork
Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant, Francesco Solimena  Italian, Oil on canvas
Francesco Solimena
probably 1731 or 1732
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
North Italian
ca. 1610
The Spanish Singer, Edouard Manet  French, Oil on canvas
Edouard Manet
1860
Saint John the Baptist, Juan Martínez Montañés  Spanish, Polychromed wood with gilding, Spanish, Seville
Juan Martínez Montañés
ca. 1620–30
Group of Allegorical figures: Sketch for a Ceiling Decoration ?, Francesco Solimena  Italian, Pen, brown ink, gray wash over black chalk
Francesco Solimena
1657–1747

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