Max J. Friedländer. Die altniederländische Malerei. Vol. 13, Anthonis Mor und seine Zeitgenossen. Leiden, 1936, p. 163, no. 252, assigns this portrait along with a number of others bearing dates from the same decade to an anonymous artist he names the Master of the 1450s, an artistic personality that has not been taken up subsequently by art historians.
Max J. Friedländer et al. Early Netherlandish Painting. Vol. 13, Antonis Mor and His Contemporaries. New York, 1975, p. 94, no. 252, pl. 125.
Guy C. Bauman in The Jack and Belle Linsky Collection in The Metropolitan Museum of Art. New York, 1984, p. 82, no. 27, ill. (color).
From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Ed. Maryan W. Ainsworth and Keith Christiansen. Exh. cat., The Metropolitan Museum of Art. New York, 1998, p. 410, ill.