Rorimer, James J. "The Authenticity of the Chalice of Antioch." In Studies in Art and Literature for Belle da Costa Greene, edited by Dorothy Miner. Princeton, N.J.: Princeton University Press, 1954. pp. 162–63, 164.
Bainton, Roland Herbert. The Horizon History of Christianity. New York: American Heritage Publishing Co., 1964. p. 15.
Ostoia, Vera K. The Middle Ages: Treasures from the Cloisters and the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1969. no. 21, pp. 52-3, 253.
Hoving, Thomas. "Director's Choice." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 5 (January 1970). pp. 24-25.
The Metropolitan Museum of Art. Masterpieces of Fifty Centuries. New York: Dutton Publishing, 1970. no. 113, p. 149.
"The Cyprus Plates: The Story of David and Goliath." Metropolitan Museum Journal 8 (1973). pp. 89-104, fig. 4, 10.
Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 425, pp. 475-483.
Norris, Michael. A Masterwork of Byzantine Art : The David Plates ; The Story of David and Goliath. Closer look. New York: The Metropolitan Museum of Art, 2001. p. 9.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012.
Humphrey, Lyle. "Collecting Christianity on the Nile: J. Pierpont Morgan and The Metropolitan Museum of Art." In Age of Transition: Byzantine Culture in the Islamic World, edited by Helen C. Evans. New York: Yale University Press, 2015. p. 3, fig. 2.