In 1345 the Beguines (a religious order of lay women) of Saint Catherine at Diest paid two pounds for this sculpture, which originally stood on the high altar of the church. A copy remains there today.
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Artwork Details
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Title:Virgin and Child
Date:1345
Culture:South Netherlandish
Medium:Marble with traces of gilding
Dimensions:Overall: 45 3/4 x 16 x 8 7/8 in. (116.2 x 40.6 x 22.5 cm)
Classification:Sculpture-Stone
Credit Line:Fletcher Fund, 1924
Accession Number:24.215
From the Beguinage of Saint Catherine, Diest, Belgium; Count Hector Economos, Paris; [ Arnold Seligman, Rey & Co., New York (sold 1924)]
Raymaekers, F. J. E. "Notice historique sur le Béguinage de Sainte-Catherine à Diest." Messager des sciences historiques ou Archives des arts et de la bibliographie de Belgique (1862). pp. 121, 133–34, 140–42.
Breck, Joseph. "A Marble Statue of the Virgin." The Metropolitan Museum of Art Bulletin 20, no. 2 (February 1925). pp. 39–40.
Forsyth, William Holmes. "A Group of Fourteenth-Century Mosan Sculptures." Metropolitan Museum Journal 1 (1968). pp. 41–59, fig. 1, 3, 21–22.
Forsyth, William Holmes. "Madonnas of the Rhone-Meuse Valleys." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 6 (February 1970). pp. 254–61, fig. 4.
Schmidt, Gerhard. "Drei pariser Marmorbildhauer des 14. Jahrhunderts." Wiener Jahrbuch für Kunstgeschichte 24, no. 1 (1971).
Legner, Anton, ed. Rhein und Maas: Kunst und Kultur 800–1400. Volume 1, Der Katalog. Cologne: Museum Schnütgen, 1972. pp. 379–80.
Legner, Anton. "Anmerkungen zu einer Chronologie der gotischen Skulptur des 13. und 14. Jahrhunderts im Rhein-Maas-Gebiet." In Rhein und Maas: Kunst und Kultur 800–1400. Volume 2, Berichte, Beiträge und Forschungen zum Themenkreis der Ausstellung und des Katalogs, edited by Anton Legner. Cologne: Museum Schnütgen, 1973. p. 452.
Ragghianti, Carlo L. "Il maestro mosano di Carrara e bilinguismi pisano-francesi." Critica d'Arte 20, no. 129 (1973). p. 11.
Didier, Robert. "Skulpturen des Maasgebiets aus den Jahren 1330-1360." Westfalen 55 (1977). pp. 14, 22.
Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 1. Cologne: Museen der Stadt Köln, 1978. p. 130.
Randall Jr., Richard H. Masterpieces of Ivory from the Walters Art Gallery. Walters Art Gallery, 1985. p. 206.
Schwarz, Michael Viktor. Höfische Skulptur im 14. Jahrhundert: Entwicklungsphasen und Vermittlungswege im Vorfeld des Weichen Stils. Manuskripte zur Kunstwissenschaft in der Wernerschen Verlagsgesellschaft, Vol. 6. Worms: Wernersche Verlagsgesellschaft, 1986. pp. 73–6, 78, 81, 139, 199, 256–7, 260, 270, fig. 8.
Didier, Robert. "Sculptures mosanes et marbres blancs au XIVe siècle." In Foire des antiquaires de Belgique. Brussels: Chambre Royale des Antiquaires de Belgique, 1990. n.p.
Schmidt, Gerhard. Gotische Bildwerke und ihre Meister. Vienna: Böhlau Verlag, 1992. p. 98, n. 49.
Didier, Robert. La Sculpture Mosane du XIVe Siècle. Monographies (Musée des arts anciens du Namurois), Vol. 2. Namur: Société Archéologique de Namur, 1993. pp. 24, 42, 46–48, 52, 57 n. 8, fig. 67.
Gillerman, Dorothy. Gothic Sculpture in America: Volume 2, The Museums of the Midwest. Turnhout: Brepols, 2001. p. 365.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). p. 42.
Little, Charles T., ed. Set in Stone: The Face in Medieval Sculpture. New York, New Haven, and London: The Metropolitan Museum of Art, 2006. p. 95.
Didier, Robert. "La Vierge 'Aynard' à Bruges, Beauneveu, la sainte Catherine de Courtrai et des sculptures brugeoises." Handelingen Genootschap "Société d'Emulation" Brugge 142, no. 2 (2009). p. 15.
Suckale, Robert. "Datierungsfragen sind Verständnisfragen: Zur Einordnung der Kölner Domchorstatuen." In Die Chorpfeilerfiguren des Kölner Domes, edited by Klaus Hardering. Kölner Domblatt 77. Cologne: Verlag Kölner Dom, 2012. p. 277, fig. 19.
Kunz, Tobias. "Importation de matériau ou migration transalpine? La Vierge pisane conservée au Bode-Museum de Berlin et le problème des Madones mosanes en marbre." In Les transferts artistiques dans l'Europe gothique: Repenser la circulation des artistes, des œvres, des thèmes et des savoir-faire (XIIe-XVIe siècle), edited by Jacques Dubois, Jean-Marie Guillouët, and Benoît van den Bossche. Paris: Picard, 2014. pp. 251–63, fig. 5.
Kunz, Tobias. Bildwerke nördlich der Alpen 1050 bis 1380: Kritischer Bestandskatalog. Berlin: Michael Imhof, 2014. p. 284.
Warren, Jeremy. Medieval and Renaissance Sculpture in the Ashmolean Museum: Volume 2, Sculptures in Stone, Clay, Ivory, Bone and Wood. Oxford: Ashmolean Museum, 2014. p. 693.
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