This elaborate water vessel was intended for handwashing. A specialty of metalworkers in German-speaking lands for centuries—from the twelfth to the fifteenth—they are called aquamanilia, from the Latin words for water (aqua) and hand (manus).
Broad-chested, mane protruding, and mouth open, the lion is unabashedly proud and alert. To create this exceptional king of the beasts, the artist first made a rough clay model and then molded wax around it. Next he coated the wax with a mixture of brick, clay, and ashes before melting the wax to form a space that could be filled with molten metal.
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Title:Aquamanile in the Form of a Lion
Date:ca. 1400
Geography:Made in Nuremberg
Culture:German
Medium:Copper alloy
Dimensions:12 9/16 x 4 5/8 x 12 1/2 in., 11.76lb. (31.9 x 11.8 x 31.8 cm, 5336g) Thickness: 1/16-1/8 in. (0.16-0.35 cm)
Classification:Metalwork-Copper alloy
Credit Line:The Cloisters Collection, 1994
Accession Number:1994.244
Gross, London ; Sotheby's, London (July 7, 1994, lot 16)
New York. The Metropolitan Museum of Art. "Mirror of the Medieval World," March 9–June 1, 1999.
New York. Bard Graduate Center: Decorative Arts, Design History, Material Culture. "Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages. Vessels for Church and Table," July 12, 2006–October 15, 2006.
New York. The Metropolitan Museum of Art. "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," October 24, 2008–February 1, 2009.
Tokyo Metropolitan Art Museum. "Earth, Sea, and Sky: Nature in Western Art—Masterpieces from The Metropolitan Museum of Art," October 6, 2012–January 4, 2013.
Beijing. National Museum of China. "Earth, Sea, and Sky: Nature in Western Art—Masterpieces from The Metropolitan Museum of Art," February 8–May 9, 2013.
Metropolitan Museum of Art. "Recent Acquisitions, A Selection: 1994-1995." The Metropolitan Museum of Art Bulletin, n.s., 53, no. 2 (Fall 1995). p. 26.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 210, pp. 172–73.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 73, pp. 108–109, 196.
Barnet, Peter, and Pete Dandridge, ed. Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table. New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006. no. 20, pp. 142–145.
Dandridge, Pete. "Exquisite Objects, Prodigious Technique: Aquamanilia, Vessels of the Middle Ages." In Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet, and Pete Dandridge. New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006. no. 20, pp. 38, 42, 47–48, 54–56, fig. 3–13, Appears in Table 1 of chapter.
Mende, Ursula. "Late Gothic Aquamanilia from Nuremberg." In Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet, and Pete Dandridge. New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006. no. 20, pp. 20–22.
Newman, Richard. "Analysis of Core and Investment Samples from Some Aquamanilia." In Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, edited by Peter Barnet, and Pete Dandridge. New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006. no. 20, pp. 57–59, 62, Featured in Table 1 of chapter.
Dandridge, Pete. "Gegossene Phantasien: Mittelalterliche Aquamanilien und ihre Herstellung." In Bild und Bestie: Hildesheimer Bronzen der Stauferzeit, edited by Michael Brandt. Regensburg: Schnell & Steiner, 2008. p. 93; p. 92, n. 73.
Evans, Helen C., ed. The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions – Online Catalogue. New York: The Metropolitan Museum of Art, 2008.
Barnet, Peter. "Medieval Europe." In Philippe de Montebello and The Metropolitan Museum of Art: 1977–2008, edited by James R. Houghton. New York: The Metropolitan Museum of Art, 2009. p. 24.
Barnet, Peter, and Atsuyuki Nakahara, ed. Earth, Sea, Sky: Nature in Western Art – Masterpieces from the Metropolitan Museum of Art. Tokyo: Yomiuri Shimbun, 2012. no. 45, pp. 98, 225–226.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 113.
Mende, Ursula. Die mittelalterlichen Bronzen im Germanischen Nationalmuseum: Bestandskatalog. Nuremberg: Germanisches Nationalmuseum, 2013. p. 211 (p. 209 n. 4), Listed as 1994.224.
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