W[ilhelm von]. Bode. "La Renaissance au musée de Berlin." Gazette des beaux-arts, 2nd ser., 35 (1887), pp. 218–19.
Henri Hymans. "Les Musées de Madrid: Le Musée de Prado IV." Gazette des beaux-arts, 3rd ser., 9 (1893), pp. 386–87.
Hugo von Tschudi. "London. Die Ausstellung altniederländischer Gemälde im Burlington Fine Arts Club." Repertorium für Kunstwissenschaft 16 (1893), p. 103.
Eduard Firmenich-Richartz. "Roger van der Weyden, der Meister von Flémalle, part 1." Zeitschrift für bildende Kunst, n.s., 10, no. 1 (1898), pp. 1–2.
Hugo von Tschudi. "Der Meister von Flémalle." Jahrbuch der Königlich Preussischen Kunstsammlungen 19 (1898), pp. 8–12, 26.
Henry Wallis. Oak-leaf Jars: A Fifteenth Century Italian Ware Showing Moresco Influence. London, 1903, pp. xxxix, xl, fig. 62 (detail, etching after the vase).
Eduard Firmenich-Richartz. Kunsthistorische Ausstellung Düsseldorf 1904: Katalog. Exh. cat.Düsseldorf, 1904, p. 50.
C[arl]. Hasse. Roger van Brügge, der Meister von Flemalle. Strasbourg, 1904, pp. 32–34.
A[rmand]. Heins and [Georges] Hulin [de Loo]. "La vue de Gand qui paraît avoir été interprétée sur les volets de l'Annonciation du Maître de Flémalle ou de Mérode." Bulletin de la société d'histoire et d'archéologie de Gand 15, no. 5 (1907), pp. 201–20.
Henri Hymans. "L'exposition de la Toison d'Or à Bruges." Gazette des beaux-arts, 3rd ser., 38 (1907), pp. 296–97, ill. opp. p. 296.
Henri Hymans. "L'exposition de la Toison d'Or à Bruges." L'art flamand & hollandais 8, no. 9 (1907), pp. 85–89, ill. opp. pp. 88–89 (2 pls.).
[Hippolyte] Fierens-Gevaert. La peinture en Belgique: Les primitifs flamands. 1, Brussels, 1908, pp. 64–65, pl. 41.
Louise M. Richter. "A Lost Altarpiece by the Maître de Flémalle." Burlington Magazine 13 (June 1908), p. 161.
Pierre Bautier. "I recenti acquisti del museo di Bruxelles." Rassegna d'arte 12 (July 1912), p. 108.
[Hippolyte] Fierens-Gevaert. La peinture au musée ancien de Bruxelles. Brussels, 1913, p. 4 [English ed., 1914, p. 3].
L[ouis]. Maeterlinck. Nabur Martins ou le Maître de Flémalle. Brussels, 1913, pp. 52, 57.
Friedrich Winkler. Der Meister von Flémalle und Rogier van der Weyden. Strasbourg, 1913, pp. 11, 27–28, 30–31, 39.
Salomon Reinach. Répertoire de peintures du moyen age et de la renaissance (1280–1580). 4, Paris, 1918, ill. p. 56 (print after the painting).
Martin Conway. The Van Eycks and Their Followers. London, 1921, pp. 117–19, ill. (right wing).
Johan Huizinga. Herfsttij der Middeleeuwen: Studie over Levens- en Gedachtenvormen der Veertiende en Vijftiende eeuw in Frankrijk en de Nederlanden. 2nd Dutch ed. Haarlem, 1921, p. 535.
Louis Maeterlinck. Hubert van Eyck et les peintres de son temps. Paris, 1921, pp. 78–79, fig. 50.
Max J. Friedländer. "Rogier van der Weyden und der Meister von Flémalle." Die altniederländische Malerei. 2, Berlin, 1924, pp. 61–66, 109, no. 54, pls. 46–47.
Ernest Verlant. La peinture ancienne à l'exposition de l'art belge à Paris en 1923. Brussels, 1924, pp. 39–41, no. 9, pls. 13–14 (overall and detail).
Friedrich Winkler. Die altniederländische Malerei: Die Malerei in Belgien und Holland von 1400–1600. Berlin, 1924, pp. 64, 66–68.
Adolphe Hocquet. "Le Maître de Flémalle." Annales de l'academie royale d'archéologie de Belgique 73 (1925), pp. 6–11.
L. Maeterlinck. Une école préeyckienne inconnue. Paris, 1925, p. 46, fig. 90.
Friedrich Winkler. "Die flämisch-belgische Ausstellung in London." Der Kunstwanderer (February 1927), p. 222.
Jules Destrée. "Le Maître dit de Flémalle: Robert Campin." Revue de l'art ancien et moderne 53 (January–May 1928), pp. 82, 84–92, ill. (overall and detail).
[Hippolyte] Fierens-Gevaert. "Les continuateurs des Van Eyck." Histoire de la peinture flamande des origines à la fin du XVe siècle. 2, Paris, 1928, pp. 10–14, pl. 1.
Paul Jamot. "Roger van der Weyden et le prétendu Maître de Flémalle." Gazette des beaux-arts, 5th ser., 18 (1928), pp. 265, 271–72, 279–80, ill. p. 278.
August Schmarsow. Robert van der Kampine und Roger van der Weyden: Kompositionsgesetze des Mittelalters in der Nordeuropäischen Renaissance. Leipzig, 1928, pp. 27–30.
Jules Destrée. "Le Maître dit de Flémalle: Robert Campin." Revue de l'art ancien et moderne 56 (September–October 1929), pp. 128–30, 134, ill. p. 123 (detail).
Franz Dülberg. Niederländische Malerei der Spätgotik und Renaissance. Potsdam, 1929, p. 37.
Émile Renders. "L'énigme du Maître de Flémalle." Revue d'art 30 (January–June 1929), pp. 197–98.
Paul Rolland. "Roger de la Pasture (van der Weyden) est-il le 'Maître de Flémalle'?" Revue d'art 30 (January–June 1929), p. 96.
Jules Destrée. Roger de la Pasture—van der Weyden. Paris, 1930, vol. 2, pl. 115 (central panel).
Émile Renders. La Solution du problème Van der Weyden-Flémalle-Campin. Bruges, 1931, vol. 1, pp. 77, 86, 107, 109–10; vol. 2, p. 34, pls. 3E, 5, 9D (overall and details).
Paul Rolland. Les primitifs Tournaisiens, peintres & sculpteurs. Brussels, 1932, pp. 30, 39–40.
Karl von Tolnai. "Zur Herkunft des Stiles der van Eyck." Münchner Jahrbuch der bildenden Kunst, n.s., 9 (1932), pp. 322, 335–38.
Prado Museum: Catalogue of Paintings. Madrid, 1933, pp. 388–89.
Johan Huizinga. Herfsttij der Middeleeuwen: Studie over Levens- en Gedachtenvormen der Veertiende en Vijftiende eeuw in Frankrijk en de Nederlanden. 4th Dutch ed. Haarlem, 1935, p. 437.
Erwin Panofsky. "The Friedsam Annunciation and the Problem of the Ghent Altarpiece." Art Bulletin 17 (December 1935), p. 441, fig. 27.
J[acques]. Lavalleye in "De vlaamsche schilderkunst tot ongeveer 1480." Geschiedenis van de vlaamsche kunst. Antwerp, 1936, p. 186, fig. 115.
David M. Robb. "The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries." The Art Bulletin. 18, no. 4, December 1936, pp. 500, 503–5, 523, 525, fig. 29.
Alan Burroughs. Art Criticism from a Laboratory. Boston, 1938, pp. 208–12, 216.
Paul Fierens. La Peinture flamande des origines à Quentin Metsys. Paris, 1938, pp. 26–28, pl. XVII.
Charles de Tolnay. Le Maître de Flémalle et les frères van Eyck. Brussels, 1939, pp. 15, 23–25, 56, no. 4, figs. 6–8 (overall and details).
Julius S. Held. "Book Reviews: Alan Burroughs, Art Criticism from a Laboratory." Art Bulletin 22 (March 1940), pp. 42–43.
Roberta M. Fansler and Margaret R. Scherer. Painting in Flanders. New York, 1945, p. 26, ill. (detail).
Millard Meiss. "Light as Form and Symbol in Some Fifteenth-century Paintings." Art Bulletin 27 (September 1945), pp. 178–79, fig. 3 (central panel).
Meyer Schapiro. "'Muscipula Diaboli,' the Symbolism of the Mérode Altarpiece." Art Bulletin 27 (September 1945), pp. 182–87, fig. 1 (detail).
Ernest Lotthé. La pensée chrétienne dans la peinture flamande et hollandaise. Lille, 1947, vol. 1, pp. 23–25, pl. 5.
Theodor Musper. Untersuchungen zu Rogier van der Weyden und Jan van Eyck. Stuttgart, 1948, pp. 15–17, 33–34, 39, 44–45, pls. 31–33 (overall and details).
Hermann Beenken. Rogier van der Weyden. Munich, 1951, pp. 22–23, fig. 5 (detail).
Ludwig Baldass. Jan van Eyck. New York, 1952, pp. 19–20, 67–68, figs. 19, 64 (overall and detail).
Erwin Panofsky. Early Netherlandish Painting: Its Origins and Character. 2, Cambridge, 1953, pl. 91.
Erwin Panofsky. Early Netherlandish Painting: Its Origins and Character. 1, Cambridge, 1953, pp. 129, 136, 142–43, 164–67, 222, 304–5, 449 (p. 222 n. 2).
Leo van Puyvelde. La peinture flamande au siècle des van Eyck. Paris, 1953, pp. 129–30, 132, ill. pp. 22, 120, 122, 134 (details).
Robert Genaille. Flemish Painting from Van Eyck to Brueghel. London, 1954, pp. 33, 133.
Paul Pieper. "Zum Werl-Altar des Meisters von Flémalle." Wallraf-Richartz-Jahrbuch 16 (1954), pp. 88–89, 96–98, 100–101.
H. Die. "Original und nicht Kopie!." Weltkunst 25, no. 10 (May 15, 1955), pp. 11–12, ill.
Julius S. Held. "Erwin Panofsky, 'Early Netherlandish Painting, Its Origin[s] and Character'." Art Bulletin 37 (September 1955), p. 227.
Anna Rohlfs-von Wittich. "Das Innenraumbild als Kriterium für Bildwelt." Zeitschrift für Kunstgeschichte 18, no. 2 (1955), p. 132.
Ruth Massey Tovell. Roger van der Weyden and the Flémalle Enigma. Toronto, 1955, pp. 8, 10, 14–16, 50–51.
C. Roth. "Medieval Illustrations of Mouse-traps." Bodleian Library Record 5 (May 1956), p. 251.
Margaret Freeman. "The Iconography of the Merode Altarpiece." The Metropolitan Museum of Art Bulletin. n.s., 16, no. 4, New York, December 1957, pp. 130–39.
Margaret B. Freeman. "The Iconography of the Merode Altarpiece." Metropolitan Museum of Art Bulletin 16 (December 1957), pp. 130–39, ill. (details).
Carla Gottlieb. "The Brussels Version of the Mérode 'Annunciation'." Art Bulletin 39 (March 1957), pp. 53–60, fig. 2.
James J. Rorimer. "Notes on the Cover." Metropolitan Museum of Art Bulletin 16 (December 1957), inside cover and ill. on cover (color detail).
Theodore Rousseau Jr. "The Merode Altarpiece." Metropolitan Museum of Art Bulletin 16 (December 1957), pp. 117–29, ill. (overall and details).
Theodore Rousseau Jr. "The Merode Altarpiece." The Metropolitan Museum of Art Bulletin. n.s., 16, no. 4, New York, December 1957, pp. 117–129.
William Suhr. "The Restoration of the Merode Altarpiece." Metropolitan Museum of Art Bulletin 16 (December 1957), pp. 140–44, ill. (details).
Alfred Stange. Franken, Böhmen und Thüringen-Sachsen in der Zeit von 1400 bis 1500. 9, Munich, 1958, p. 137.
Margaret B. Freeman. "Eighty-Eighth Annual Report of the Trustees for the Fiscal Year 1957–1958: The Cloisters." Metropolitan Museum of Art Bulletin 17 (October 1958), pp. 52–54, ill. (detail).
Erik Larsen. "Brief aus Amerika." Alte und Neue Kunst 9, no. 1/2 (1958), p. 32, ill.
Fritz Neugass. "Über die Geschichte des Merode-Altars." Das Kunstwerk 12 (September 1958), pp. 4, 13, ill. pp. 1, (color detail), 5–12 (details).
[Lucie Ninane]. Art ancien: Musées royaux des beaux-arts de Bruxelles. Brussels, 1958, under no. 2 [see Dijkstra 1996, pp. 95, 103 n. 5].
Leo van Puyvelde. "L'Annonciation du Maître de Flémalle." Revue belge d'archéologie et d'histoire de l'art 27 (1958), pp. 193–207, figs. 1–3 (details).
William Suhr. "Die Restaurierung des Merode-Altars." Das Kunstwerk 12 (September 1958), pp. 3–4.
John Canaday. Metropolitan Seminars in Art, Great Periods in Painting, Portfolio B: Earth, Heaven, and Hell; Man and Mystery in the Middle Ages. New York, 1959, pp. 21–22, 24, fig. 19, colorpl. B6 (detail).
E. Notebaert. "Contribution à l'identification du paysage architectural dans les oeuvres des Primitifs Flamands." Feuille de contact . . . de l'Institut Supérieur Saint-Luc no. 8 (June 1959), pp. 1–4, fig. 2.
Meyer Schapiro. "A Note on the Mérode Altarpiece." Art Bulletin 41 (December 1959), pp. 327–28, fig. 1 (detail).
Charles de Tolnay. "L'autel Mérode du Maitre de Flémalle." Gazette des beaux-arts, 6th ser., 53 (February 1959), pp. 65–78, figs. 1–2, 4–5, 7–10 (overall and details).
Margaret B. Freeman. "The Annunciation from a Book of Hours for Charles of France." The Metropolitan Museum of Art Bulletin, n.s., 19, no. 4 (December 1960), p. 105, fig. 3.
Margaret B. Freeman. "The Annunciation from a Book of Hours for Charles of France." Metropolitan Museum of Art Bulletin 19 (December 1960), p. 105, fig. 3 (detail).
Carla Gottlieb. "The Mystical Window in Paintings of the Salvator Mundi." Gazette des beaux-arts, 6th ser., 56 (December 1960), p. 318.
Erik Larsen. Les primitifs flamands au Musée Metropolitain de New York. Utrecht, 1960, pp. 47–49, 111–12.
Richard H. Randall Jr. A Cloisters Bestiary. New York, 1960, p. 47, ill. (detail).
Charles de Tolnay. "Supplément concernant l'autel Mérode du Maitre de Flémalle." Gazette des beaux-arts, 6th ser., 55 (March 1960), pp. 177–78, fig. 2 (x-ray detail).
Federico Zeri. "Un trittico del 'Maestro della leggenda di Santa Barbara'." Paragone 2, no. 125 (May 1960), p. 43.
Karl M. Birkmeyer. "The Arch Motif in Netherlandish Painting of the Fifteenth Century, Part One." The Art Bulletin. 43, no. 1, March 1961, pp. 2, 11.
Millard Meiss. "'Highlands' in the Lowlands: Jan van Eyck, the Master of Flemalle and the Franco-Italian Tradition." Gazette des beaux-arts, 6th ser., 57 (May–June 1961), pp. 278–80, 310 n. 10.
H. Th. Musper. Gotische Malerei nördlich der Alpen. Cologne, 1961, p. 229.
M. B. McNamee, S. J. "Further Symbolism in the Portinari Altarpiece." Art Bulletin 45 (June 1963), p. 143.
Peter Murray and Linda Murray. The Art of the Renaissance. New York, 1963, pp. 68, 70–72, colorpl. 50 (detail) and pl. 53 (detail).
James J. Rorimer. The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park. 3rd revised. New York, 1963, pp. 186–90, figs. 93–95.
T. L. de Bruin. "Die versteckte Signatur." Weltkunst 34 (March 1964), p. 174, ill. (details).
Colin Eisler. "Erik Larsen, Les primitifs flamands au Musée Metropolitain de New York, 1960." Art Bulletin 46 (March 1964), pp. 99, 101.
T. L. de Bruin. "Le Maître de Flémalle et sa crypto-signature." Gazette des beaux-arts, 6th ser., 67 (January 1966), pp. 5–6, figs. 1–2, and ill. on cover (details).
T. L. de Bruin. "Inschriften auf alten religiösen Abbildungen." Das Münster 19, no. 9/10 (1966), p. 401.
Albert Châtelet. "Roger van der Weyden et Jean van Eyck." Jaarboek van het Koninklijk Museum voor Schone Kunsten te Antwerpen (1966), pp. 28–29.
Mojmír S. Frinta. The Genius of Robert Campin. The Hague, 1966, pp. 5, 13–28, 31, 34–37, 39–41, 43 n. 8, p. 44 n. 9, pp. 47, 50–52, 58, 66, 69, 72, 74–75, 79–81, 84 n. 1, pp. 117, 120, figs. 11–24 (overall, details, and infrared and x-ray details).
Gösta Berg. "Medieval Mouse Traps." Studia Ethnographica Upsaliensia 26 (1966), pp. 1, 4–5, 7–10, 13, fig. 1 (detail).
John Jacob. "Letter: The Mérode Mousetrap." Burlington Magazine 108 (July 1966), pp. 373–74.
Helmut Nickel. "The Man Beside the Gate." Metropolitan Museum of Art Bulletin 24 (April 1966), pp. 237–44, figs. 1, 9, 10 (overall and details) and frontispiece.
Helmut Nickel. "Letter: The Mousetraps of the Mérode Altar-piece again." Burlington Magazine 108 (November 1966), p. 577.
Gertrud Schiller. "Inkarnation—Kindheit—Taufe—Versuchung—Verklärung—Wirken und Wunder Christi." Ikonographie der christlichen Kunst. 1, Gütersloh, Germany, 1966, pp. 36, 56, 58, 61, fig. 113 (detail).
Jean Squilbeck. "Un aspect peu connu de la personnalité du Maître de Flémalle." Revue belge d'archéologie et d'histoire de l'art 35, nos. 1–2 (1966), pp. 3–5, 7–8, 10, 12, 14, ill. (detail).
Stanley Stewart. The Enclosed Garden: The Tradition and the Image in Seventeenth-Century Poetry. Madison, 1966, pp. 47, 98.
Irving L. Zupnick. "The Mystery of the Mérode Mousetrap." Burlington Magazine 108 (March 1966), pp. 126–33, figs. 21–23 (details).
Germain Bazin. The Museum Age. New York, 1967, p. 256, fig. 125 (color detail).
Max J. Friedländer et al. "Rogier van der Weyden and the Master of Flémalle." Early Netherlandish Painting. 2, New York, 1967, pp. 36–41, 43, 70, 100 nn. 50–51, no. 54, pls. 77–79 (overall and details).
J.-K. Huysmans. Trois primitifs: les Grünewald du musée de Colmar, le Maître de Flémalle et la Florentine du musée de Francfort-sur-le-Main. reprint with added notes [first ed. 1905]. Paris, 1967, pp. 68–69, 124, no. 17, ill.
Otto Pächt. "Künstlerische Originalität und ikonographische Erneuerung." Stil und Überlieferung in der Kunst des Abendlandes. Berlin, 1967, vol. 3, pp. 265–71, pl. 47.2.
Leo van Puyvelde. "La genèse de la forme artistique chez Rogier van der Weyden." Stil und Überlieferung in der Kunst des Abendlandes: Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964. Berlin, 1967, vol. 1, p. 50.
Charles D. Cuttler. Northern Painting from Pucelle to Bruegel. New York, 1968, pp. 76–77, 488 nn. 1–3, colorpl. 7.
Margaret B. Freeman. The St. Martin Embroideries: A Fifteenth-century Series Illustrating the Life and Legend of St. Martin of Tours. [New York], 1968, pp. 103–4, fig. 59 (detail).
Mojmír S. Frinta. "The Authorship of the Merode Altarpiece." Art Quarterly 31, no. 3 (1968), pp. 247–65, figs. 1–17 (overall and details, infrared and x-rays).
William S. Heckscher. "The Annunciation of the Merode Altarpiece: An Iconographic Study." Miscellanea Jozef Duverger. 1, Ghent, 1968, pp. 37–65, figs. 1–3, 5 (overall, details, and x-ray detail).
Shirley Neilsen Blum. Early Netherlandish Triptychs: A Study in Patronage. Berkeley, 1969, pp. 8–12, 14, pl. II, fig. 3 (detail).
Charles Ilsley Minott. "The Theme of the Mérode Altarpiece." Art Bulletin 51 (September 1969), pp. 267–71, figs. 1–2, 6–7.
Patrik Reuterswärd. "What Color Is Divine Light?" Light, From Aten to Laser. New York, 1969, pp. 113, 115, 126 n. 11, ill. p. 110 (details).
Micheline Sonkes. Dessins du XVe siècle: groupe van der Weyden. Brussels, 1969, p. 46.
Jan Bialostocki. "The Eye and the Window." Festschrift für Gert von der Osten. [Cologne], 1970, pp. 164, 167.
Carla Gottlieb. "Respiciens per Fenestras: The Symbolism of the Mérode Altarpiece." Oud-Holland 85, no. 2 (1970), pp. 65–84, figs. 1, 6, 9 (overall and details).
Introduction by Kenneth Clark in Masterpieces of Fifty Centuries. Exh. cat., The Metropolitan Museum of Art. New York, 1970, p. 215, no. 204, ill.
Graham Smith. "The Exterior of the Bladelin Altarpiece and the Master FVB." Oud-Holland 85, no. 2 (1970), p. 116.
Calvin Tomkins. Merchants and Masterpieces: The Story of The Metropolitan Museum of Art. New York, 1970, pp. 334–35 [rev., enl. ed., 1989].
Jane Hayward. "Sacred Vestments as They Developed in the Middle Ages." The Metropolitan Museum of Art Bulletin. n.s., 29, no.7, New York, March 1971.
Jane Hayward. "Sacred Vestments as They Developed in the Middle Ages." Metropolitan Museum of Art Bulletin 29 (March 1971), fig. 9 (detail).
Lotte Brand Philip. The Ghent Altarpiece and the Art of Jan van Eyck. Princeton, 1971, pp. 82–83, 86, 87 n. 177, p. 89 n. 182, pp. 94, 124–28, 136, 147–48 nn. 295–96, p. 161 n. 318, pp. 168–72 n. 337, figs. 82, 84.
Micheline Sonkes. "Le dessin sous-jacent chez Roger van der Weyden et le problème de la personnalité du Maître de Flémalle." Institut Royal du Patrimoine Artistique Bulletin 13 (1971/72), pp. 161, 163, 189, 202, 204–5.
Zsuzsa Urbach. "Charles D. Cuttler, Northern Painting from Pucelle to Bruegel, 1968." Acta Historiae Artium 17 (1971), p. 131.
Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings Assigned to Him and to Robert Campin. London, 1972, pp. 6, 191, 236, 257–60, pls. 141–43.
J. G. Links. Townscape Painting and Drawing. New York, [1972], pp. 39–41, ill. (overall and details).
Peter H. Schabacker. "Martin Davies, Rogier van der Weyden." Art Quarterly 35, no. 4 (1972), pp. 423–24.
Letters of Roger Fry. New York, 1972, vol. 1, p. 290, letter 232 (September 20, 1907).
Lorne Campbell. "Studies in Early Netherlandish Art." Apollo 98 (July 1973), p. 64.
Carl Nordenfalk. "Outdoors—Indoors: A 2000-Year-Old Space Problem in Western Art." Proceedings of the American Philosophical Society 117 (August 1973), pp. 233, 243, fig. 16 (detail).
Lorne Campbell. "Robert Campin, the Master of Flémalle and the Master of Mérode." Burlington Magazine 116 (November 1974), pp. 638, 643–45, fig. 14.
Otto Pächt. "Die Autorschaft des Gonella-bildnisses." Jahrbuch der kunsthistorischen Sammlungen in Wien 70 (1974), p. 77, fig. 67 (central panel).
Peter H. Schabacker. Petrus Christus. Utrecht, 1974, pp. 57, 101, 106, 114, fig. 38.
Klára Csilléry. "Egy németalföldi eredetü magyar népi bútor: a csuklós támlájú pad (The bench with the reversible back: a piece of Hungarian peasant furniture of Netherlandish origin)." Néprajzi értesíto 57 (1975), pp. 5–66, ill. (detail).
James Douglas Farquhar. "Martin Davies, Rogier van der Weyden." Art Journal 35, no. 2 (Winter 1975–76), p. 182.
Carla Gottlieb. "The Window in the Eye and Globe." Art Bulletin 57 (December 1975), p. 559.
Ottmar Kerber. "Rogier van der Weyden." Giessener Beiträge zur Kunstgeschichte 3 (1975), pp. 16–17, 50, 52, 56.
David Whitehouse. "Tuscania and Italian Maiolica of the Fifteenth Century." Art and Archaeology Research Papers (December 1975), pp. 51–52, fig. 13 (detail).
D. Arasse in "A propos de l'article de Meyer Schapiro, Muscipola [sic] Diaboli: le 'réseau figuratif' du rétable de Mérode." Symboles de la Renaissance. Paris, 1976, pp. 47–51, figs. 1–2 (overall and detail).
Jacques Duchesne-Guillemin. ""On the Cityscape of the Merode Altarpiece"." Metropolitan Museum Journal. 11, 1976, pp. 129–131, figs. 1, 2.
Elisabeth Heller Universität München. Das altniederländische Stifterbild. Munich, 1976, p. 203, no. 185.
Frederick S. Wight. The Potent Image: Art in the Western World from Cave Paintings to the 1970s. New York, 1976, pp. 85–86, ill.
Jacques Duchesne-Guillemin. "On the Cityscape of the Mérode Altarpiece." Metropolitan Museum Journal 11 (1977), pp. 129–30, figs. 1–2 (details).
Carla Gottlieb. "Disguised Symbolism in the Gulbenkian Annunciation." Revista coloquio artes da fundaçao Gulbenkian 32 (April 1977), pp. 24–33, fig. 2 (detail).
Marilyn Aronberg Lavin. "The Mystic Winepress in the Mérode Altarpiece." Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. New York, 1977, vol. 1, pp. 297–301; vol. 2, ill. p. 103, fig. 1 (detail).
Elfriede Scheil. "Fayencen in der Malerei des Mittelalters." PhD diss., Ludwig-Maximilians-Universität, Munich, 1977, pp. 29–31, nos. 21, 21a, pls. 4–5 (details).
Wim Swaan. The Late Middle Ages: Art and Architecture from 1350 to the Advent of the Renaissance. Ithaca, N.Y., 1977, p. 110, figs. 160–62.
Nicole Reynaud. "Les Maîtres à 'noms de convention'." Revue de l'art no. 42 (1978), p. 46, fig. 14 (detail).
Francis Ames-Lewis. "Fra Filippo Lippi and Flanders." Zeitschrift für Kunstgeschichte 42 (1979), pp. 258–60, 263, fig. 4 (detail).
Albert Châtelet. Van Eyck. Bologna, 1979, p. 22.
V. G. Martiny in "Architecture in Brussels in Van der Weyden's Time." Rogier van der Weyden / Rogier de le Pasture: Official Painter to the City of Brussels, Portrait Painter of the Burgundian Court. Exh. cat., Musée de la Ville de Bruxelles, Maison du Roi. Brussels, 1979, p. 98.
Katharine Baetjer. European Paintings in the Metropolitan Museum of Art by artists born in or before 1895: a summary catalogue. 3, New York, 1980, p. 327.
Katharine Baetjer. European Paintings in the Metropolitan Museum of Art by artists born in or before 1895: a summary catalogue. 1, New York, 1980, p. 23.
Elisa Bermejo. La pintura de los primitivos flamencos en España. 1, Madrid, 1980, p. 84.
Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 181, 183, 185–86, 237, figs. 345–48 (color, overall and details).
Gertrud Schiller. "Maria." Ikonographie der christlichen Kunst. 4, part 2, Gütersloh, Germany, 1980, p. 191.
Lorne Campbell. Unpublished text for MMA Bulletin. 1981.
Albert Châtelet. "Fenêtre et fontaine dans l'Annonciation." Études d'art médiéval offertes à Louis Grodecki. Paris, 1981, pp. 317–24, fig. 1 (detail).
Jozef De Coo. "A Medieval Look at the Merode Annunciation." Zeitschrift für Kunstgeschichte 44, no. 2 (1981), pp. 114–32, figs. 1–2 (overall and detail).
Mojmír Svatopluk Frinta. "The Style of the Underdrawing: To What Extent Reflecting the Distinct Temperament and How Much Indebted to a Drawing Tradition?" Le dessin sous-jacent dans la peinture. Colloque 3, Louvain-la-Neuve, 1981, pp. 74, 79, 82, pl. 15 (infrared detail).
Carla Gottlieb. The Window in Art. New York, 1981, pp. 114–21, 125, 138, 142, 144, figs. 55, 68 (details).
Adolf Reinle in Reallexikon zur Deutschen Kunstgeschichte. 7, Munich, 1981, cols. 1503, 1505–6, 1511, 1516, figs. 2a and b (center and right panels).
J. R. J. van Asperen de Boer et al. "A Progress Report on the Investigation of the Underdrawing in the Paintings of the Group van der Weyden/Flemalle." Le dessin sous-jacent dans la peinture. Colloque 4, Louvain-la-Neuve, 1982, pp. 98–99, 101 n. 2, pl. 21 (infrared detail).
Susan Groag Bell. "Medieval Women Book Owners: Arbiters of Lay Piety and Ambassadors of Culture." Signs: Journal of Women in Culture and Society. 7, no. 4, Summer 1982.
Ellen Callmann. "Campin's Maiolica Pitcher." Art Bulletin 64 (December 1982), pp. 629–31, figs. 1, 3 (details).
Mojmír Svatopluk Frinta. "Some Observations on the Campinesque 'Annunciation' in Brussels." Le dessin sous-jacent dans la peinture. Colloque 4, Louvain-la-Neuve, 1982, pp. 87–97.
Carol J. Purtle. The Marian Paintings of Jan van Eyck. Princeton, 1982, p. 24 n. 32, p. 30 n. 48.
Alain Erlande-Brandenburg. L'Art gothique. Paris, 1983, p. 136 [English ed., 1989, p. 137].
James Snyder in Dictionary of the Middle Ages. 3, New York, 1983, p. 61, ill.
Barbara G. Lane. The Altar and the Altarpiece: Sacramental Themes in Early Netherlandish Painting. New York, 1984, pp. 42–43, 45, 47, fig. 25 (detail).
Charles I. Minott. "Notes on the Iconography of Robert Campin's 'Nativity' in Dijon." Tribute to Lotte Brand Philip: Art Historian and Detective. New York, 1985, pp. 114–15.
James Snyder. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. New York, 1985, pl. 19.
Guy Bauman. "Early Flemish Portraits, 1425–1525." Metropolitan Museum of Art Bulletin 43 (Spring 1986), pp. 4–5, 18, 22, 60, figs. 1, 15 (overall and detail, color).
Jan Baptist Bedaux. "The Reality of Symbols: The Question of Disguised Symbolism in Jan van Eyck's 'Arnolfini Portrait'." Simiolus 16, no. 1 (1986), p. 25, fig. 19.
Shirley Neilsen Blum in "The Open Window: A Renaissance View." The Window in Twentieth-century Art. Exh. cat., Neuberger Museum, State University of New York at Purchase. Purchase, N.Y., 1986, pp. 10–11, fig. 3.
Anne Hagopian van Buren. "Thoughts, Old and New, on the Sources of Early Netherlandish Painting." Simiolus 16, no. 2/3 (1986), p. 96.
Cynthia Hahn. "'Joseph Will Perfect, Mary Enlighten and Jesus Save Thee': The Holy Family as Marriage Model in the Mérode Triptych." Art Bulletin 68 (March 1986), pp. 54–66, figs. 1–2, 5 (overall and details).
Susan Koslow. "The Curtain-Sack: A Newly Discovered Incarnation Motif in Rogier van der Weyden's 'Columba Annunciation'." Artibus et Historiae no. 13 (1986), p. 11, fig. 4 (detail).
J. R. J. van Asperen de Boer and J[eltje]. Dijkstra. "Some Technical Aspects of Two Master of Flémalle Group Paintings: The Brussels and the Mérode Triptych." Le dessin sous-jacent dans la peinture. Colloque 6, Louvain-la-Neuve, 1987, pp. 41–44.
David Carrier. "Naturalism and Allegory in Flemish Painting." Journal of Aesthetics and Art Criticism 45, no. 3 (Spring 1987), pp. 240, 243–44, 247, fig. 2 (color).
Odile Delenda. Rogier van der Weyden, Roger de Le [sic] Pasture. n.p., 1987, p. 35, ill. [German ed., Rogier van der Weyden: das Gesamtwerk des Malers, p. 53, ill.].
B. Underwood DuRette. "The Smoking Candle of the Mérode Altarpiece." Athanor 6 (1987), pp. 9–12, figs. 1–2 (overall and detail).
Timothy B. Husband Charles T. Little. Europe in the Middle Ages. New York, 1987, cat. no. 127, pp. 136-137.
James Snyder. The Renaissance in the North. The Metropolitan Museum of Art, 5, New York, 1987.
Introduction by James Snyder in The Metropolitan Museum of Art: The Renaissance in the North. New York, 1987, pp. 8–9, ill. (color).
Barbara G. Lane. "Sacred Versus Profane in Early Netherlandish Painting." Simiolus 18, no. 3 (1988), pp. 108–9, fig. 2.
Alison Stewart. "Joseph Drilling." Art Bulletin 70 (March 1988), p. 141.
Anna-Elisabeth Theuerkauff-Liederwald. "Mittelalterliche Bronze- und Messinggefäße." Bronzegeräte des Mittelalters. 4, Berlin, 1988, p. 374, fig. 149 (detail).
Aloys Butzkamm. Bild und Frömmigkeit im 15. Jahrhundert. Paderborn, Germany, 1989, pp. 21–22, 63, 103, figs. 10, 46 (overall and detail).
Jellie Dijkstra. "On the Role of Underdrawings and Modeldrawings in the Workshop Production of the Master of Flémalle and Rogier van der Weyden." Le dessin sous-jacent dans la peinture. Colloque 7, Louvain-la-Neuve, 1989, pp. 41–43, pl. 9 (detail, infrared).
Eva Frodl-Kraft. "Das Bildfenster im Bild: Glasmalereien in den Interieurs der frühen Niederländer." Bau- und Bilderkunst im Spiegel internationaler Forschung. Berlin, 1989, pp. 170–71.
J. R. J. van Asperen de Boer, J[eltje]. Dijkstra, and R[oger]. van Schoute, with the assistance of C. M. A. Dalderup, and Jan Piet Filedt Kok. "Underdrawing in Paintings of the Rogier van der Weyden and Master of Flémalle Groups." Nederlands Kunsthistorisch Jaarboek 41 (1990), pp. 13–16, 41, 48–49, 71, 81, 97–116, 125, 127, figs. 4, 6, 89–105 (overall and infrared details).
Albert Châtelet. "Révolution et art et révolution dans l'art: l'exemple du XVe siècle." L'art et les révolutions. [0], Strasbourg, 1990, pp. 152–56, 160, 162, ill. (details).
Francesco Colalucci. "'Muscipula diaboli'? Una pseudo-trappola per topi nell''Adorazione' di Lorenzo Lotto a Washington." Artibus et Historiae no. 21 (1990), pp. 73–75, figs. 3 (color detail), 4–5 (details).
Jozef De Coo. "Robert Campin: Vernachlässigte Aspekte zu seinem Werk." Pantheon 48 (1990), pp. 40–41, fig. 6 (detail).
Jeltje Dijkstra. "Origineel en Kopie: Een Onderzoek naar de Navolging van de Meester van Flémalle en Rogier van der Weyden." PhD diss., Universiteit van Amsterdam, 1990, pp. 162–85, 272–73, 293–94, fig. 16 (infrared detail).
Craig Harbison. "The Northern Altarpiece as a Cultural Document." The Altarpiece in the Renaissance. Cambridge, 1990, pp. 66–67, ill.
Felix Thürlemann in Espaces du texte—Spazi testuali—Texträume: Recueil d'hommages pour Jacques Geninasca. Neuchâtel, Switzerland, 1990, pp. 383–397, figs. 21–22, 24–25 (overall and details).
Joel M. Upton. Petrus Christus: His Place in Fifteenth-Century Flemish Painting. University Park, Pa., 1990, p. 25 n. 8, pp. 38, 53 n. 8, pp. 78, 86, 90 n. 3, fig. 70.
Bert Cardon. "Rogier van der Weyden and the Master of Amiens 200 Concerning the Relationship between Panelpainting and Bookillustration [sic]." Le dessin sous-jacent dans la peinture. Colloque 8, Louvain-la-Neuve, 1991, p. 44.
Albert Châtelet. "Peinture et enluminure au XVe siècle." Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands. Doornspijk, The Netherlands, 1991, p. 371.
Jozef De Coo. "Robert Campin, weitere vernachlässigte Aspekte." Wiener Jahrbuch für Kunstgeschichte 44 (1991), pp. 90–100, figs. 15, 18 (overall and detail).
R[eindert]. L. Falkenburg. "Het huishouden van de ziel: Burgerlijk decor in het Mérode-altaarstuk." Op belofte van profijt: Stadsliteratuur en burgermoraal in de Nederlandse letterkunde van de middeleeuwen. Amsterdam, 1991, pp. 244–61, ill.
Otto Pächt. Rembrandt. Munich, 1991, p. 81, fig. 46 (center panel).
Daniel Arasse. Le détail: Pour une histoire rapprochée de la peinture. Paris, 1992, pp. 259–61, ill.
Shirley Neilsen Blum. ""The Winterinham Tau Cross and Ignis Sacer"." Metropolitan Museum Journal. 27, 1992, pp. 46-50, fig. 5.
Shirley Neilsen Blum, Selected by Guy C. Bauman, and Walter A. Liedtke in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America. Antwerp, 1992, pp. 30–33, no. 1, ill. (overall and detail, color).
Shirley Neilsen Blum. "Hans Memling's 'Annunciation' with Angelic Attendants." Metropolitan Museum Journal 27 (1992), p. 46, fig. 5 (detail).
Matthew Botvinick. "The Painting as Pilgrimage: Traces of a Subtext in the Work of Campin and His Contemporaries." Art History 15 (March 1992), pp. 2, 6–18, figs. 2, 4 (overall and detail).
Sarah Brown. Stained Glass: An Illustrated History. London, 1992, ill. p. 94.
Christa Grössinger. North-European Panel Paintings: A Catalogue of Netherlandish & German Paintings Before 1600 in English Churches & Colleges. London, 1992, pp. 207, 260.
H. Installé. "Le triptyque Merode: evocation mnémonique d'une famille de marchands colonais, réfugiée à Malines." Handelingen van de Koninklijke Kring voor Oudheidkunde, Letteren en Kunst van Mechelen (1992), pp. 55–154, figs. 1–3, 10–11, 15, 18, 31 (overall and details).
Floyd Ratliff. Paul Signac and Color in Neo-Impressionism. New York, 1992, pp. 94–95, 294, fig. 46 (details, color).
Hartmut Scholz in "Tradition und Avantgarde die Farbverglasung der Besserer-Kapelle als Arbeit einer Ulmer "Werkstatt-Kooperative"." Deutsche Glasmalerei des Mittelalters. Berlin, 1992, vol. 2, pp. 107–8, fig. 7 (detail).
Felix Thürlemann. "Das Lukas-Triptychon in Stolzenhain." Zeitschrift für Kunstgeschichte 55, no. 4 (1992), pp. 528–29, fig. 3.
Christopher Baker. "Symposium Report: Robert Campin." Apollo 138 (July 1993), p. 53.
Albert Châtelet. "L'atelier de Robert Campin." Art et histoire no. 7 (1993), pp. 19, 25, 27, 29.
Michael Ann Holly. "Witnessing an Annunciation." Künstlerischer Austausch/Artistic Exchange. Berlin, 1993, vol. 2, pp. 714–18, 721, figs. 2–5.
Masterpieces of The Metropolitan Museum of Art. New York, 1993, pp. 57, 74–75, ill. (overall and detail, color).
Jochen Sander. Niederländische Gemälde im Städel, 1400–1550. Mainz, 1993, pp. 116, 120–21, fig. 48.
Linda Seidel. Jan van Eyck's Arnolfini Portrait: Stories of an Icon. Cambridge, 1993, pp. 85, 88–89, 228 n. 5, p. 230 n. 19, p. 245 n. 24, figs. 28, 41, 43 (overall and details).
Dagmar Regina Täube in Stefan Lochner, Meister zu Köln. Exh. cat., Wallraf-Richartz-Museum. Cologne, 1993, pp. 55, 62, fig. 2 (detail).
Felix Thürlemann. "J. R. J. van Asperen de Boer . . . Underdrawing in Paintings of the Rogier van der Weyden and Master of Flémalle Groups, Nederlands Kunsthistorisch jaarboek, vol. 41, 1990." Kunstchronik 46 (December 1993), pp. 723–25, 731, figs. 2a, 2b, 3a (detail and infrared details).
Hans Belting and Christiane Kruse. Die Erfindung des Gemäldes: Das erste Jahrhundert der niederländischen Malerei. Munich, 1994, pp. 79–83, 166–67, 176, colorpl. 70–71, fig. 41 (detail).
Edwin Hall. The Arnolfini Betrothal: Medieval Marriage and the Enigma of van Eyck's Double Portrait. Berkeley, 1994, pp. xvii–xviii, xix–xx, 96, 99, 109, 114, 116, fig. 47 (detail).
Otto Pächt. Van Eyck and the Founders of Early Netherlandish Painting. London, 1994, pp. 9, 50–51, 54–56, 58–65, 88, 105, 165, 174, 188, fig. 37 (detail), colorpl. 3 [German ed. 1989].
Teresa Pérez-Higuera. Puer natus est nobis: La iconografia de la Navidad en el arte medieval. Bilbao, 1994, ill. p. 56 (detail, color).
John W. Steyaert with the collaboration of Monique Tahon-Vanroose in Late Gothic Sculpture: The Burgundian Netherlands. Ghent, 1994, pp. 54, 298, fig. 15.
Maryan W. Ainsworth. "Afterthoughts and Challenges to Modern-Day Connoisseurship." Petrus Christus in Renaissance Bruges: An Interdisciplinary Approach. New York, 1995, p. 207.
Katharine Baetjer. European Paintings in the Metropolitan Museum of Art by artists born in or before 1895: a summary catalogue. New York, 1995, p. 242.
Craig Harbison. "Fact, Symbol, Ideal: Roles for Realism in Early Netherlandish Painting." Petrus Christus in Renaissance Bruges: An Interdisciplinary Approach. New York, 1995, p. 23.
Jochen Sander. "Die Entdeckung der Kunst": Niederländische Kunst des 15. und 16. Jahrhunderts in Frankfurt. Exh. cat., Städelsches Kunstinstitut, Frankfurt. Mainz, 1995, pp. 183, 185, fig. 178.
Jochen Sander. "Die Entdeckung der Kunst": Niederländische Kunst des 15. und 16. Jahrhunderts in Frankfurt. Exh. cat., Städelschues Kunstinstitut, Frankfurt. Mainz, 1995, pp. 183, 185, fig. 178.
Karl Arndt. "Konstellationen: Bode, Tschudi, Friedländer, Winkler. Die altniederländische Malerei in den Berliner Sammlungen." Jahrbuch der Berliner Museen (1996), p. 63.
David Bomford et al. "The 'Virgin and Child Before a Firescreen': History, Examination and Treatment." Robert Campin: New Directions in Scholarship. [Turnhout, Belgium], 1996, pp. 38–39, 45.
Albert Châtelet. Robert Campin, Le Maître de Flémalle: La fascination du quotidien. Antwerp, 1996, pp. 8, 12–13, 93–113, 115, 117–18, 127, 144–46, 157, 159, 189, 208, 228, 232, 236–37, 242, 246–47, 250–51, 276, 287, 291–96, 302, 306, 318, no. 6, ill. (color, overall and details) and frontispiece (color).
Joseph F. Chorpenning. The Holy Family as Prototype of the Civilization of Love: Images from the Viceregal Americas. Exh. cat., Regis Hall, Saint Joseph's University. Philadelphia, 1996, pp. 30, 39 n. 213.
Jeltje Dijkstra. "The Brussels and the Merode 'Annunciation' Reconsidered." Robert Campin: New Directions in Scholarship. [Turnhout, Belgium], 1996, pp. 95–104, figs. 1, 6–7 (detail and infrared detail) [ the author was unable to speak at the symposium].
Catherine Reynolds in The Dictionary of Art. 20, New York, 1996, pp. 669–70, 730.
Catherine Reynolds. "Reality and Image: Interpreting Three Paintings of the 'Virgin and Child in an Interior' Associated with Campin [a version of this paper was delivered as a public lecture at the National Gallery, not at the symposium]." Robert Campin: New Directions in Scholarship. [Turnhout, Belgium], 1996, p. 183.
Nanette Salomon. "Domesticating the Peasant Father: The Confluent Ideologies of Gender, Class, and Age in the Prints of Adriaen van Ostade." Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant. Athens, Ga., 1996, p. 50, fig. 8 [reprinted in "Shifting Priorities: Gender and Genre in Seventeenth-Century Dutch Painting," Stanford, 2004, p. 98, fig. 68].
Cyriel Stroo and Pascale Syfer-d'Olne. "The Master of Flémalle and Rogier van der Weyden Groups." The Flemish Primitives I: Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. 1, Brussels, 1996, pp. 34, 42–44, 46–47, fig. 11.
Kenneth Bé. "Geological Aspects of Jan van Eyck's 'Saint Francis Receiving the Stigmata'." Jan van Eyck: Two Paintings of "Saint Francis Receiving the Stigmata". Philadelphia, 1997, pp. 92, 94, fig. 117 (color detail).
Jeltje Dijkstra. "Book Reviews: Musées Royaux des Beaux-Arts de Belgique. The Flemish Primitives I: The Master of Flémalle and Rogier van der Weyden Groups. By Cyriel Stroo and Pascale Syfer-d'Olne, 1996." Burlington Magazine 139 (October 1997), p. 696.
Stephan Kemperdick. Der Meister von Flémalle: Die Werkstatt Robert Campins und Rogier van der Weyden. Turnhout, Belgium, 1997, pp. 5, 9–10, 56, 60–61, 63–64, 69, 72, 77–104, 131, 134, 136, 149–50, 155, 159–60, 164, 172 n. 133, pp. 181–86, ill. pp. 283, 285–87 (overall and details).
Jos Koldeweij in La pittura nei Paesi Bassi. Milan, 1997, vol. 1, pp. 74, 78, figs. 57, 59 (overall and color detail).
Otto Pächt. Early Netherlandish Painting from Rogier van der Weyden to Gerard David. London, 1997, pp. 13–14, ill. (center and right panel).
Felix Thürlemann. Robert Campin, das Mérode-triptychon: Ein Hochzeitsbild für Peter Engelbrecht und Gretchen Schrinmechers aus Köln. Frankfurt, 1997, pp. 5–94, ill. (overall and details).
Alfred Acres. "The Columba Altarpiece and the Time of the World." Art Bulletin 80 (September 1998), pp. 444–45, ill.
Julien Chapuis in From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Exh. cat.New York, 1998, cat. no. 2, pp. 10-11, 89-96, ill. fig. 6.
Lorne Campbell. National Gallery Catalogues: The Fifteenth Century Netherlandish Schools. London, 1998, p. 98.
Jeltje Dijkstra. "Boekbespreking: Stephan Kemperdick, Der Meister von Flémalle. Die Werkstatt Robert Campins und Rogier van der Weyden, 1997." Oud-Holland 112, no. 2/3 (1998), pp. 182–83 n. 4.
David Drummond. "The Mérode Mouse Trap and the Missing Clicket." Tools & Trades 10 (1998), pp. 37–40, fig. 1a (diagram of trap shown on workbench), pl. 1 (right wing).
Mark L. Evans. "Der Meister von Flémalle: Die Werkstatt Robert Campins und Rogier van der Weyden. By Stephan Kemperdinck [sic], 1997." Burlington Magazine 140 (October 1998), p. 686.
John Oliver Hand. "New York. From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art." Burlington Magazine 140 (December 1998), pp. 854–55, ill.
Hélène Mund in Dirk Bouts (ca. 1410–1475): Een Vlaams primitief te Leuven. Exh. cat., Sint-Pieterskerk en Predikherenkerk, Leuven. Louvain, 1998, p. 237.
Patrik Reuterswärd. "New Light on Robert Campin." Konsthistorisk tidskrift 67, no. 1 (1998), pp. 46–52, 54 n. 5, figs. 4–6 (overall and details).
Charles Sterling and Maryan W. Ainsworth in "Fifteenth- to Eighteenth-Century European Paintings." The Robert Lehman Collection. 2, New York, 1998, p. 23.
Albert Châtelet. Rogier van der Weyden: Problèmes de la vie et de l'oeuvre. Strasbourg, 1999, pp. 94, 97.
Dirk De Vos. Rogier van der Weyden: The Complete Works. New York, 1999, pp. 65–66, 78–79, 82–83 nn. 21–22, pp. 95, 98, 149, 174, 195, 198, 206 n. 5, pp. 207–8 n. 7, ill. in color (details) and infrared details.
Reinhard Liess. Zum Logos der Kunst Rogier van der Weydens: Die 'Beweinungen Christi' in den Königlichen Museen in Brüssel und in der Nationalgalerie in London. Münster, 2000, vol. 1, pp. 8, 17–19, 36–40, 52, 60, 66–71, 80, 86–88, 96, 99–102, 163, 171, 241, 255, 267–68, 365; vol. 2, pp. 381–82, 388, 423–30, 488, 513–601, 608–16, 620, 633, 649–53, 659–67, 670–71, 675–81, 704–6, 732–36, 748–50, 766, 792–98, 820, 831, ill.
Nanette Salomon. "Early Netherlandish 'Bordeeltjes' and the Construction of Social 'Realities'." The Public and Private in Dutch Culture of the Golden Age. Newark, Del., 2000, pp. 150, 161 n. 41, fig. 8 [reprinted in "Shifting Priorities: Gender and Genre in Seventeenth-Century Dutch Painting," Stanford, 2004, pp. 85, 133 n. 40, fig. 68].
Reindert L. Falkenburg. "The Household of the Soul: Conformity in the 'Merode Triptych'." Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies. New York, 2001, pp. 1–18, pls. 1–4 (overall and details).
Molly Faries. "Reshaping the Field: The Contribution of Technical Studies." Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies. New York, 2001, p. 101.
Philippe Lorentz and Micheline Comblen-Sonkes. Musée du Louvre, Paris. III [Les primitifs flamandes, I: Corpus de la peinture des anciens Pays-Bas méridionaux et de la principauté de Liège au quinzième siècle, vol. 19]. Brussels, 2001, text vol., pp. 24, 26, 29–30, 33–34, 36.
Peter Parshall. "Commentary: Conformity or Contrast?" Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies. New York, 2001, pp. 20–21, 24–25.
Carolyn C. Wilson. St. Joseph in Italian Renaissance Society and Art. Philadelphia, 2001, pp. 46, 60, 62–63, 77, 186 n. 91, p. 207 n. 77, p. 226 n. 202, pl. 49
.
Georg Zeman. "Rezensionen: Stephan Kemperdick. Der Meister von Flémalle. Die Werkstatt Robert Campins und Rogier van der Weyden, 1997." Kunstchronik no. 5 (May 2001), pp. 214–17.
Marina Belozerskaya. Rethinking the Renaissance: Burgundian Arts Across Europe. Cambridge, 2002, p. 227, fig. 52 (detail).
Till-Holger Borchert. The Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting 1430–1530. Exh. cat., Groeningemuseum, Bruges. Ghent, 2002, pp. 12, 249.
Dirk De Vos. The Flemish Primitives: The Masterpieces. Antwerp, 2002, pp. 27–34, ill. (color; overall and details).
Martha Hollander. An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art. Berkeley, 2002, pp. 159, 161–62, 185, 223 n. 13, fig. 72.
Felix Thürlemann. Robert Campin: A Monographic Study with Critical Catalogue. Munich, 2002, pp. 58, 63, 65–76, 188, 219 nn. 71, 77–81, p. 220 nn. 82, 88, 90, 93–96, 98, 100, p. 221 nn. 110–13, pp. 269–72, 305–6, no. I.12, figs. 42–44, 52, and pp. 60–62 (color, overall and details), fig. 46 (x-radiograph detail), ill. p. 269.
Georg Zeman with the collaboration of Fritz Koreny in Early Netherlandish Drawings from Jan van Eyck to Hieronymus Bosch. Exh. cat., Rubenshuis. Antwerp, 2002, p. 67.
Margaret Koster. "New Documentation for the Portinari Altar-piece." Burlington Magazine 145 (March 2003), pp. 172, 175, ill.
Mariantonia Reinhard-Felice in Sammlung Oskar Reinhart 'Am Römerholz,' Winterthur: Gesamtkatalog. Basel, 2003, p. 108.
Paula Nuttall. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven, 2004, p. 267 nn. 16, 19.
Maryan W. Ainsworth. "Intentional Alterations of Early Netherlandish Paintings." Metropolitan Museum Journal 40 (2005), pp. 56, 58, fig. 11.
Peter Barnet and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven, 2005, cat. no. 89, pp. 125-26, 197.
Till-Holger Borchert. "Collecting Early Netherlandish Paintings in Europe and the United States." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, p. 216 [Dutch ed., "'Om iets te weten van de oude meesters'. De Vlaamse Primitieven—herontdekking, waardering en onderzoek," Nijmegen, 1995].
Jeltje Dijkstra. "Technical Examination." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, p. 327 [Dutch ed., 'Om iets te weten van de oude meesters'. De Vlaamse Primitieven—herontdekking, waardering en onderzoek, Nijmegen, 1995].
Craig Harbison. "Iconography and Iconology." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, pp. 392–94, 396, 398–99, 402 [Dutch ed. "'Om iets te weten van de oude meesters.' De Vlaamse Primitieven-herontdekking, waardering en onderzoek," Nijmegen, 1995].
Thomas Ketelsen in Thomas Ketelsen and Uta Neidhardt. Das Geheimnis des Jan van Eyck: Die frühen niederländischen Zeichnungen und Gemälde in Dresden. Exh. cat., Residenzschloss Dresden. Munich, 2005, pp. 136, 173 n. 2 (to Kat. 44).
Wessel Krul. "Realism, Renaissance and Nationalism." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, pp. 289, 428 n. 92 [Dutch ed. "'Om iets te weten van de oude meesters.' De Vlaamse Primitieven-herontdekking, waardering en onderzoek," Nijmegen, 1995].
Maximiliaan P. J. Martens. "Patronage." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, p. 364 [Dutch ed., 'Om iets te weten van de oude meesters'. De Vlaamse Primitieven—herontdekking, waardering en onderzoek, Nijmegen, 1995].
Michael Norris. Medieval Art: A Resource for Educators. New York, 2005.
Bernhard Ridderbos in "Objects and Questions." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, pp. 13, 16–23, 83, 409 nn. 31, 33, p. 410 nn. 46–48, figs. 7 (color) and 9 (right wing); ill. on back cover (color) [Dutch ed., 'Om iets te weten van de oude meesters'. De Vlaamse Primitieven—herontdekking, waardering en onderzoek, Nijmegen, 1995].
Reindert L. Falkenburg. "Hans Memling's Van Nieuwenhove Diptych: The Place of Prayer in Early Netherlandish Devotional Painting." Essays in Context: Unfolding the Netherlandish Diptych. Cambridge, Mass., 2006, pp. 101–2, ill. [published in conjunction with the 2006 exh. cat., "Prayers and Portraits: Unfolding the Netherlandish Diptych"].
Pierre Rosenberg. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006, pp. 26–27, 228–29, ill. (detail, and color overall).
Albert Châtelet. "Robert Campin et le Hainaut." Campin in Context: Peinture et société dans la vallée de l'Escaut à l'époque de Robert Campin, 1375–1445. Valenciennes, France, 2007, p. 187.
David Ekserdjian. Alle origini della natura morta. Milan, 2007, pp. 148–51, ill. (color; overall and details).
Stephan Kemperdick. "The Flémalle—Campin—Van der Weyden Problem: Still Existing." Campin in Context: Peinture et société dans la vallée de l'Escaut à l'époque de Robert Campin, 1375–1445. Valenciennes, France, 2007, pp. 3–4, 7.
Michael Rohlmann. "The Annunciation by Joos Ammann in Genoa: Context, Function and Metapictorial Quality." Cultural Exchange Between the Low Countries and Italy (1400–1600). Turnhout, Belgium, 2007, p. 40 n. 57.
Dominique Vanwijnsberghe. "Robert Campin and Tournaisian Manuscript Painting." Campin in Context: Peinture et société dans la vallée de l'Escaut à l'époque de Robert Campin, 1375–1445. Valenciennes, France, 2007, pp. 132, 136.
Suzanne Laemers. "'A Matter of Character': Max J. Friedländer et ses relations avec Émile Renders et Jef van der Veken." Autour de la "Madeleine Renders": Un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle. Brussels, 2008, pp. 166–67 n. 68, pp. 170, 175.
Annette LeZotte. The Home Setting in Early Netherlandish Paintings: A Statistical and Iconographical Analysis of Fifteenth- and Early Sixteenth-Century Domestic Imagery. Lewiston, N.Y., 2008, pp. 20, 26–32, 38, 44, 72–75, 109–12, 133–37.
Walter Liedtke. Vermeer: The Complete Paintings. Antwerp, 2008, p. 165.
Jacqueline Marie Musacchio. Art, Marriage, & Family in the Florentine Renaissance Palace. New Haven, 2008, p. 228, fig. 233 (color detail).
Paul Bonaventura. "Transcendental Reality." Apollo 169 (March 2009), p. 136, fig. 1 (color).
Bastian Eclercy. "On Mousetraps and Firescreens: The Problem of 'Disguised Symbolism' in Early Netherlandish Painting." The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, pp. 133–35, 138–42, 144–45, 173 n. 25, p. 174 nn. 43–44, figs. 94, 97 (color, overall and detail) [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
Mojmír Frinta. "Observation on Michel Sittow." Artibus et Historiae no. 60 (2009), p. 155 n. 18.
Stephan Kemperdick in The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, pp. 118, 126–27, 229, 232–33, 236–37, 289–90 [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
Stephan Kemperdick and Jochen Sander. "The Master of Flémalle, Robert Campin, and Rogier van der Weyden: A Résumé." The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, pp. 150–52 [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Städelsches Kunstinstitut und Städtische Galerie Gemäldegalerie, Staatliche Museen zu Berlin. Ostfildern, 2009, cat. no. 4, pp. 139, 192–201, figs. 97, 118.
Peter Klein. "Dendrochronological Analysis of Panel Paintings Belonging to the Master of Flémalle and Rogier van der Weyden Groups." The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, p. 162 [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
Antje-Fee Köllermann. "Netherlandish Painting before the Master of Flémalle and Rogier van der Weyden." The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, p. 46 [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
Barbara G. Lane. Hans Memling: Master Painter in Fifteenth-Century Bruges. London, 2009, pp. 138, 145 n. 70.
Jochen Sander in The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, pp. 83–84, 90–93, 171–72 nn. 53, 91, pp. 188, 190–201, 205, 336, no. 4, figs. 56, 113, 115–16 (color details), fig. 118 (color, central panel), ill. pp. 192–93 (color) [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].
Felix Thürlemann. "Schüler von Robert Campin sein." Emil Bosshard, Paintings Conservator (1945–2006): Essays by Friends and Colleagues. Florence, 2009, pp. 238, 247–54 n. 18, figs. 6–7 (overall and detail).
Till-Holger Borchert in Van Eyck to Dürer: Early Netherlandish Painting & Central Europe, 1430–1530. Exh. cat., Groeningemuseum, Bruges. Tielt, Belgium, 2010, p. 175.
Van Eyck to Dürer: Early Netherlandish Painting and Central Europe 1430-1530. Exh. cat.Tielt, BE, 2010, cat. no. 259, p. 471.
Stepánka Chlumská in Van Eyck to Dürer: Early Netherlandish Painting & Central Europe, 1430–1530. Exh. cat., Groeningemuseum, Bruges. Tielt, Belgium, 2010, p. 471, fig. a (center panel).
Olga Kotková in Van Eyck to Dürer: Early Netherlandish Painting & Central Europe, 1430–1530. Exh. cat., Groeningemuseum, Bruges. Tielt, Belgium, 2010, p. 467.
Anna Moraht-Fromm in Van Eyck to Dürer: Early Netherlandish Painting & Central Europe, 1430–1530. Exh. cat., Groeningemuseum, Bruges. Tielt, Belgium, 2010, p. 278.
Götz J. Pfeiffer in Van Eyck to Dürer: Early Netherlandish Painting & Central Europe, 1430–1530. Exh. cat., Groeningemuseum, Bruges. Tielt, Belgium, 2010, p. 167.
Larry Silver. Pieter Bruegel. New York, 2011, p. 276, colorpl. 233 (detail).
Peter Barnet and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary. New York and New Haven, 2012, pp. 130-131.
The Metropolitan Museum of Art Introduction by Thomas P. Campbell in The Metropolitan Museum of Art Guide. New York and New Haven, Connecticut, 2012, p. 213.
Ursula Mende. Die mittelalterlichen Bronzen im Germanischen Nationalmuseum: Bestandskatalog. Nuremberg, 2013, p. 326.
Piotr Kulesza. Plants in 15th-century Netherlandish Painting: a Botanical Analysis of Selected Paintings. Lublin, 2014, pp. 25-35, fig. 1.
