English
The Cloisters Cross
One of the masterpieces of Romanesque art, this altar cross with some ninety-two figures and ninety-eight inscriptions is the vehicle for a complex iconographic program that is unrivaled in Christian art. On one side, the stylized trunk of a tree is superimposed on the Cross, and the terminals present scenes from the story of Jesus’ death and resurrection. On the other side, Hebrew prophets, each holding a scroll with his own words, surround the central, allegorical medallion of the Lamb of God, apparently being pierced by the personification of Synagogue. Symbols of the Evangelists, authors of the Gospels, appear on the terminals: the lion of Mark on the left, the ox of Luke on the right, and the eagle of John on the top; the angel of Matthew once on the bottom is lost.
It has often been suggested that the cross comes from the English abbey at Bury Saint Edmunds in Suffolk. The richness of subjects and the overall intellectual character suggest intense theological dialogue. Prominent among the inscriptions are several strong invectives against Jews. Though it is impossible to know precisely who commissioned this piece and with what aims, the cross offers some indication of the anti-Jewish sentiment prevalent in England at this time. Indeed, by the end of the thirteenth century, Jews were expelled from the country.
It has often been suggested that the cross comes from the English abbey at Bury Saint Edmunds in Suffolk. The richness of subjects and the overall intellectual character suggest intense theological dialogue. Prominent among the inscriptions are several strong invectives against Jews. Though it is impossible to know precisely who commissioned this piece and with what aims, the cross offers some indication of the anti-Jewish sentiment prevalent in England at this time. Indeed, by the end of the thirteenth century, Jews were expelled from the country.
Artwork Details
- Title: The Cloisters Cross
- Date: ca. 1150–60
- Culture: British
- Medium: Walrus ivory
- Dimensions: Overall: 22 5/8 x 14 1/4in. (57.5 x 36.2cm)
shaft: 12 3/8 x 1 11/16 in. (31.4 x 4.3cm)
shaft-thickness: 1 1/4in. (3.2cm)
top piece: 8 1/8in. (20.6cm)
Cross piece: 9 3/4in. (24.8cm)
Central medallion: 2 5/8in. (6.7cm)
Terminal plaque: Mark: 2 1/4 x 2 5/16in. (5.7 x 5.9cm)
Terminal plaque: Luke: 2 5/16 x 2 1/8in. (5.9 x 5.4cm)
Terminal plaque: John: 2 5/16 x 2 1/4in. (5.9 x 5.7cm)
Thickness, each: 1 1/2in. (3.8cm)
to: 1 5/8in. (4.1cm) - Classification: Ivories-Walrus
- Credit Line: The Cloisters Collection, 1963
- Object Number: 63.12
- Curatorial Department: Medieval Art and The Cloisters
Audio
54. The Cloisters Cross, Part 1
0:00
0:00
We're sorry, the transcript for this audio track is not available at this time. Please email info@metmuseum.org to request a transcript for this track.
Listen to more about this artwork
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.