Inscription: Signed (lower left): Jackson Pollock

the artist, Springs, N.Y. (1943–at least 1955; gift to Krasner); his wife, Lee Krasner, New York (until 1982; sold to MMA)

New York. Art of this Century. "First Exhibition in America of 20 Paintings," April 11–May 6, 1944, no. 16.

Arts Club of Chicago. "Jackson Pollock," March 5–31, 1945, no. 6.

San Francisco Museum of Modern Art. "Jackson Pollock," August 7–26, 1945, no. 6.

Bennington, Vt. Bennington College. "A Retrospective Show of the Paintings of Jackson Pollock," November 17–30, 1952, no. 1 (dates it 1944).

Williamstown, Mass. Lawrence Art Gallery. "A Retrospective Show of the Paintings of Jackson Pollock," December 1–21, 1952, no. 1.

New York. Sidney Janis Gallery. "15 Years of Jackson Pollock," November 28–December 31, 1955, no. 4 (lent by the artist).

Museu de Arte Moderna de São Paulo. "Pollock, IV Bienal," September 22–December 31, 1957, no. 5 (lent by Lee Krasner Pollock, Springs, Long Island, New York).

Museo Nazionale d'Arte Moderna, Rome. "Jackson Pollock: 1912–1956," March 1–30, 1958, no. 5 (lent by Lee Krasner Pollock, Springs, Long Island, New York). Kunsthalle Basel. "Jackson Pollock: 1912–1956," April 19–May 26, 1958, no. 5. Stedelijk Museum Amsterdam. "Jackson Pollock: 1912–1956," June 6–July 7, 1958, no. 5. Berlin. Hochschule für Bildende Kunste. "Jackson Pollock: 1912–1956," September 3–October 5, 1958, no. 5. London. Whitechapel Gallery. "Jackson Pollock: 1912–1956," November 5–December 14, 1958, no. 5. Musée National d'Art Moderne, Centre Georges Pompidou. "Jackson Pollock et Nouvelle Peinture Américaine," January 16–February 15, 1959, no. 5.

Kassel. Museum Fridericianum. "Documenta II," July 11–October 11, 1959, no. 1 (lent by Lee Krasner Pollock, New York).

Kunstverein für die Rheinlande und Westfalen. "Jackson Pollock," September 5–October 8, 1961, no. 60.

Kunsthaus Zürich. "Jackson Pollock," October 24–November 29, 1961, no. 60.

Stockholm. Moderna Museet, Stockholm. "Jackson Pollock," February–April 1963, no. 60 (same as Exh. Dusseldorf and tour 1961).

New York. Marlborough Gerson Gallery. "Jackson Pollock," January–February 1964, no. 61.

Los Angeles County Museum of Art. "The New York School, the First Generation: Paintings of the 1940s and 1950s," July 16–August 1, 1965, no. 76 (see Ref. Tuchman 1971).

Cleveland Museum of Art. "Fifty Years of Modern Art, 1916–1966," June 14–July 31, 1966, no. 86 (lent by the Marlborough–Gerson Gallery).

Museum of Modern Art, New York. "Jackson Pollock," April 5–June 4, 1967, no. 13 (lent by the estate of the artist).

Los Angeles County Museum of Art. "Jackson Pollock," July 19–September 3, 1967, no. 13.

Baltimore Museum of Art. "From El Greco to Pollock: Early and Late Works by European and American Artists," October 22–December 8, 1968, no. 136 (lent by the Marlborough–Gerson Gallery, Inc., collection of Lee Krasner Pollock).

London. Hayward Gallery. "Dada and Surrealism Reviewed," January 11–March 27, 1978, no. 15.42 (lent by Lee Krasner Pollock).

Paris. Musée National d'Art Moderne, Centre Georges Pompidou. "Jackson Pollock," January 21–April 19, 1982, unnumbered cat. (collection of Lee Krasner Pollock).

Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 67).

Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.

Museum of Modern Art, New York. "Jackson Pollock," November 1, 1998–February 2, 1999, no. 69. London. Tate Gallery. "Jackson Pollock," March 11–June 6, 1999, no. 69.

B. H. Friedman. "Profile: Jackson Pollock." Art in America 43 (December 1955), p. 59.

Dore Ashton. "Art." Arts and Architecture 73 (January 1956), p. 10.

Sam Hunter. "Jackson Pollock: The Maze and the Minotaur." New World Writing (1956), pp. 185, 188.

Sam Hunter. Pollock. Exh. cat., The International Council at the Museum of Modern Art, New York. New York, 1957, unpaginated, no. 5.

Parker Tyler. "Hopper/Pollock." Art News Annual 26 (1957), p. 87, ill. p. 103.

Sam Hunter. Jackson Pollock 1912–1956. Exh. cat., Whitechapel Gallery , organized by The International Council at the Museum of Modern Art, New York. London, 1958, p. 10.

Sam Hunter. Modern American Painting and Sculpture. New York, 1959, pp. 143–44.

Frank O'Hara. Jackson Pollock. New York, 1959, pp. 19–20, colorpl. 15.

William Rubin. "Notes on Masson and Pollock." Arts 34 (November 1959), p. 42, ill.

Bryan Robertson. Jackson Pollock. New York, 1960, pp. 138–39, colorpl. 98.

Friedrich Bayl. "Jackson Pollock." Die Kunst und das schöne Heim 9 (June 1961), p. 330, fig. 2.

Dore Ashton. The Unknown Shore: A View of Contemporary Painting. Boston, 1962, pp. 45–46.

Ulf Linde. "Jackson Pollock." Louisiana Revy 4 (September 1963), ill. p. 4.

Henry Geldzahler. American Painting in the Twentieth Century. New York, 1965, p. 186.

Werner Haftmann. Painting in the Twentith Century: An Analysis of the Artists and Their Work. New York, 1965, p. 348, pl. 896.

Philip Leider. "The New York School in Los Angeles." Artforum 4 (September 1965), pp. 8, 11.

Francis V. O'Connor. "The Genesis of Jackson Pollock, 1912 to 1943." PhD. diss., Johns Hopkins University, 1965, pp. 226–27, pl. 81.

Sidney Tillim. "The Figure and the Figurative in Abstract Expressionism." Artforum 4 (September 1965), ill. p. 46.

Werner Haftmann. Painting in the Twentieth Century: A Pictorial Survey. New York, 1966, pl. 896.

Edward B. Henning. Fifty Years of Modern Art. Cleveland, 1966, unpaginated, p. 206, no. 86, ill.

Andrew Hudson. "Largest Pollock Retrospective Marked by Artist's Two Peaks." Washington Post (April 16, 1967), p. L7.

Lawrence Campbell. "Ah, Sweet Mystery of Gerontion." ART News 67 (November 1968), p. 39, ill (color).

Francis V. O'Connor. From El Greco to Pollock: Early and Late Works by European and American Artists. Ed. Gertrude Rosenthal Exh. cat., Baltimore Museum of Art., 1968, pp. 160–61, no. 136, ill.

Anthea Palmer. "International Expressionism at Marlborough–Gerson." Arts 42 (May 1968), ill. p. 43.

William S. Rubin. Dada and Surrealist Art. New York, 1968, ill. p. 447, fig. D–250.

Barbara Rose. American Painting: The 20th Century. [Lausanne], [1969], ill. p. 67 (color).

Bernice Rose. Jackson Pollock: Works on Paper. New York, 1969, p. 106 n. 2.

C.H. Waddington. Behind Appearance: A Study of the Relations Between Painting and the Natural Sciences in this Century. Cambridge, Mass., 1969, p. 141.

Irving Sandler. The Triumph of American Painting: A History of Abstract Expressionism. New York, 1970, p. 108.

C.L. Wysuph. Jackson Pollock: Psychoanalytic Drawings. New York, 1970, pp. 25, 28.

Alberto Busignani. Pollock. New York, 1971, pp. 25, 33, colorpl. 12.

Maurice Tuchman. New York School, The First Generation: Paintings of the 1940s and 1950s. Exh. cat., Los Angeles County Museum of Art. Greenwich, Conn., 1971, p. 226, no. 82, ill. p. 116.

David Freke. "Jackson Pollock: A Symbolic Self–Portrait." Studio International 184 (December 1972), pp. 217, , 219, 221, ill. p. 220.

B. H. Friedman. Jackson Pollock: Energy Made Visible. New York, 1972, pp. 94, 200.

Judith Wolfe. "Jungian Aspects of Jackson Pollock's Imagery." Artforum 11 (November 1972), pp. 66, 68–69, fig. 9.

Sam Hunter and John Jacobus. American Art of the Twentieth Century: Painting, Sculpture, Architecture. New York, 1973, pp. 225, 254, fig. 405.

Frank O'Hara. Art Chronicles 1954–1966. New York, 1975, pp. 21–23, fig. 8.

Barbara Rose. American Art Since 1900. Rev. and expanded ed., (1st ed., 1967). New York, 1975, p. 148, fig.6–19.

Elizabeth Lawrence Langhorne. "A Jungian Interpretation of Jackson Pollock's Art Through 1946." PhD. diss., University of Pennsylvania, 1977, pp. 173, 202–11, 216 nn. 63, 64, pp. 219, 221–22, 226, 230–31, 239, 249, 251, 254–25, 264, 270, 305, pl. 163.

Charles F. Stuckey. "Another Side of Jackson Pollock." Art in America 65 (November–December 1977), p. 88.

Dawn Ades. Dada and Surrealism Reviewed. London, 1978, p. 399, no. 15.42.

Francis V. O'Connor and Eugene Victor Thaw. Jackson Pollock. Vol. 1,Paintings, 1930–1947. New Haven, 1978, p. 92, no. 101, ill.

Italo Tomassoni. Pollock. New York, 1978, p. 22, colorpl. 19.

Dore Ashton. "Jackson Pollock's Arabesque." Arts Magazine (March 1979), pp. 142–43, ill.

William Rubin. "Pollock as Jungian Illustrator: The Limits of Psychological Criticism, Part II." Art in America 67 (December 1979), pp. 73–7, 90 n. 10, fig. 4.

Bernice Rose. Jackson Pollock: Drawing into Painting. Exh. cat., Museum of Modern Art, New York. New York, 1980, p. 26 n. 29.

Michael Brenson. "Met Museum Gets Pollock Works." New York Times (December 22, 1982), p. C15.

E. A. Carmean, Jr. Jackson Pollock. Exh. cat., Musée National d'Art Moderne, Centre Georges Pompidou. Paris, 1982, p. 73, ill. pp. 122–23 (color).

Flavio Caroli. Pollock et le cubisme. Paris, 1982, p. 33, ill. pp. 122–123 (color).

Richard Eder. "After a Strike, Paris Gets to See 63 Pollocks." New York Times (February 9, 1982), p. C8.

Grace Glueck. "Met Acquires Early Pollock." New York Times (January 13, 1982), p. C19.

Georges Raillard. Devant Pollock. Paris, 1982, pp. 36, 39–40, ill. p. 122–123.

Pierre Restany. Pollock ou la peinture en tant qu'objet, 1982, p. 78, ill. pp 122–23 (color).

Flavio Caroli in Jackson Pollock: Opere 1039–1956. Exh. cat., Palazzo Venezia. Rome, 1983, p. 95.

Elizabeth Frank. Jackson Pollock. New York, 1983, pp. 46–47, fig. 34 (color).

William S. Lieberman in Jackson Pollock: Opere 1930–1956. Exh. cat., Palazzo Venezia. Rome, 1983, p. 11.

Charles W. Millard. "Jackson Pollock." Hudson Review 36 (Summer 1983), pp. 340–341.

Marisa Vexcovo in Jackson Pollock: Opere 1930–1956. Exh. cat., Palazzo Venezia. Rome, 1983, pp. 17–18.

Sam Hunter and John Jacobus. Modern Art: Painting/Sculpture/Architecture. 2nd. ed. (1st ed. 1977). New York, 1985, p. 273, fig. 492.

Rosalind E. Krauss. The Originality of the Avant Garde and Other Modernist Myths. Cambridge, Mass., 1985, p. 232 n. 17.

Kay Larson. "The Met's Modern Movement." New York Magazine (August 26, 1985), p. 100.

Yoshiaki Tono. Pollock. Tokyo, 1985, p. 74, ill.

Michael Desmond. 20th Century Masters from The Metropolitan Museum of Art, New York. Brisbane, 1986, p. 66–67, ill. (color).

Eugene Victor Thaw. "The Abstract Expressionists." Metropolitan Museum of Art Bulletin 44 (Winter 1986–87), p. 13–14, 21, fig. 10 (color).

Deborah Solomon. Jackson Pollock: A Biography. New York, 1987, pp. 138–39.

Brian O'Doherty. American Masters: The Voice and the Myth. New York, 1988, p. 105, ill. p. 98 (color).

Ellen G. Landau. Jackson Pollock. New York, 1989, pp. 121–26, ill. pp. 122–23 (color).

Elizabeth L. Langhorne. "Pollock, Picasso and the Primitive." Art History 12 (March 1989), p. 74.

Steven Naifeh and Gregory White Smith. Jackson Pollock: An American Saga. New York, 1989, pp. 457–58, 493–94, 513–14, 520–21, 588, 697.

Timothy J. Clark. "Jackson Pollock's Abstraction." Reconstructing Modernism: Art in New York, Paris, and Montreal, 1945 1964. Ed. Serge Guilbaut. Cambridge, Mass., 1990, p. 186.

Ben Heller. Jackson Pollock: Black Enamel Paintings. Exh. cat., Gagosian Gallery. New York, 1990, pp. 14, 17.

Lisa Mintz Messinger in Jackson Pollock: Zeichnungen. Exh. cat., Württembergischer Kunstverein Stuttgart. Stuttgart, 1990, p. 64ill. p. 61 (color).

Roberta Smith. "Where to See Pollocks." New York Times (February 2, 1990), p. C28.

Paul Scott Derrick. "The Art of Jackson Pollock: Man Restored to the Web." Atlantis (November 1991), pp. 22–23.

April Kingsley. The Turning Point: The Abstract Expressionists and the Transformation of American Art. New York, 1992, p. 340.

Lisa Mintz Messinger. Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art. Exh. cat., High Museum of Art, Atlanta. New York, 1992, p. 90.

Michael Leja. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven, 1993, pp. 76, 160, 170, 287, 290, fig. 9.

Teru Fujieda. Jackson Pollock. Tokyo, 1994, ill. p. 83.

Michael Kimmelman. "At the Met and the Modern with Richard Serra: One Provocateur Inspired by Another." New York Times (August 11, 1995), p. C26.

Lisa Messinger. Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art. Exh. cat., National Museum of Modern Art, Tokyo. Tokyo, 1995, p. 90.

Holland Cotter. "Prospecting In the Jumble Of Pollock's Earliest Work." New York Times (October 21, 1997), p. E3.

Nan Rosenthal in "The Pollock Sketchbooks: An Introduction." The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art. New York, 1997, pp. 16, 26, fig. 6.

T. J. Clark. Farewell to an Idea: Episodes from a History of Modernism. New Haven, 1999, pp. 333, 359–60.

Pepe Karmel. "A Sum of Destructions." Jackson Pollock: New Approaches. Ed. Kirk Varnedoe. New York, 1999, p. 80.

Jeremy Lewison. Interpreting Pollock. London, 1999, pp. 22, 26, fig. 20 (color).

Carol C. Mancusi–Ungaro. "Jackson Pollock: Response as Dialogue." Jackson Pollock: New Approaches. Eds. Kirk Varnedoe and Pepe Karmel. New York, 1999, p. 119.

Leonhard Emmerling. Jackson Pollock, 1912–1956. Cologne, 2003, pp. 39–42.

Sue Taylor. "The Artist and the Analyst: Jackson Pollock's 'Stenographic Figure'." American Art (Autumn 2003), p. 62.

Alexander B. Herman and John Paoletti. "Re–Reading Jackson Pollock's 'She–Wolf'." Artibus et Historiae 25, no. 5 (2004), pp. 148, 153 n. 18.

Jed Perl. New Art City. New York, 2005, pp. 170, 190, ill.

Evan R. Firestone. "Another Visual Source for Jackson Pollock's Guardian Figures." Notes in the History of Art 25 (Spring 2006), pp. 40, 46, fig. 2.

Evelyn Toynton. Jackson Pollock. New Haven, 2012, p. 34.

Sergio Risaliti in Jackson Pollock: The Sound of the Fury. Ed. Sergio Risaliti with Francesca Campana Comparini. Exh. cat., Palazzo Vecchio. Florence, 2014, ill. p. 44.